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Charles and Ray Eames Molded Plywood Radio



Radio of molded and cut walnut plywood, bakelite, glass and perforated masonite. Designed by Charles and Ray Eames and produced by Evans Products for Teletone, circa 1946. As Richard Wright noted in 2004, "this rare production radio parallels the experimental radio with dimples and holes, reminiscent of the {later] dimple doors of the Eames Storage Units." Literature: Eames Design, Neuhart, p. 77. The case has been lightly refinished; the back panel is missing a section (see photos). Radio untested, but assume not working. The scarcest of the Eames production radios.


  • Creator
  • Dimensions
    Height: 7.5 in. (19.05 cm)Width: 11.5 in. (29.21 cm)Depth: 6.5 in. (16.51 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    circa 1946
  • Condition
    Refinished. Repaired: Professional re-gluing to some loose veneer and light refinishing to the case. Wear consistent with age and use. Minor losses. Minor structural damages. Good overall appearance. The case has been lightly refinished. Some uneven wear still evident, along with a few superficial scratches. Bakelite, glass, and Masonite elements on the face in good form. Rear panel missing section. Assume not working.
  • Seller Location
    New York, NY
  • Reference Number
    1stDibs: LU828520310182

Shipping & Returns

  • Shipping
    $20 Standard Parcel Shipping
    to United States 0, arrives in 3-8 days.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: New York, NY
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Designer

Charles and Ray Eames

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.

As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.

The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.

The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.

About the Seller
4.8 / 5
Located in New York, NY
Recognized Seller
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Established in 1995
1stDibs seller since 2007
210 sales on 1stDibs
Typical response time: 1 hour
20th Century Specialists
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