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Style: Charles II
Road Map No43 London to Kings Lynn, Royston to Downham, John Ogilby, Britannia
By John Ogilby
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II.
A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame.
In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts.
Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...
Category
Late 17th Century British Antique Charles II More Furniture and Collectibles
Materials
Paper
Road Map Britannia No 15 London to St Davids John Ogilby Brown Gilt Frame
By John Ogilby
Located in BUNGAY, SUFFOLK
The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15.
Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age
Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair.
Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “
Frame width 66.5cm., 26”., height 56cm., 22 ”
In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts.
Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household.
When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless.
On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself.
In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum.
In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5.
As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category
Late 17th Century British Antique Charles II More Furniture and Collectibles
Materials
Paper
Road Map Britannia No 25 London to the Lands End, John Ogilby Brown Gilded Frame
By John Ogilby
Located in BUNGAY, SUFFOLK
The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25.
Continuing 308 miles, 3 furlongs.
London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester
The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age
Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair.
Sheet width 48cm., 19 ”., height 38cm., 15 “
Frame width 66.5cm., 26”., height 56cm., 22 ”
In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i
Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2"
Full Sheet Length 58cm., 22 3/4" Height 38cm., 15"
Frame Length 66cm., 26"., Height 56cm., 22"
In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts.
Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household.
When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless.
On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself.
In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum.
In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5.
As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category
Late 17th Century British Antique Charles II More Furniture and Collectibles
Materials
Paper
Road Map Britannia No 32 the Road from London to Barnstable John Ogilby Framed
By John Ogilby
Located in BUNGAY, SUFFOLK
A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32.
From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater
Hand coloured, some foxing and creasing, commensurate with age.
Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame.
Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair.
Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14".
Full Sheet Length 51cm., 20" Height 39cm., 15 1/4"
Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2"
Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts.
Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household.
When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless.
On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself.
In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum.
In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5.
As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category
Late 17th Century English Antique Charles II More Furniture and Collectibles
Materials
Paper
Making & Meaning Holbein's Ambassadors Table Book
Located in North Hollywood, CA
Making & Meaning_ Holbein's Ambassadors
By Foister, Susan; Roy, Ashok; Wyld, Martin
Great table book, hardcover.
London: National Gallery of Art, 2001. Paperback Quarto. Paperback...
Category
20th Century English Charles II More Furniture and Collectibles
Materials
Paper
Curtains, Set of 3, Silk Velvet, Charles II-Style, Burgundy Damask Cowdray Park
Located in BUNGAY, SUFFOLK
Each with a damask pattern of scrolling foliage, peonies, tulips and fruit. Massive pattern repeat, see image. Original braid. Cleaned and conserved.
Measures: Two height 315 cm., 124 in., width 107 cm., 42 in.,
One height 295 cm, 116 in., width 109.5 cm., 43 in.,
From the collection of the 1st Viscount Cowdray, Cowdray Park, Sussex, supplied by Lengyon & Co, circa 1910.
Francis Lenyon, Lenyon & Co, Lenyon & Morant
Born in England in 1877, Lenyon was trained as a cabinetmaker and studied at the South Kensington Museum in London. By 1900, he found work with Art Workshops, Ltd., and soon after with Charles Duveen, son of Sir Joseph Duveen. Employed by C.J. Charles for several years, Lenyon became well-known as cabinetmaker to England's aristocracy. He opened his own firm, Lenyon & Co., in 1904, and in 1912 merged with Morant & Co., to become Lenyon & Morant, holding royal warrants under four successive British kings.
In 1910, Lenyon made his first visit to the United States to supervise the interior decoration of Whitlaw Reid, and soon opened a New York branch of his firm. As in England, Lenyon 's American clients were wealthy and sophisticated and relied on Lenyon to furnish authentic and reproduction interiors in period styles. In the 1930s, Lenyon was hired by Nelson Rockfeller to serve as a major consultant to the reconstruction of Colonial Williamsburg in Virginia, and selected all the furnishings for the Governor's Palace there.
Lenyon was widely known for his expertise in 17th and 18th century British furniture...
Category
Early 20th Century European Charles II More Furniture and Collectibles
Materials
Velvet
Road Map Britannia 1675/6 No 5 Road London to Barwick, London Stilton Grey Frame
By John Ogilby
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) cosmographer and geographick printer to Charles II.
A road map from Britannia, 1675/6. No 5, The road from London to Barwick: London to Stilton
In a grey painted and gilded frame.
In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts.
Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household.
When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless.
On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself.
In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum.
In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5.
As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan, and by a number of professional surveyors. The result was an outstanding plan of London, on a scale of 100 feet to an inch, on 20 sheets, although it was not printed until after Ogilby's death.
Ogilby then turned his attention to publishing geographical descriptions of the wider-world. In 1667, he issued 'An Embassy from the East India Company of the United Provinces to the Grand Tartar Cham, Emperor of China.' Buoyed by the response to this volume, Ogilby conceived an ambitious project, a multi-volume description of the world. The volumes were joint collaborations, in conjunction with the Dutch publisher Jacob van Meurs. 'Africa', published in 1670, was the least original of the three, both in terms of the text, maps and illustrations. In a similar vein, he issued the 'Atlas Japannensis' (1670), the 'Atlas Chinensis' (1671), and 'Asia' (1673). In 1671, Ogilby published the 'America', translated from Arnold Montanus' Dutch text. The 'America' is certainly the most original, and most important, of Ogilby's various geographical volumes, and its influence and popularity was immediate.
