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Bernini Genius of the Baroque by Charles Avery, 1st North American Ed

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    Michelangelo. The Drawings of a Genius. By Achim Gnann. Preface by Klaus Albrecht Schröder. Published by the Albertina, Vienna. This catalogue is published in conjunction with the exhibition "Michelangelo: The Drawings of a Genius", Albertina, Vienna; October 8, 2010 - January 9, 2011. 478th. Published by Hatje Cantz, Ostfildern, 2010. 1st Ed softcover exhibition catalog. Michelangelo's drawings endowed human physique with an expressive musculature that remains to be rivaled in its feeling for corporeal articulation. His drawings of male nudes in particular, fraught as they are with tempestuous longing, project both tension and pliancy, and a compelling sense of health in the exertions and torque of bodies. He was also readily able to bring contrary qualities of grace and swiftness to depictions of women and cherubim. With over 300 color plates and extensive contextualizing scholarship, Michelangelo: The Drawings of a Genius is the most complete treatment of his work ever published, and thus constitutes a publication of great importance. Masterpieces from the world's finest museums are gathered, from the early studies for the "Battle of Cascina" and the studies for the Sistine Chapel frescoes, to the drawings for the tomb of Julius II, the Medici tombs...
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  • Metropolitan Museum of Art: the Renaissance in the North, 1st Ed
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    The Metropolitan Museum of Art: The Renaissance in the North. Published by The Metropolitan Museum of Art, NY, 1987. 1st Ed hardcover with dust jacket. At roughly the same time that Italian art was beginning to reflect a reawakening of the classical spirit—an epoch and style we call the Renaissance—the arts of Northern Europe were experiencing their own efflorescence. Painting, sculpture, and the graphic arts were pursued with a new vigor in the Netherlands, in Germany, in France, and in England, and resulted in a vast body of work that constitutes one of the glories of Western civilization. During the fourteenth and fifteenth centuries, the masters of the North developed styles quite distinct from those in the South: an attention to minute detail, particularly with regard to landscape, but also in domestic interiors; and an emotive piety that dramatized the sorrow and suffering of the Passion. Jan van Eyck's Crucifixion and Last Judgment present a horrific vision of the death of Christ and the damnation of sinners, set against a deep and distant landscape, sensitively and realistically rendered. The Lamentation by Petrus Christus...
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