Folding Screen by Charles & Ray Eames 'FSW-6'
View Similar Items
Folding Screen by Charles & Ray Eames 'FSW-6'
About the Item
- Creator:Charles and Ray Eames (Designer)
- Design:
- Dimensions:Height: 68 in (172.72 cm)Width: 59 in (149.86 cm)Depth: 1 in (2.54 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:Plywood,Molded
- Place of Origin:
- Period:
- Date of Manufacture:1960's
- Condition:Wear consistent with age and use.
- Seller Location:Long Island City, NY
- Reference Number:1stDibs: LU5695234638982
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
- A Pair of French Oak Armchairs in The Manner of Charles DudouytBy Charles DudouytLocated in Long Island City, NYA Pair of French Oak Arm Chairs in The Manner of Charles Dudouyt featuring rush seating and backrest.Category
20th Century American Mid-Century Modern Chairs
MaterialsRush, Wood
- French Deco Cerused Oak Sideboard in the Style of Jean-Charles MoreuxLocated in Long Island City, NYFrench Deco cerused oak sideboard in the style of Jean-Charles Moreux with two doors that open to reveal two small drawers and two shelves. Comes with two locks and a key. The natura...Category
20th Century French Mid-Century Modern Sideboards
MaterialsBrass
- Masque Chair by James EvansonBy James EvansonLocated in Long Island City, NYMasque Chair by James Evanson for Evanson Studios.Category
20th Century Swedish Mid-Century Modern Side Chairs
MaterialsLaminate, Mahogany, Plywood
- Serving Bowl by Jens QuistGaardLocated in Long Island City, NYServing Bowl by Jens QuistGaard for Dansk in pine wood with brown stripe detailing.Category
20th Century Danish Mid-Century Modern Decorative Bowls
MaterialsPine
- Stoneware Jardiniere by Paul ChaleffBy Paul ChaleffLocated in Long Island City, NYStoneware Jardiniere by Paul Chaleff with a speckled glaze. It is marked with the artist's incised signature and date (2005)Category
20th Century American Mid-Century Modern Planters, Cachepots and Jardini...
MaterialsClay
- Wall Cabinet by Robert EngvallLocated in Long Island City, NYWall Cabinet by Robert Engvall in tiger maple wood featuring an open interior with two rows of brass hooks.Category
20th Century Mid-Century Modern Cabinets
MaterialsBrass
- Charles and Ray Eames FSW 8 Panel ScreenBy Charles and Ray EamesLocated in West Palm Beach, FLA Birch Plywood and canvas screen Early production Original finish.Category
Vintage 1940s American Screens and Room Dividers
MaterialsBirch
- Half-Size FSW-6 Screen by Charles and Ray EamesBy Charles and Ray EamesLocated in New York, NYHalf-size FSW-6 screen in ash plywood and canvas. Designed by Charles and Ray Eames and manufactured by Herman Miller, Zeeland, MI, circa 1948. Unmarked.Category
Mid-20th Century German Modern Screens and Room Dividers
MaterialsCanvas, Plywood
Price Upon Request - Charles and Ray Eames; Vintage FSW-6 Room Screen, Early Production, 1946By Charles and Ray EamesLocated in Wargrave, BerkshireCharles and Ray Eames FSW-6 folding room screen, designed in 1946. The original production examples used a canvas webbing as in this example. Mult...Category
Vintage 1950s American Mid-Century Modern Screens and Room Dividers
MaterialsWood
- Original 1950s Eames for Herman Miller FSW-6 Folding Screen Room DividerBy Herman Miller, Charles and Ray EamesLocated in Brooklyn, NYAn early molded plywood screen divider in calico ash, designed by Charles & Ray Eames, manufactured by Herman Miller. The screen's ingenious design allows it to be formed into a vari...Category
Vintage 1950s American Mid-Century Modern Screens and Room Dividers
MaterialsAsh
- Charles and Ray Eames for Herman Miller Plywood Folding Screen Ash Veneer 1950sBy Herman Miller, Charles and Ray EamesLocated in Cathedral City, CAThis is an iconic piece of American design history, designed by Charles and Ray Eames in 1946, for Herman Miller. This example is one of the earlier versions produced between 1946-1955. The veneer is a warm ash. The connecting fabric is a cotton canvas and allows for the screen to bend in a multitude of ways producing a screen in a variant of formations and also allows the screen to fold nearly flat for storage or shipping. A true classic! We have included several detail photos so you can get a true picture of condition, As is common with these older screens...Category
Mid-20th Century American Mid-Century Modern Screens and Room Dividers
MaterialsAsh, Plywood, Canvas
- Early Rare Eames Screen Room Divider FSW-6 in RosewoodBy Charles and Ray EamesLocated in Seattle, WAAn extremely rare first generation Eames FSW-6 privacy screen, in Rosewood Veneer at 68 height, with cotton fabric connector in good condition, no tears, fraying at the end. Rosewo...Category
Vintage 1970s North American Mid-Century Modern Screens and Room Dividers
MaterialsRosewood, Plywood
Recently Viewed
View AllRead More
The 21 Most Popular Mid-Century Modern Chairs
You know the designs, now get the stories about how they came to be.
A Guide to Herman Miller’s Most Iconic Furniture
The prolific manufacturer has partnered with many of the world’s top designers since opening its doors in 1923. Here are some of the company’s greatest hits, which helped transform the American home and office.