Gilt Brass Alms Collecting Dish, Nuremberg, Germany, 16th Century

Acetre. Bronze. Century XVI. Bronze piece that has a circular foot, and a circular body, with an outwardly hollowed mouth at the top, and a decoration in relief in this last area o...

Christ crucified. Carved wood. Century XVI. Crucified Christ made of carved wood that does not present a Cross of Thorns but does have a short and tight perizonium, with numerous fo...

This type of elements are basic in churches, chapels, etc. since they contain the Sacred Forms, reason why it is logical the abundance, with a series of typologies more habitual and traditional or old than others. There are also iconographies more common than others, a certain thematic preference according to the date or school to which the work belongs, etc., always related to the Sacrifice of Christ, Salvation, Transubstantiation, Eucharist, etc. for being a key element for Christianity (especially the Catholic) what they will always contain. The present work shows a chalice with Sacred Form in what would originally be the interior of the door (very usual iconography) and a somewhat more striking relief to the exterior. Inside that it is a Eucharistic Christ or Eucharistic Savior, the way of presenting it is more usual of the scenes of the Last Supper, being not so frequent to find it alone like this. Compare for example with works such as the door of the tabernacle attributed to Alonso Cano...

Portapaz. Silver in its color and gilded. Century XVI. Portapaz made of silver that has a handle (decorated with delicate plant motifs similar to those of the pilasters) and a female and a male bust at the bottom, as well as other architectural elements on the back, and, on the front, an architectural composition classicist basement (with busts flanking a flower and a cross), two pilasters (vegetal decoration and capital recalling the composite order) with entablature (flowers flanking an angel's head; moldings), and a semicircular arch finish with elements veined in relief under cross and flanked by two architectural motifs in the upper part. This composition frames and enhances a gilt silver relief where you can see the Lament or Cry over the Body of Christ, with the Virgin holding the head of Jesus, Saint John at her side, the Magdalene and other characters, a cross following the group and a landscape background with houses and plant elements. This architectural structure mentioned is similar to the one present in other 16th century portapaces, such as that of the Magdalena de Dos Hermanas parish (Hernando de Ballesteros el Mozo, around 1575); or that of the Galaroza parish (same author and date); or that of the portapaz of San Miguel de Jerez de los Caballeros (in some details); etc. As for the relief, it is possible to clearly see a strong Italian influence, and the similarity between it and important pieces such as the Portapaz known as “de Cisneros by Juan de Burgos (1493-1497; MuseoCatedralicio de Alcalá de Henares), as well as in paintings and reliefs. Also noteworthy are both the male and female busts in the lower area and the Maltese cross (or Saint John's) that appears in this area. This symbol was used since the 12th century as an insignia by the Knights Hospitallers of the Order of Saint John of Jerusalem, also known as the Order of Malta...

Peacekeeper, Mercy. Golden bronze. Possibly Rome, last third of the 16th century-first quarter of the 17th century, following the model of Michelangelo Buonarroti. Gilded bronze pla...

Typologically, it is a partial architectural grating with an ornamental and defensive purpose at the same time. Likewise, it clearly shows some of the striking decorative and typolog...

A German Nuremberg Alms dish, 16th century A copper round alms dish with an ornate round rim with hand-worked decoration and in the center of the bowl with floral decoration in re...

A German 16th-17th century embossed and chiseled brass baptismal basin adorned with Virgin Mary standing on a crescent moon and (unreadable) text, probably Nuremberg. The basin featu...

Very elegant sculpture reprenting a Putti (angel) from the German renaissance period -16 century Rare sculpture in walnut of great quality with a very beau...

Rare basin (We think it was the basin to wash the feet on hollyThursday) in brass Rare plat of the german renaissance since it is rather a basin which is much rarer than a offerin...

This is an absolutely exquisite rare Cooper-gilt ,silver-gold and three Sterling Silver angels Chalice originated from Augsburg (Germany ) in the 1500. The Goblet is 21cm high, diame...

Ball shaped, separating into two halves, the central detachable band chased with a crown flanked by Hebrew blessing of spices on a zig-zag ground, between applied ropework bands, on ...