With its completion, Ogilby turned to a project nearer his heart, the description of Britain. Ogilby originally intended to devote one volume to Britain, but as the project evolved, he became more ambitious, as revealed in a prospectus issued in about 1672:
"This having oblig'd our Author to take new Measures ... to compleat within the space of two Years a Work ... considering the Actual survey of the Kingdom, the Delineation and Dimensuration of the Roads, the Prospects and Ground plots of Cities, with other Ornamentals ... into six fair volumes. The Four first comprehending the historical and geographical description of England, with the County-Maps truly and actually survey'd. ... The fifth containing an Ichnographical and Historical Description of all the Principal Road-ways in England and Wales, in two hundred copper sculptures, after a new and exquisite method. The sixth containing a New and Accurate Description of the famous City of London, with the perfect Ichnography thereof ..."
In the proposals, Ogilby emphasised the scale of the undertaking; no-one before him had attempted such a vast project. He estimated the total costs would be £20,000, a staggering amount. The cost of the complete set of six volumes was to be £34. At that time, Wenceslas Hollar...
Category
Late 17th Century British Antique Charles II More Furniture and Collectibles
Materials
Paper
Cosmgraphy and Astrology, 1686 by Richard Blome from the First Edition
Located in BUNGAY, SUFFOLK
Cosmography & Astrology
Large oval engraved plate with inscriptions outlining the various parts of cosmography and astronomy; below, two emblematic figures with scientific instruments either side. Lettered with title, dedication, and various inscriptions. To his Excellency Roger Palmer, Earle of Castelmain and Baron of Limerick in Ireland, Embassador Extraordinary from his majesty King James II to his Holyness Pope Innocent 11th anno dom 1686. This plate is humbly DD by Richard Blome. On paper and retaining its original coloring.
Sheet width 26 ½ cm., 10 ½ in., height 41 ½ cm., 16 ½ in.,
In a part-gilded Sansovino frame...
Category
1680s English Antique Charles II More Furniture and Collectibles
Materials
Paper
Set of 24 Engravings by Richard Blome Framed in Pair of Regency Screens
Located in Charleston, SC
Regal set of twenty-four steel engravings of English Hunt Scenes by Richard Blome (1635-1705) framed in a pair of three panel mahogany Regency Screens, 17th century. The etchings are from "BLOME, Richard (1635-1705): The Gentlemans Recreation. ... An Encyclopedia of the Arts and Sciences ... [and] Horsemanship, Hawking, Hunting, Fowling, Fishing and Agriculture. With a Short Treatise of Cock-Fighting. London: S. Roycroft for R. Blome, 1686". Twenty-three of the twenty-four hunt engravings...
Category
Late 17th Century English Antique Charles II More Furniture and Collectibles
Materials
Upholstery, Mahogany, Paper
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A truly sublime piece, I absolutely love every bit of it,...
Category
1660s English Antique Charles II More Furniture and Collectibles
Materials
Oak
H 21.66 in W 13.39 in D 1.19 in
Hand Carved Charles II English Royal Coat of Arms 1660-1685 Armorial Crest
Located in GB
We are delighted to offer this stunning and very rare Charles II English Royal coat of arms hand carved in solid wood, 1660-1685.
A truly sublime piece, I have never seen an armor...
Category
1660s English Antique Charles II More Furniture and Collectibles
Materials
Wood
H 19.1 in W 15.75 in D 3.55 in
Hand Carved Charles II English Royal Coat of Arms 1660-1685 Armorial Crest
Located in GB
We are delighted to offer for sale this stunning and very rare Charles II English Royal coat of arms hand carved in solid wood, 1660-1685.
A truly sublime piece, I have never seen...
Category
1660s English Antique Charles II More Furniture and Collectibles
Materials
Wood
H 19.1 in W 15.75 in D 3.55 in
Antique Coffer, 6 Plank Sword Chest, English, Oak, 17th Century, circa 1660
Located in Hele, Devon, GB
This is an antique coffer, a 6 plank sword chest in English oak dating to the 17th century c.1660
Classic six board construction
English oak with desirable...
Category
17th Century English Antique Charles II More Furniture and Collectibles
Materials
Oak
H 21.46 in W 34.65 in D 15.75 in
Road Map, from London to Kings Lynn, Royston to Downham, John Ogilby, Britannia
By John Ogilby
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II
A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham...
Category
Late 17th Century British Antique Charles II More Furniture and Collectibles
Materials
Paper
H 20.48 in W 24.41 in D 0.4 in
Antique Coffer, Large, English Oak, Joined Chest, Charles II Trunk, circa 1685
Located in Hele, Devon, GB
This is an antique coffer, a late 17th century, English oak, joined chest. A Charles II trunk dating to circa 1685.
Substantial oak chest displaying rich, dark colour
Pegged join...
Category
17th Century English Antique Charles II More Furniture and Collectibles
Materials
Oak
H 27.17 in W 47.25 in D 22.45 in
Charles Ii more furniture and collectibles for sale on 1stDibs.
Find a broad range of unique Charles II more furniture and collectibles for sale on 1stDibs. Many of these items were first offered in the Early 20th Century, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage more furniture and collectibles created in this style to your space, the works available on 1stDibs include more furniture and collectibles, wall decorations, case pieces and storage cabinets and other home furnishings, frequently crafted with paper, fabric and other materials. If you’re shopping for used Charles II more furniture and collectibles made in a specific country, there are Europe, United Kingdom, and England pieces for sale on 1stDibs. While there are many designers and brands associated with original more furniture and collectibles, popular names associated with this style include and Richard Blome. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for more furniture and collectibles differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $75 and tops out at $38,500 while the average work can sell for $2,568.
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