Christo and Jeanne-Claude, the Floating Piers

Saffron in the City A colossal installation in New York’s Central Park February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in N...

Fondation Beyeler and Berower Park, Riehen, Basel, Switzerland, 1997-1998 In Autumn 1998, after the trees around Fondation Beyeler and in the Berower Park had shed their leaves, Christo and Jeanne-Claude wrapped 162 trees—some up to 25 meters high—with 55,000 square meters of polyester fabric and 23 kilometers of rope. The effect of light and weather on the translucent material created a kind of amorphous sculptural choreography, an ever-changing variety of shapes, surfaces, and colors. The fabric, used every winter in Japan to protect trees from frost and heavy snow, lent the trees the appearance of precious and fragile objects. The Fondation Beyeler project was a pièce de résistance for Christo and Jeanne-Claude, and an extension and expansion of many years of interest in the concept of wrapped trees...

A Dream Comes True. Christo and Jeanne-Claude’s silver-shimmering Arc de Triomphe, Wrapped, Paris. In 1961, L’Arc de Triomphe, Wrapped was one the first public art projects that Chri...

“Elvis who?” was photographer Alfred Wertheimer’s response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley was—as we now know—about to become a legend. Trailing him like a shadow, Wertheimer was given unlimited Scope to get up close and personal with Elvis; even as the singer was seducing young women in dark hallways, he allowed the photographer to record his every move. Wertheimer took nearly 3,000 photographs of Presley that year, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its Scope, Wertheimer’s Elvis project immortalized a young man in the very process of making history. (Just a month after he shot Elvis recording the “Don’t Be Cruel”/“Hound Dog” record, it became the first ever to top all three Billboard charts.) This Collector’s Edition of just 1,706 numbered copies signed by Wertheimer brings together his most remarkable Elvis shots from 1956, along with a selection of his historic 1958 pictures of the star being shipped off to an army base in Germany. Though many of Wertheimer’s photos of Elvis are among the best known, nearly half of the photographs in this book have never been published before. Each chapter is illustrated with an original poster created for this book by Hatch Show Print, one of the oldest letterpress print shops in America. In business since 1879, Hatch printed posters for vaudeville, circuses, and entertainers on world tour in the early 20th century; and created many of the powerful woodblock images that helped define the look of country music in the 1940s and rock and roll (including many early Elvis posters...

No pain, no gain. The most memorable moments since the birth of pro football in America. The best of sports photographer Neil Leifer’s 10,000 rolls of football pictures, including hundreds of previously unpublished images. Presented in a custom slipcase and limited to a total of 1,500 copies signed by the photographer, this Collector’s Edition is a companion to Neil Leifer’s instant sell-out success, Ballet in the Dirt: The Golden Age of Baseball, published by seller in 2007. In 1958, sports photographer Neil Leifer took the picture that remains one of his most famous to this day. The day he got the shot - Alan Ameche’s game-winning "Sudden Death" touchdown - was Leifer’s 16th birthday. This game, called "The Greatest Ever Played," signaled football’s emergence as America’s new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed pro baseball and college football in national television ratings. Starting then, on any given Sunday Leifer was most likely shooting a football game somewhere in America. His 1961 photo of legendary Giants quarterback Y.A. Tittle dropping back to pass landed Leifer his first cover for Sports Illustrated and cemented his close connection to the sport. While best known for his iconic photograph of Muhammad Ali towering over a fallen Sonny Liston, and for the enormous diversity of subjects he covered in and out of the sports world, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport, including hundreds of previously unpublished pictures. It’s impossible to conceive of Peyton Manning hovering over an impromptu wood fire on the sidelines during a blizzard, but Leifer captured Tittle’s Giants doing exactly that during the coldest game in his living memory (the 1962 Championship in New York, a game "far colder than the famous Ice Bowl"). From Vince Lombardi...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

Middle Plane Art Book Christo and Jeanne-Claude. Middle Plane is an independent, bi-annual art magazine publication based in London."Each issue is dedicated ...

CHRISTO & JEANNE-CLAUDE (1935-2020)(1935-2009) Christo & Jeanne-Claude 75, 2010, by Taschen. Biographical book retracing the complete work of Christo and Jeanne Claude's projects up...

Christo and Jeanne-Claude, On the Way to the Gates, Central Park, New York City. Book by Jonathan Fineberg with photographs by Wolfgang Volz. Published in conjunction with a major ex...

Monograph on the work of Bulgarian/American environmental and monumental artist Christo (1935-2009), published in 1965 or 1966—shortly after his arrival in New York City— by Edizion...

Christo and More SMS A Collection of Multiples 'William N. Copley, 1968' S.M.S. is an art collection in a box that was available by subscription in 1968. Through February and December, subscribers were mailed six issues containing assorted works of art curated by William N. Copley. The portfolios consist of “original reproductions" by 73 artists including William Copley, Christo, Marcel Duchamp, Roy Lichtenstein, Joseph Kosuth, Walter de Maria, Yoko Ono, Lawrence Weiner, Richard Artschwager, Man Ray, Bruce Nauman, John Cage, Terry Riley and more. S.M.S. included renowned and unknown artists side by side. As form of protest against galleries, S.M.S. made contemporary art affordable and accessible at a modest price of $125.00 per subscription. The portfolios are all kept in their original display covers. Edition of approximately 2,000 published by Letter Edged in Black Press. Volume No. 1 February 1968 Little Box of Earthquake and Cotton (cover), Irving Penn; Black Dress, James Lee Byars; Chicago Project…, Walter de Maria; My Country ‘Tis of Thee, Kasper Konig; Luggage Labels Nancy Reitkopf; Project for a Bridge, Sue Braden; A Postcard for Mother, Richard Hamilton; Two Propositions in Black, Le Monte Young and Marian Zazeela; Store Front, Christo; Sol Mednick; Pharmaceuticals, Julian Levy. Volume No. 2 April 1968 Seven Minute Recording of Contapetrie, a surrealist word game (cover), Marcel Duchamp; The Mirror of Genoveva, Meret Oppenheim; Three Color Separations, Alain Jacquet; A Two-Year-Old Girl Choked to Death Today on an Easter Egg, Ray Johnson; A Proposed Comic Section for the New York Times, Bernard Pfreim; Farwell to Faust, George Reavey; Album, Clovis Trouille; Legal Tender, Bruce Conner; 10 collages, Marcia Hertscovitz; Cynocephalus & Co., Nicolas Calas. Volume No. 3 June 1968 Untitled abstract landscapes (cover), John Battan; Clouds, William Bryant (Bill Copley); Ode to London, Dick Higgens; Two Drawings, Ronnie Landfield; Bush in Hand, Roland Penrose; The Father of Mona Lisa, Man Ray, signed and numbered; Glove, Enrico Baj; Four Titled Abstracts, Joseph Kosuth; Correspondence, H.C. Westerman; Signal Flag Poem, Hannah Weiner; Poppy Nogoods All Night Flight, Terry Riley; Poems, Atograf. Volume No. 4 August 1968 Untitled (cover), Robert Stanley; Drift Study 4:37:4:05:09:50 5 VII 68, La Monte Young and Marian Zazeela; Permanent Parking Decal, Robert Watts; 100 Year Calendar, On Kawara; Lichtenstein Hat, Roy Lichtenstein; Diary: How to Improve the World (You Will Only Make Matters Worse) continued, John Cage; Phenakistiscope, Hollis Frampton...

Antiquities from The Collection of the Late Christos G. Bastis, Sale 7404. Sotheby's (New York). 1st Ed hardcover with dust jacket. In 1987, 188 antiquities assembled by Christos G....