Classicizing White Marble Bust by J.H. Haseltine, Rome, 1870

Italian neo-classic style (19th Cent) light brown marble bust of a Roman emperor mounted on a round plinth.  

American Victorian white marble bust of lady wearing a dress supported on a square pedestal base (signed: A. Frille Firemre).

Pair of Grecian style (19th Cent) large than life size white marble busts of "DJOCENES" and "SOKRATES" (Diogenes and Socrates)

SET of 4 similar Italian Neo-Classic (19th Century) white marble relief busts depiction four faces framed by ornately carved hair. (PRICED AS SET) Each bust unique with slightly ...

2 Italian neo-classic style glazed terra-cotta busts of ladies emblematic of two of the four seasons (19th/early 20th Cent) (priced each).     

French Victorian small bronze bust form (paperweight) depicting a lady in high dress on a circular green marble pedestal base.  

Large white marble bust of a noble lady: the facial features are fine, the hair up in a bun, the low-cut dress Bust on a pedestal base Signature o...

This lovely sculpture is mounted on a pedestal and carved out of white Italian marble in the likeness of an idealized woman who is coiffed in an 1830-40s hair...

Hand-carved Italianate Terracotta Female Bust, Circa 1870 Sourced from Italy by Martyn Lawrence Bullard Fitted with Mounted Adjoining Base

Italianate Terracotta Male Bust, Circa 1870 Sourced from Italy by Martyn Lawrence Bullard Hand craved, and fitted with adjoining terracotta mount

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

Woman Bust by Vicari Cristoforo (Italy 1846-1913) Italian artist famous for his woman busts White (Carrara) marble with rests of painted lace on ...