19th Century French Gothic Cathedral Giltwood & Glass Reliquary / Vitrine

19th Century American Brass Ecclesiastical Revolving Dual Sided Lectern/ Music Stand USA, 1871 A Remarkable piece of 19th-century American ecclesiastical workmanship: a Brass Revol...

18th century Italian carved and polychromed Reliquary of Pope Pius V, realistically carved and painted bust of Pope Pius V (?) holding a relic.  

19th century Spanish Colonial carved giltwood Triptych of Virgin Mary & Christ Child Late 19th century, South America Of exceptional quality, the hinged three panel devotional ic...

19th century French grand tour iron model of the Arc de Triomphe, in two parts, the fine cast iron model of the Arc de Triomphe with a mirrored top. Raised on a oval ebonized wood and metal chain link fenced base Model of Arc de Triomphe...

Louis XVI style Ormolu mounted kingwood Vitrine, Paris, circa 1900, Beautiful quality, with lift top beveled glass top, the case fitted with fo...

19th century Spanish sporting painting by E.Gioquinto, 1892, a finely painted gem of a hunter on a lake Measures: Oil on board 11.5" x 8.5" Giltwood frame 14" x 10".

A Gothic Revival reliquary. Circa late 19th / early 20th century. Made of solid oak with fine carving. Reliquaries have been used to store relics since the Middle Ages. In sacred architecture they are often located behind the main altar in the chancel. In addition to classical, often church-like caskets, anthropomorphic, so-called "speaking" reliquaries were also made, which already inform the viewer about their contents through their own design. Mostly they were made of precious metals and decorated with rich sculptural ornaments or precious stones. One of the most famous examples of reliquaries is the Epiphany shrine of Nicholas of Verdun from the late 12th or early 13th century in Cologne Cathedral. The reliquary offered here has an architectural structure with a rectangular ground plan. The three-sided glazed box with a dormer roof rests on a plinth. A total of 8 columns of Corinthian order form the arcades which are crowned on both long sides by 3 lancets each and enclose the lancet windows...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

A 19th century French Louis Philippe style vitrine or miniature buffet, made of solid mahogany with glass cabinet doors and mirror backed tiered shelves. Glass cabinet door opens to ...

Original showcase composed of 2 parts dating from the 19th century. This hunting showcase is used to store trophies and rifles. The whole thing is made of a dark wood. The lower pa...

Finely carved and detailed with a mix of silver and gold leaf together. Overall width is 18.5" Dated and signed on back side.

19th Century French Gothic Sacrament cabinet was artfully sculpted from solid oak and fruitwood to create a remarkable religious artifact designed to be appreciated throughout the ages! The trapezoidal form of the casework is in keeping with the Gothic style, which historians concur originated in the Cathedral of St. Denis during the middle of the 12th century. Boldly molded crown follows the complex contours and overlooks the case below which features a single door flanked by cornerposts that feature pilasters facing front as well as the sides, with recessed arched panels topped with recessed circular frames above filled with carved rosettes highlighted in gold. The arched recesses facing the front are also filled with carved floral and wheat motifs also highlighted in gold, representing the Bread of Life. The door panel, however, steals the show, with a gloriously carved relief work depicting both wheat and fully laden grapevines adding the significance of the Blood of Christ...