George III Giltwood Mirror in the Manner of Linnell

A fantastic and extremely rare pair of George III period gilt Carton-Pierre and giltwood oval mirrors in the manner of John Linnell. Each mirror is gorgeously hand carved with meticulous detail and fine craftsmanship. The giltwood borders are designed with foliate crests above female masks, with aprons centered by a standing or recumbent left facing lamb. It is extremely rare to find a pair of mirrors of this date and in such amazing untouched condition, the mirror panels are most probably original and date to the late 1700s. Provenance: Jeremy, Ltd., London England, circa 1770 Carton-pierre, literal translation from the French - cardboard stone, was developed in the 18th century specifically to imitate wood and stone. The Formula typically included flour, chalk, sawdust, sand and plaster and bound with wax, resin, animal glues or gum arabic. The material could be moulded, bent and otherwise formed into the desired design. Preeminent makers like Gillows and John Linnell began using carton pierre in the late 1760s. The new material allowed for lacey decorative spandrels and festoons that could be made into nearly any length or shape required. These elements and the particular foliate umbrella canopy on this pair of mirrors relates to designs of William and John Linnell. The most famous example of this crest element is on the mirror supplied by Linnell to the 4th Duke of Beaufort for the State Bedroom at Badminton House...

A carved giltwood looking glass mirror based on designs by John Linnell. The frame formed of two ribbon-tied crossed branches of palms, punctuated by carved flower-head paterae. By J...

Englishcirca 1770 - 1780 Fine George III 18th century period carved giltwood oval mirror attributed to John Linnell. The carved and well-drawn oval medallion mirror with pearled and reed-gadrooned borders and a beaded slip, is below a surmounted carved urn with protruding wheat sheaf. The crisply carved swaggered urn has a fluted border centralised bow and flanked by ram-masks, issuing husk trails. The urn is supported on an 'Ionic' scrolled and fluted capital pedestal adorned with a shell and a beaded base. The trailing husks that flank the mirror are complemented with a vase-capped medallion apron with a pearled framed border and six carved flowered paterae. A vase-capped medallion frame with a pearled border framed by six flowered patterae features on a design by John Linnell, dated 1774 (H. Hayward and P. Kirkham, William and John Linnell, London, 1980, vol. II, fig. 196). A mirror with an identical carved apron was supplied to Sir Penistone Lamb, 1st Viscount Melbourne (1748-1819) for Brocket Hall, Hertfordshire, or Melbourne House, Piccadilly, London. Possibly by descent to Admiral of the Fleet Lord Walter Kerr, G. C. B., Brocket Hall, Hertfordshire, sold Mssrs. Foster house sale, 9 March 1923, lot 944, 'An oval mirror, in carved and gilt frame, 26 in. wide'. Possibly acquired at that sale by Sir Charles Nall-Cain, Bt., 1st Lord Brocket (d. 1934) and by descent. A closely related but pair of mirrors, with additional husk festoons draped from the rams' mouths and eight rather than six paterae, was exhibited by Edward Nield at the Antique Dealer...

A carved and giltwood looking rectangular glass mirror that combines the genius of Thomas Chippendale together with that of Thomas Johnson. In...

An oval carved giltwood looking glass mirror in the manner of George III. The moulded frame is carved with leaves carefully worked with C-scrolls both in front and behind the leaves....

With perfectly burnished surface with wonderful gilt accents with broken arch pediment with central cartouche over a mirror plate set in a conforming frame with bead and reel and aca...