Large English Giltwood Mirror in the 18th Century Style

A fine mirror in the George III manner Constructed from giltwood, housing an oval mirror plate within a carved moulding, the top and base issuing scrolling acanthus leaves, a cent...

A pair of George II style mirrors Constructed in carved giltwood, the wasted teardrop shaped mercury plates housed within asymmetrical conforming frames in the George II manner richly carved with scrolling foliates and flowering branch work; adorned with a floral crest and a relief carved flower pendant...

A fine and substantial mirror in the Robert Adam manner. Primarily giltwood, and having an the elliptical mirror plate housed within a continuous band of stiff leaf moulding, encl...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...

A good pair of looking glasses In the manner of Thomas Chippendale The oval mercury glass plates housed within ornate rococo carved and pierce...

A pair of George II style mirrors Constructed in carved giltwood, the waisted teardrop shaped mercury plates housed within asymmetrical conforming frames in the George II manner richly carved with scrolling foliates and flowering branchwork; adorned with a floral crest and a relief carved flower pendant...

An exceptional split plate Italian mirror Dating to circa 1730, Genoa, Italy. This astonishing mirror is of exceptional proportions, the split mercury plate foxed and worn to p...

A very large and finely carved George II style giltwood mirror. This large and impressive carved giltwood and gesso mirror is over 267 cm (105 inches) high. It is finely carve...

18th century Venetian carved and giltwood mirror The large and finely carved and giltwood mirror was made in Italy, Venetian, in the first half of the 18th century. It has a cent...

An exceptionally tall, narrow mirror with a beautifully original distressed mercury glass plate, France, 19th century. Dimensions: 271 cm high / 106.7 inch high, 57 cm wide / 22...

Large mirror in sculpted and gilt wood, decorated with foliage scrolls, acanthus leaves, fluted columns and two large cross-shaped designs on each side. The whole set on claw feet. M...

A fine George III gilt wood mirror, circa 1775-1800, of grand size, the frame with a flower head in each corner, the upper corners surmounted by classical urns, the top with a large ...