Ceramic Screens and Room Dividers

arge and magnificent bathroom by Joe Colombo for the space age 1970's period consisting of a pair of sinks, a towel rack with its porcelain soap dish...

This striking white plaster three fold folding screen divider with decorative embroidery on the panel is a unique piece created by the Tbilisi, Georgia based designers Rooms Studio in collaboration with Salome Chigilashvili. Additional Information: The white three-fold screen is made up of three panels which are shaped uniquely and made of plaster, which are adorned with embroidered details that look like brush strokes made of unprocessed yarn. The screen features black legs which frame the piece and give it its stability. This crossover beautiful white folding screen divider would look great in a woman's dressing room, or any room in the house to separate space in a modern loft-like interior. The white folding screen comes in a numbered edition of 6, making it a limited edition hand crafted piece for your home. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy.? The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Vintage Chinese style room divider or folding screen. Made of wood and faux stone carved into ornate silhouettes of animals and pottery. Features a dragon / serpent, bear / dog, cow ...

Hand painted grape vines with detachable individually hand crafted majolica clusters of "lady fingers" grapes. The vines are set in black galvanized bases probably created near Deru...

Offered is a striking midcentury circa 1965, modern design room divider/screen with inset blue-green art glazed ceramic tiles. The screen has beveled wa...

Double-sided, brass folding screen designed by John Salibello with inset vintage ceramic panels featuring an unusual "oil slick" effect. Twelve pa...

Ceramic screen/Paravon, unique piece. Commissioned for a bank is Strasbourg, France by Gustave Tiffoche and Léopold Gest. La Borne

An exquisite 18th century Chinese coromandel screen with heavily incised and gilt black lacquer depicting a grande palatial scholars' garden landsca...