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Pair of Rare Important Statues Signed Faberge 1912 Russian Kamer Kazak Bodyguard

Name: Pair of Rare Important Statues Signed Faberge 1912 Russian Kamer Kazak Bodyguard
Brand: Fabergé
Price: 50851.39 USD
Availability: InStock

About the Item

We are delighted to offer for sale this stunning, very rare and highly collectible pair of Faberge signed cast and cold painted bronze statues of A.A. Kudinov and N.N. Pustynnikov, personal Kamer-Kazak bodyguards of Dowager Empress Maria Feodorovna and Empress Alexandra Feodorovna A little history, the original sold at auction in 2013 for $5,200,000, I’ll include further information below which came from Sotheby’s These expertly made statues are as mentioned of A.A. Kudinov and N.N. Pustynnikov in dress parade uniforms with badges and medals, the coats trimmed with Imperial eagles, the cockaded fleece hats with gold braid, inscribed in Russian on the heels and soles of the boots 'Kamer-Kazak since 1894/A.A. Kudinov/Fabergé/1912' History The precise origin of these figures, which appear to be copies of – or models for – the well-known Fabergé hardstone figures of the Kamer-Kazak guards of the Empresses, is something of a mystery. Commissioned by Emperor Nicholas II in 1912, the hardstone figures were portraits from life, the guards visiting the studio of Fabergé’s sculptor Boris Frödman-Cluzel to pose for the artist, who modelled them in wax. The final works were both at Pavlovsk in 1925, when the figure of Pustynnikov was sold to Armand Hammer, who subsequently sold it in 1934. The whereabouts of that figure remained unknown until 2013, when it was sold at Stair Galleries of Hudson, New York, by a descendant of Hammer’s buyer; its discovery and the sale result of $5.2 million garnered international headlines. The figure of Kudinov remains at the State Pavlovsk Museum (inv. TsKh-822-VII). These bronze figures may have been produced as further models, in addition to those in wax, perhaps so that the colour palette could be settled upon, bronze being easier to paint than wax. Fabergé’s close association with the Woerffel lapidary and bronze foundry would have easily facilitated this extra step in the process. Certainly the price paid by the Emperor of 2300 rubles for each, far more than the next most expensive figure (the boyar, at 950 rubles, which sold, Sotheby’s New York, 21 April 2005, lot 44), suggests that their creation was inordinately time-consuming and laborious for Fabergé. An interesting comparison is provided by the two figures of ‘The Ice Deliverer’ after the model by G.K. Savinitskii, one in silver from the workshop of Hjalmar Armfelt, the other in various hardstones, both authenticated as Fabergé-produced objects by Francois Birbaum in 1925 and now in the Fersman Mineralogical Museum, Moscow (inv. PDK-2570 and 7782; exhibited Brussels, Espace Culturel ING, 2005-2006, Fabergé: Joaillier des Romanovs, nos. 76b and 76c, ex. cat. p. 177, illustrated p. 124). It is believed that the silver sculpture was produced first. Finally, it is known that at least one of the Kamer-Kazak guards was in fact modelled in metal. In 1927, a metal figure of Kudinov was found in the Amoury among objects which had belonged to the Imperial Family, according to T. Fabergé et al, K. Fabergé I ego prodolzhateli, St Petersburg, 2009, p. 96, the authors noting that ‘it is possible that this is a silver or bronze model of the hardstone figure of the Kamer-Kazak Kudinov’. While it is suggested here that these bronze figures probably served as models for the hardstone figures, it is also possible that they were made after the fact and possibly given to the Kamer-Kazak guards themselves, or perhaps even to the young Tsarevich as toys, reminders of his mother’s and grandmother’s exotic and imposing guards, who must surely have fascinated him. In any event, their creation almost surely pre-dates the mid-1920s, when the figures were separated and that of Pustynnikov made its way to the West. The last pair of this quality sold in Sotheby’s Russian Works of Art, Faberge & Icons sale on the 1st December 2015, they sold for £31,250 including commission, those were around half the size of these and had a harder life Dimensions: Height 39.5cm Width 13.5cm Depth 11cm Please note all measurements are taken at the widest point Condition Please view the very detailed pictures as they form part of the description around condition Please note vintage period and original items such as leather seating will always have natural patina in the form of cracking creasing and wear, we recommend regular waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.

Creator:

Fabergé (Maker)

Dimensions:

Height: 15.56 in (39.5 cm)Width: 5.32 in (13.5 cm)Depth: 4.34 in (11 cm)

Sold As:

Set of 2

Style:

Edwardian (Of the Period)

Materials and Techniques:

Bronze,Hand-Crafted

Place of Origin:

Europe

Period:

1910-1919

Date of Manufacture:

1912

Condition:

Wear consistent with age and use. Minor fading.

Seller Location:

Reference Number:

1stDibs: LU2823319363802

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Shop All Fabergé

Fabergé

Best known for creating the lavishly ornate and intricately devised Imperial Easter eggs given by the last czars to their families as annual holiday gifts, the House of Fabergé was the most prestigious Russian luxury goods maker of the late 19th and early 20th centuries. Serving the aristocracy and the well-to-do through stores in St. Petersburg, Moscow and as far afield as London, Fabergé crafted a wide range of jewelry, clock cases, silver and myriad objets de vertu that included picture frames, cigarette boxes, cufflinks and carved hardstone floral and animal figurines. Following the revolution, the firm was closed by the Soviet state in 1918.

Master goldsmith Gustav Fabergé, a descendant of Huguenot emigrées, founded the company in St. Petersburg in 1842. The firm did a brisk trade among the lesser nobility and the merchant class, but it flourished under the guidance of Gustav’s eldest son Peter Carl Fabergé, who took over in 1872.

Cosmopolitan, widely-traveled and himself a master goldsmith, the younger Fabergé drew early design inspiration when he volunteered to catalogue and restore pieces in the imperial jewelry collection in the Hermitage. Fabergé pieces based on historical jewelry from the Hermitage caught the attention of Czar Alexander III at a Moscow exhibition in 1882, and three years later he commissioned the first Imperial Easter egg as a gift for the czarina. (Relatively simple in design compared to the complex cloisonné-adorned eggs that followed, the first egg was a white-enameled ovoid containing a gold “yolk” that held a gold hen, which in turn contained a replica of the imperial crown from which hung an egg-shaped ruby pendant.) Czar Nicholas II continued the tradition, presenting two eggs each Easter — one for his wife and one for his mother. As the appointed goldsmith to the royal court, the House of Fabergé became the darling of Russian aristocrats as well as wealthy patrons across Europe. Many and varied objets — hundreds of thousands by one count — were made to meet their demand. The firm employed some 500 craftsmen and designers when it was shuttered.

After the Russian Revolution, the Fabergé name and trademark endured a checkered passage through the 20th century. Family members left their homeland in 1918 and set up a new business in Paris that was mainly concerned with repairing and restoring earlier-made wares. The name was adopted by an American fragrance and beauty products maker in the late 1930s, and later authorized by the family in a 1951 agreement. The trademark has been subsequently sold several times, and attached to numerous products including jewelry.

For connoisseurs, true Fabergé refers to items made in the firm’s brief, golden decades from 1885 to 1917. Collectors are advised to make a study of Fabergé works in museum collections such as the Victoria & Albert and the Royal Collection in London to gain an understanding of the quality of genuine goods made by the original firm, and then to purchase only from reputable and reliable dealers, such those at 1stDibs.

As you will see from the vintage jewelry and objects on these pages, Fabergé pieces are richly redolent of a romantic past, and a source of thorough delight.