Parisian Views by Shelley Rice, Pre-Publication, First Edition

The Art of Structural Design, a Swiss Legacy by David P. Billington. Princeton University Art Museum, 2003. Pre-publication first edition with publisher's lett...

William Henry Pyne and His Microcosm by Harris Myers. Stroud: Sutton Publishing Limited, 1996. Pre-Publication review copy, 1st edition hardcover wi...

The Definitively Unfinished Marcel Duchamp by Thierry De Duve. Cambridge: Massachusetts Institute of Technology Press, 1991. Pre-Publication advance first edition hardcover with dust...

Albany Silver 1652-1825 by Norman Rice. Albany Institute of History and Art, Albany, NY, 1964. First Edition softcover. Limited to 1000 copies. The catal...

Pre-Columbian Art, New York: Phaidon Publishers, Inc., 1957. First edition hardcover with skip case. 285 pp. A vintage book cataloguing Robert Woods Blis...

American historical views on Staffordshire China by Ellouise Baker Larsen. Doubleday, Doran & Company, Inc., New York, 1950. Rare, signed, new revi...

Author: SHELLEY, Percy Bysshe. Title: Prometheus Unbound A Lyrical Drama In Four Acts With Other Poems. Publisher: London: C and J Ollier, 1820. Description: First edition ...

Author: Shelley, Mary Wollstonecraft. Title: Valperga: or, The Life and Adventures of Castruccio, Prince of Lucca. Publisher: London: for G....

Author: SHELLEY, Percy Bysshe. Title: Hellas. A Lyrical Drama. Publisher: London: Charles and James Ollier, 1822. Description: first edition the Huth copy. 1 vol., a large ...

Italian Drawings In Oxford; From The Collection Of The Ashmolean Museum And Chrish Church PIGNATTI, Terisio Published by Phaidon Press, London, 1977. This book showcases the Italian drawings collection of the Ashmolean Museum and Christ Church in Oxford. The collection includes over 1,000 works, dating from the 14th to the 18th centuries, by some of the greatest Italian artists, including Michelangelo, Raphael, Leonardo da Vinci, Titian, and Caravaggio. The book is divided into three sections: the Renaissance, the Baroque, and the 18th century. Each section features a selection of drawings, accompanied by commentary by Terisio Pignatti, a leading expert on Italian drawings. Pignatti discusses the history of the drawings, their attribution, and their significance in the development of Italian art. Italian Drawings In Oxford is an essential resource for anyone interested in Italian art. It provides a rare opportunity to see some of the most important Italian drawings in the world, and to learn about their history and significance. Here are some additional details about the book: The book contains 128 pages, with over 100 illustrations. The illustrations are reproduced in high quality, and they provide a clear and detailed view of the drawings. The text is informative and engaging, and it provides a wealth of information about the drawings and their artists. The book is a valuable resource for students, scholars, and art lovers alike. If you are interested in Italian art, or if you simply enjoy looking at beautiful drawings, then "Oxford in Drawings Italian...

Shelley, Mary. Frankenstein; or The Modern Prometheus. New York: Grosset & Dunlap, [1931]. 8vo. Rebound in red 1/.4 leather and black cloth boards, with raised bands, gilt stamps, and gilt titles to spine. New matching archival slipcase. Presented is a photoplay edition of Mary Shelley’s masterpiece of horror, Frankenstein; or The Modern Prometheus. This printing was published by Grosset & Dunlap, in New York, in 1931. One of the most collectible Grosset & Dunlap photoplay editions, this book was published to accompany the 1931 Universal Pictures James Whale horror film starring Boris Karlof, Colin Clive, Mae Clarke, John Boless, and Dwight Frye. It is illustrated throughout with scenes from that production. The book has been beautifully rebound in striking ¼ red leather and black cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching black archival slipcase. Mary Shelley was just nineteen when she wrote her classic novel. The circumstances of its composition are by now well known. In 1816, Mary was in Switzerland with Percy Shelley, Byron, and Byron’s physician John Polidori when the evening’s discussion turned to one of Shelley’s favorite topics, the supernatural. Byron proposed that all members of the party write a romance or tale on the subject. The resulting efforts were Polidori’s The Vampyre, Byron’s unfinished narrative about a vampire, and Mary Shelley’s Frankenstein. The first edition of Frankenstein was published anonymously in London, 1818, and is exceedingly rare. An 1831 edition was published in London, for which Shelley wrote an introduction describing the circumstances surrounding the creation of the work. The first American edition was published in 1833. Frankenstein has been named “the most famous English horror novel… a defining model of the Gothic mode of fiction, and… the first genuine science fiction novel, the first significant rendering of the relations between mankind and science through an image of mankind’s dual nature appropriate to an age of science” (Clute and Nicholls, Encyclopedia of Science Fiction, 1099). Alexander Grosset and George T...

A rare example of a first edition Candide, published in Geneva by Cramer, 1759. 299pp. Woodcut ornaments and Voltaire's corrected pages (pp. 31/32, 41/42, 83/84, 85/86) all corresp...