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Rare Auchterlonie Jigger from St Andrews, Scotland

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  • John Bull Original Annuals from 1820-1829
    Located in Dallas, TX
    Presenting a set of 9 volumes, leather bound John Bull yearly annuals. All the weekly newspaper publications of John Bull for the years 1820-1829 (Inclusi...
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  • Rare Lynn Bogue Hunt Engraving of Ducks Unlimited, 1940
    By Lynn Bogue Hunt
    Located in Dallas, TX
    Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...
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  • Rare 19th Century English Tunbridgeware Hair Pin or Slide
    Located in Dallas, TX
    Presenting an absolutely gorgeous and extremely unique and rare 19th century British Tunbridgeware hair pin/bobbin or slide. This slide is unlike any of it’s kind we have seen before…. it is a very rare survivor ! From circa 1860–1880. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a very elegant lady in the mid to late 19th century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface.[1][2][4] Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.
    Category

    Antique Late 19th Century English High Victorian Collectible Jewelry

    Materials

    Satinwood, Walnut

  • Important Teddy Roosevelt Letter from White House June 1907
    By Theodore Roosevelt
    Located in Dallas, TX
    Presenting A Very Important Teddy Roosevelt Letter from White House June 1907. On ‘The White House’ letterhead. Typed and personally signed and amended by President Theodore Roosevelt. With it’s original White House envelope, stamp and postage marks. Dated June 14th 1907. What makes this letter so important is the author, the office and the content. It refers to the beliefs and opinions of the then President and First Lady (Edith) towards the women’s sufferage and empowerment movement that was the ‘hot topic’ of the time. It is addressed to Eliza Calvert Obenchain who was a well known author at the end of the 19th Century and Early 20th Century. In 1905, Teddy referred to her book “Aunt Jane of Kentucky’ in a speech and recommended that every man in America should read it to understand ‘the plight of their womenfolk’. He regularly corresponded with her and we have a number of those letters in our collection. It appears that both he and Edith became big fans of Mrs Obenchain who was also heavily involved in the Suffragist movement. The letters also provide a fascinating and historic record of Roosevelt’s personal beliefs and feelings on female empowerment. The Letter Reads: The White House Washington Oyster Bay, N.Y., June 14, 1907 Personal “Dear Mrs. Obenchain: I gladly accept the autographed copy of “Aunt Jane” which you have been so kind to send me. But Aunt Jane is so good and so wise that she must not (amount “race (illegible)) fall into the terrible mistake of the self-indulgent, selfish, shortsighted women, cold in heart and in temper, who shirk the duties of mother-hood and then try to cover up to themselves and to others their cowardice or self-indulgence by making believe they are actuated by wise or lofty motives. * With great regard, believe me, Sincerely yours, Theodore Roosevelt *And she must not give aid and comfort to unsexed or sexless creatures by a jest which they may take for earnest ! Mrs. Eliza Calvert Obenchain, Bowling Green, Kentucky.“ The envelope is From: The White House. Addressed to: Mrs. Eliza Calvert Obenchain, Bowling Green, Kentucky and marked ‘Personal’. It is stamped on the front as posted from Oyster Bay, New York Post Office on June 16 1907. It has a red 2 Cent...
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    Early 20th Century American American Classical Historical Memorabilia

    Materials

    Paper

  • Tarzan and The Golden Lion by Edgar Rice Burroughs McClurg 1st Edition
    By Edgar Rice Burroughs
    Located in Dallas, TX
    Presenting a gloriously rare book…. Tarzan and The Golden Lion by Edgar Rice Burroughs McClurg 1st Edition. First edition. Illustrated by...
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    Early 20th Century American Romantic Books

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    Paper

  • Tarzan and the Lion Man by Edgar Rice Burroughs 1st Edition
    By Edgar Rice Burroughs
    Located in Dallas, TX
    Presenting a gloriously rare book Tarzan and the Lion Man by Edgar Rice Burroughs 1st Edition. An attractive first edition/first printing, gray decorated cloth with black letterin...
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    Early 20th Century American Art Deco Books

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    Paper

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  • Golf Print, St Andrews Royal and Ancient Golf Club
    Located in Oxfordshire, GB
    1967 Alcan Golfer of the Year Championship By Arthur Weaver. A colourful golf lithograph signed by the artist, Arthur Weaver, of the 18th green at St Andrews. The picture depicting Gay Brewer putting on the 18th green at St Andrews (Royal and Ancient Golf Club) in the 1967 Alcan Tournament. Gay Brewer beat Bill Casper by four strokes in a playoff to earn the biggest jackpot ever given to a tournament winner at that time. Title of the print, 18th Green, Royal & Ancient, Alcan Tournament, October 1967, Winner Gay Brewer, U.S.A. 'Putting'. Published in 1968 by Frost & Reed Limited of Bristol and London, England. Copyright in all countries, including the U.S.A. Foreign. Image size, H. 51 cm W. 64 cm Size with border, H. 59 cm W. 70 cm The Alcan Golfer of the Year Championship, also known as the Alcan Open, was an international golf tournament played from 1967 to 1970. It was sponsored by Alcan Aluminum Ltd. of Canada, a long-time corporate sponsor of professional golf on international circuits. The tournament was dreamed up by a Montreal magazine publisher named Hilles Pickens and a Montreal radio broadcaster named Doug Smith. The idea was to use four tournaments in the U.S. and four in Great Britain to qualify for a tournament at St Andrews. They sold the idea to Aluminium Ltd. of Canada, which was at the time changing its name to Alcan. Alcan thought the tournament would be a fine way to promote the new title with both the public and big buyers all over the world. Arnold Palmer and Jack Nicklaus had qualified to play in the tournament but sent their regrets, as did top U.S. money winners Dan Sikes and Julius Boros. For big-name attractions the tournament had to rely on Casper, Brewer and Doug Sanders. Casper and Brewer played fine golf at the windy St Andrews course and after three rounds they were tied with England's 22-year-old Brian Barnes, at four under par. On Sunday Barnes fell back and come the 18th hole Casper and Brewer were tied at 283. The playoff was played on the Monday over the full 18 holes. St Andrews "The Home of Golf" is on the Fife Coast of eastern Scotland and is considered the oldest and most iconic golf course in the world. The Old Course is 6721 yards with a par of 72. It is famous for the 'Swilcan Bridge' spanning the first and 18th holes and 'Hell Bunker'. Everyone who plays the 18th hole walks over the 700-year-old bridge, with it featuring in many iconic pictures of St Andrews. The Old Course remains a public golf course, open to all and apart from the clubhouse for the Royal and Ancient, there are clubhouses overlooking the links for The St Andrews Golf Club...
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