1 Volume. Pierre de Nolhac, Marie Antoinette.

1 Volume. Pierre de Nolhac, Marie Antoinette, The Queen. Bound in full navy morocco with covers displaying a crest, Fleur de Lis details, and borde...

1 Volume. Pierre de Nolhac. Marie Antoinette.The Queen. Bound in full purple morocco by Riviere, raised bands, ornate gilt on spine and covers, gilt dentelles, all edges gilt, beautifully printed and illustrated throughout including the hand colored portrait...

1 Volume. Hilaire Belloc, Marie Antoinette. First Edition. A lovely Cosway-style binding by Bayntun-Riviere. Bound in full red crushed morocco with the ...

1 Volume. Cicero, De Officiis. Bound in 3/4 wine Morocco. Linen boards. Decorative gilt tooling on spines. Top edges gilt. Marbled endpapers. Bound by Hatchard's. Published: London; ...

2 Volumes. Madame Campan, The Memoirs of the Court of Marie Antoinette. Limited Edition. Bound in 3/4 blue morocco and linen boards double bordered in gilt-tooling. The spines displa...

1 Volume. H. Noel Williams, The Fascinating Duc de Richelieu. First Edition. Bound by Bayntun in 3/4 wine morocco and marbled boards bordered in gilt-tooling with a gilt-tooled raise...

4 vols.; 8vo, 6 1/2 x 4 in. (165 x 102 mm) , vol. 1: (6), xl, 293; vol. 2: (1), 314; vol. 3: 910, xi, 331; vol. 4: 91), 322. With 28 copperplate engravings designed by F. Hayman and engraved by G. V. Neist; all are signed by both artist and engraver; all have “Vol” and “p.” indications, except those for Vol. I., which have “p." indications only. Three-quarter tan calf binding with marbled paper, all edges stained yellow, gilt title, decorations and raised bands on spine. The antique bindings...

A beautiful box set of 2 books full of superb colourful designs by some of the leading designers of the Deco era. Volume 1 has designs by A. H. Thomas, E. Benedictus, G. Darcy and M....

19th century "Globe de Marié" that was used for a demonstration of an intension to propose marriage to your beloved. The bottom part is made of hand painted wood and the decoration i...

"Richard Meier, Architect, Vol. 4: 2000-2004," Soft cover 1st publication by Rizzoli Publishing; 432 pages Book contains no markings on any sort on its pages. No loose pages. Bin...

AUTHOR: LOUYS, Pierre. TITLE: Les Chansons de Bilitis. PUBLISHER: Paris: Librairie De L'art Independant, 1895. DESCRIPTION: WITH 5 ORIGINAL WATERCOLOR ILLUSTRATIONS. 1 vol., limited to 480 numbered copies on paper Velin this being copy #127, illustrated with 4 fine full page watercolor illustration and 1 half page (in text) by J. Robaglia, bound in full red morocco, ribbed gilt decorated spine, covers ruled and paneled in gilt, covers with blind tooled Greek Key design, spine panels and covers inlaid with multicolor morocco onlays depicting tulips and flowers in an art Deco style, gilt dentelles, marbled pastedowns and endpapers, top edge gilt, others uncut by Samblanx-Weckesser. CONDITION: Internally clean and bright, inner and outer hinges fine, head and foot of spine fine, overall VERY GOOD+. ADDITIONAL INFORMATION: This exact volume apparently last appeared at auction in 1919 as lot #207 Sotheby's Kensington "The Property of James Holmes...

"The Cartier of our time." —Christies. "Exquisitely refined creations. Rosenthal made jewellery modern but infused it with the timelessness of perfection." —Telegraph. "The Faberge´ of our time." —Diane von Furstenberg. Volume I showcases a selection of the jewels made since the shop's founding in 1978 up to "The Jewels of JAR - Paris" exhibition, held at Somerset House in London (November 2002 - January 2003.) Volume II presents a selection of works created between 2002 and up to JAR's exhibition at the Metropolitan Museum of Art in 2014. About JAR Since opening JAR in 1978, with the help of his Swiss friend Pierre Jeannet, Joel Arthur Rosenthal, has become one of the world's most sought after jewellery designers. A native New Yorker, Rosenthal moved to Paris after graduating from Harvard and has lived in the city for most of his adult life. He experimented in scriptwriting and then needlepoint, opening a shop where he experimented with unusually coloured yarns. It's clientele included designers from Herme`s and Valentino. Rosenthal was one day asked if he could design a mount for a gemstone, setting his career in a new direction. His signature includes setting gems in pave arrangements, so finely wrought as to be virtually invisible. Rosenthal uses...