For Whom the Bell Tolls, Signed by Ernest Hemingway, Later Edition, 1955

Hemingway, Ernest. For Whom the Bell Tolls. Philadelphia: The Blakiston Company, 1940. First Blakiston Edition. Rebound in quarter navy leather...

Ernest Hemingway. Men Without Women. New York: Charles Scribner's Sons, 1955. Uniform edition. Signed and inscribed by Hemingway on the free end page....

Hemingway, Ernest, To Have and Have Not. New York: Charles Scriber’s Sons, 1937. First edition, first printing. Beautifully rebound in 1/4 gray Moroccan leather and cloth boards, with raised bands and gilt tooling and titles to the spine. Housed in a matching cloth slipcase. This first edition, first printing of Ernest Hemingway’s To Have and Have Not was published in New York by Charles Scribner’s Sons in 1937. The original internal pages have been professionally rebound in quarter gray Moroccan leather and cloth boards with raised bands, gilt titles, and gilt tooling to the spine. The book is housed in a custom matching archival slipcase. Set during the Depression, Hemingway’s novel follows the dramatic story of fishing boat captain Henry Morgan who turns to a life of contraband running between Cuba and Florida to save himself and his family. To Have and Have Not began as a short story, published as "One Trip Across" in Cosmopolitan in 1934, introducing the character of Harry Morgan...

Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's Sons, 1929. First trade edition, first issue. In the original first-state dust jacket and publisher’s black cloth boards. Presented in a new archival ¼ leather and cloth clamshell case, with raised bands, gilt tooling, and titles to the spine. Presented is a first trade edition, first issue of Ernest Hemingway’s A Farewell to Arms. The book was published by Charles Scribner’s Sons in New York, in September of 1929. This first printing is presented with its original first issue dust jacket. The dust jacket, as designed by Cleonike Damianakes Wilkins, is considered by many to be one of the greatest of the 20th century and rivals even The Great Gatsby in its collectibility. Set during World War I, A Farewell to Arms tells the story of a young American Lieutenant serving as an ambulance driver in Italy struggling through love and war. The story is told through first person narration detailing many aspects of war that would have been very familiar to readers at the time, as the book was published only 11 years after the 1918 armistice. The simple, direct tone his character uses when giving his unromanticized account of the war later defined Hemingway’s writing style. A Farewell to Arms is loosely based on Hemingway’s own experiences. The author briefly served overseas as an ambulance driver in the Italian Army, sustained injuries, and met a nurse who he eventually proposed marriage to but was declined. The novel’s post-war disillusionist subject assigned Hemingway to the “Lost Generation” of Modernist artists. A Farewell to Arms was Hemingway’s most successful publishing venture to date. Charles Scribner's Sons issued seven impressions of the novel in the short time between September and December of 1929, with over 100,000 volumes sold. The novel secured Hemingway’s place as a popular American author and became his first bestselling book. Ernest Hemingway (1899-1961) was an American author and journalist. His distinctive writing style, characterized by economy of words and dry understatement, strongly influenced 20th-century fiction, as did his life of adventure and his public image. Hemingway produced most of his work between the mid-1920s and the mid-1950s, winning the Nobel Prize in Literature in 1954. Hemingway published seven novels, six short story collections, and two non-fiction works during his lifetime; a further three novels, four collections of short stories, and three non-fiction works were published posthumously. Many of his works are now considered classics of American literature. The book’s striking dust jacket design was illustrated by the artist Cleonike Damianakes Wilkins, who worked under the pen name of Cleon. Wilkins was known for her distinctive fusion of Art Deco and Hellenistic styles. She designed the dust jackets for Hemingway’s earlier The Sun Also Rises in 1926 and his later publication In Our Time in 1930, as well as Conrad Aiken’s Great Circle, F. Scott Fitzgerald’s All the Sad Young Men,and Zelda Fitzgerald’s Save Me the Waltz. Wilkins was chosen by Hemingway’s celebrated editor at Scribner’s, Maxwell Perkins. In order to differentiate Hemingway’s tale from other, competing WWI novels on the bookshop shelves, Perkins sought to widen its appeal through the dust jacket. The resulting design was Wilkins’ interpretation of Sandro Botticelli’s epic oil painting “Venus...

Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's Sons, 1929. First Edition, Later printing. Octavo, Rebound in quarter leather an...

Adamski, George. Inside the Space Ships. New York: Abelard-Schuman, 1955. Signed first edition, third printing. Original dust jacket. Housed in custom slipc...

Hemingway et son Univers (Hemingway and His Universe), French book by A. E. Hotchner, original edition, 1990. A great writer, a force of nature, and a man who faced death. Illustrate...

AUTHOR: POE, Edgar Allan. TITLE: The Bells And Other Poems. PUBLISHER: London: Hodder and Stoughton, n.d., (1912). DESCRIPTION: LIMITED SIGNED EDITION. 1 vol., 12-5/16" x 10-1/2", limited to 750 numbered and signed copies by the illustrator Edmund Dulac...

Glossy porcelain sculpture racing in the racetrack limited series represented by three horses with jockey of intense red and blue colors, combination of different glazes. Base includ...

Presenting a signed first edition of ‘Minding the Store’ a memoir by Stanley Marcus. Published by Little, Brown (1974). First edition second printing. Pages 383. Dust cover ...

A traditional goats’ bell reversed, reworked and upcycled into a luxurious accessory for the home. A symbolic artefact acting as a metaphor for the rise from...

The Wrightsman collection, Vols. I-V. New York: The Metropolitan Museum of Art, 1966-1973. First edition hardcovers with dust jackets. 2248 pp. Inscribed by the Wrightsmans. The complete series of The Wrightsman collection catalogues from The Metropolitan Museum of Art. Jayne and Charles Wrightsman, who, in a relatively short period of time—beginning in 1952—amassed the finest private collection in America of the decorative arts of the Ancien Régime (15th c until 1792). Throughout the years the Wrightsmans' active interest in the Department of European Sculpture and Decorative Arts has resulted in splendid gifts that have enabled the Museum to create an unparalleled and truly encyclopaedic collection of French 18th c...