Mameluke Sabre Sword

Believed to have originated from the collection of a South American diplomat, the exquisiteness of this presentation sword conveys its ownership by ...

This important and unique sword was presented to the famed French painter Jean-Gabriel Domergue to commemorate the painter's election to the illustrious Académie des Beaux-Arts in 1950. One of the highest honors bestowed on a French artist, the ceremonial induction into the French Academy has been accompanied by the presentation of a sword since the age of Napoléon. Rather than a weapon, the sword became part of the Academician's uniform, and, over time, its design came to represent the interests and aspirations of its recipient. This example was designed entirely by Domergue's wife Odette, a great sculptor in her own right, and thus it represents both a highly personal gift and an important art historical relic. The design of the sword is simply magnificent. Odette Domergue found her inspiration in antiquity, a theme that is also seen in the neoclassical sculptures that occupy the gardens of the couple's famous home, Villa Fiesole - also known as Villa Domergue - in Cannes. The impressive weapon boasts a solid gold handle that takes the form of a sinuous caryatid, who is nude save for a single swath of drapery. While the female figure recalls the sculpted supports prevalent in ancient Greek architecture, she also calls to mind the subjects for which Domergue was renowned - languorous, slightly risqué women with a seductive air. Other decorative elements such as fauna, cypresses, and grotesque heads enhance the whimsy and imagination of the incredible neoclassical design. Furthermore, the scabbard that contains the finely etched blade is also an impeccable work of art. Crafted of black Moroccan leather in imitation of the snake skin, it displays intricately engraved foliage patterns with a lion's head and Domergue's coat of arms. Though imagined by his wife, the sword was expertly chiseled by the celebrated goldsmith R. Delsinne and assembled by the atelier of the famed sculptor and medalist Raymond Delamarre...

A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria & Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte...

An invaluable addition to the 19th century home, this domestic medicine chest contained nearly everything needed to nurse a member of the house...

This exceptional singing bird cylinder music box is a wonder of Austrian mechanical ingenuity. Not only does it play a selection of classical airs with remarkable tone and clarity, but its lush sound is accompanied by a colorful, singing bird automaton...

This striking and rare pair of Chilean wooden stirrups are true gems. Also known as estribos, these stirrups are carved from a solid block of wood. Tak...

This chrome table lighter was made by the renowned Alfred Dunhill Company of England and dates to 1960 and done in the period Mid-Century Modern style. The lighter is made in the lik...

Ceremonial African sword hand hammered.

Decorative Spanish metal sword. Feature an occult motif handle of skulls and serpents. Made in Spain.

The Shi are an ethnic group located in the eastern part of the Democratic Republic of the Congo, (Zaire), mainly located in the South Kivu province. This old sword...

Large Indian gold damascened steel tegha sword. Indian, c. 1850 Length 112cm, width 16cm, depth 10cm This remarkable sword is a tegha, a large Indian sword...

This is a very rare American Officer's sword that dates back to the period before the American Civil War. The sword has a 79cm straight blade with a flat back, counter-edged and gut...