Georgia O'Keeffe Books, Set of 2

Georgia O'Keeffe: Art and Letters by Jack Cowart and Juan Hamilton. Published by the National Gallery of Art, Washington, 1989. Softcover. 1st edition. Publi...

A set of five art books about the artists Brueghel, Cezanne, Gauguin, Giotto and Manet. Hardcover books published by Crown Publishers, Inc. of New York in the late 1960's. Printed in...

A set of two books on The Louvre. One hardcover book with dustjacket, published by Barnes and Noble in 2003, 320 pages. One softcover book, published in 1996 by Reunion des Musees Na...

A set of three Vincent Van Gogh art books. Masterpieces in the Van Gogh Museum, softcover, published in 2011, 144 pages. Vincent Van Gogh - Masterpieces of Art, hardcover, published ...

Georgia O'Keeffe. New York: The Viking Press, 1976. Unpaginated softcover. Folio size book of work by Georgia O'Keeffe with reproductions and text that cover...

Georgia O'Keeffe: Living Modern by Wanda M. Corn. Published by Prestel, 2017. 1st Ed hardcover with dust jacket. Richly illustrated with images of her art and views of the two homes ...

The property of the Robert R. Young Foundation from the Estate of Anita O'Keeffe Young, NY October 1985. Softcover auction catalog with 733 lots of fine French furniture, porcelain, ...

American Modern presents a fresh look at The Museum of Modern Art’s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are shown eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern forms and technological advances, as in Sheeler’s paintings and photographs, and a reflection of anxiety about increasingly urban lifestyles and their consequences for the American individual, as in Hopper’s iconic “Night Windows.” Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Featured still lifes are as diverse: Stuart Davis’ bright, angular compositions marry fractured form with logos and patterns taken from modern advertising...