20th Century Quilts and Blankets

Mid-20th Century Set of Schiapparelli Stockings in the Original Box A Mid-Century set of Schiaparelli stockings in the original box with the original Schiaparelli tissue paper liner...

Merry Go Round crib quilt in applique, a Paragon kit quilt, circa 1960s. Dimensions: 36" x 53.5" (Width x Length)

Vintage Embroidery Maroon Fabric.Bright Colorful Stitching Abstract Pattern. Dimensions. 17 L ; 10 1/2 W

1960s Fun Vintage Blue Plaid Leisure Blanket Troy New Hampshire 52 x 64.25 Label present Preowned original vintage condition See all images.

Midcentury Vintage Textile Art Majestic Mexican Eagle Blanket 50 x 74 Original preowned vintage condition. Unrestored. Wear visible. See all images.

Vintage two tone brown mink fur coat, full length with swivel hook and loop closure and two side pockets. Owner of this coat is approx. 5'2'', 110lbs. Measures: Shoulders - 20” / ...

Vintage dark brown mink coat by Stanley Rich of Cincinnati, Ohio, full length with two front pockets, double breasted with two rows of black rhinestone...

Midcentury Florida souvenir table cloth. White cotton table cloth with multi-color printed Florida landmarks. As found, lightly used condition. The cl...

- very rare cloth - perfect original condition - never used.

Mid-century New York City souvenir table cloth. White cotton with all over red printed design featuring NYC landmarks.

Midcentury Florida souvenir table cloth. White cotton table cloth with multi-color printed Florida landmarks. Colors remain bright and the cloth has b...

A beautiful original 1960s welsh wool tapestry blanket in immaculate condition, in a vibrant yellow colour with black and grey tones. Baring its original l...

Plaid cats on books by Piero Fornasetti.

These type of Russian prints that are also called 'trade cloth' since they were made for Central Asian markets. They were used to make blankets and dresses, and also used for the lin...

Large vintage Suzani Uzbek Samarkand textile, Suzani means needlework and these embroideries are some of the most characteristic forms of tex...

Vintage brushed leather zippered motorcycle jacket with folding collar and tri-band decorative racing stripes across the breast and up and down the front sides. Brown satin lining. M...

Mid-Century Modern Italian vintage silk scarf throw pillow, 1970s.

Mid-Century Modern vintage souvenir silk scarf throw pillow with cashmere wool back.

Mid-century New England souvenir table cloth. White cotton with all over multicolor printed design featuring New England (Northeast) landmarks.

Bob Van Allen holiday bow red & green oval placemat set of 5 & napkin set of 10. Bob Van Allen holiday/christmas table linens, includes 5 foam backed p...

Framed, color screen-print on silk scarf. Untitled. 138/150. Measures: 37" W x 36.5" H.

Midcentury New York souvenir table cloth. New with tags. White cotton table cloth with multi-color printed New York City landmarks. Colors remain b...

Midcentury New York souvenir table cloth. New with tags. White cotton table cloth with multi-color printed New York City landmarks. Colors remain b...

Vintage French Tapestry Rug, Origin: France, Circa: Mid 20th Century. Size: 6 ft x 3 ft 6 in (1.83 m x 1.07 m)

A modernist wool woven tapestry designed by French artist and designer Mathieu Mategot (1910-2001) circa 1960s. The piece is signed with Matégot and monogrammed TMP fino (Manufactur...

A piece of Italian history in your home: Adolfo Pariani founded his business in 1903. They were the first Saddlery in the whole world that used a saddle tree that was flexible which meant it was elastic and shock-absorbing. Since then Selleria Pariani supplied personalities of the 20th century, such as George Patton...

Jean Picart Le Doux (1902-1982) Exceptional large woven wool Aubusson tapestry by Picart Le Doux with central armillary sphere motif, flanked by symbols of the sciences, perfect for ...

Super rare and impressive pair of large cotton ''gordijnstof' curtains, designed in 1963 by world renowned Dutch painter and sculptor Karel Appel (1921-2006) for the textile company Hermann Hartman & Co of Amsterdam. This extremely rare, original repeat print textile is documented in the Stedelijk museum's textile collection under object nubmer KNA 1998, please see image 2. Each curtain measures 56.7" X 83.85" (144cm X 213cm). 'Gordijnstof' translates as "curtain fabric" confirming that this textile was originally designed by Appel specifically for use as curtains however being of such an impressive dimension these examples could equally be used as wall hangings ,as photographed, or mounted on both sides of a screen or mounted and framed as an art work in its own right , a practice which is becoming increasingly commonplace as high end textile designs by important artists are becoming increasingly valued , appreciated and sought after in the marketplace. Appel's paintings and sculptures can be found in the collections of some of the world's most prominent museums including the Museum of Modern art in New York and Tate Modern ,London. Each curtain is of a very impressive scale with each measuring 56.7 " (144 cm) X 83.85" (213cm). The curtains are signed on the banding KUNSTENAAR DESSIN ONTWERP Karel Appel, HARTMAN PRINT, AMSTERDAM. Another of Appel's designs for Hermann Hartman,Amsterdam can be found in the collection of the national textile museum in Holland. Please see image 9. Even a small sample of this 1963 textile in good condition would be hard to find today but to find two large scale Appel curtains intact and in beautiful unfaded condition with no staining or fraying must be next to unique today. This is a very rare find and certainly a unique opportunity. Image 10 shows Karel Appel in his atelier in New York in 1966. Provenance: These curtains come from the private collection of a retired Professor from Oxford,UK. Biography: Karel Appel was an Expressionist Dutch painter. He was a member of the famous Cobra, the European group of the late 1940s to early 1950s, which promoted spontaneous expressionism and abstract features in painting. Appel's paintings incorporate applications of vibrant, violent colors often possessing a primal, childlike quality or a schizophrenic innocence. Later in life, Appel turned to creating figurative sculptures. Examples of his work can be seen in the Museum of Modern Art, New York City, Boymans-Van Beuningen Museum, Rotterdam, and other collections. Expressionist painter Karel Appel made a name for himself in the world of painting by creating a majestic collection of highly distinguishable work for which he became internationally renowned. From the start, art curators could not ignore Appel's work, which has been exhibited at major museums around the world, including New York's Museum of Modern Art, the Manhattan-based Guggenheim Museum, the Museum of Fine Arts in Boston and the Tate Gallery in London. Though Appel is widely recognized as one of the best-known Dutch Expressionist painters of all time, he was also a passionate printmaker, sculptor, and ceramicist. Karel Appel’s childhood and early life Christiaan Karel Appel was born on April 25, 1921, in his parents’ house at 7 Dapperstraat, Amsterdam. His father, Jan Appel, owned a barbershop. His mother, born Johanna Chevalier, was a descendant of French Huguenots. Karel Appel had three brothers. He studied art from 1940 to 1943 at the Rejksakademie van Beeldende Kunsten, the Royal Academy of Fine Arts during the German occupation and befriended young painter Corneille and, some years later, Constant. His parents opposed his choice to become an artist, leading him to leave home. This was also necessary to hide himself from the German police so that he would not be picked up and sent to Germany to work in the weapon industry. Appel produced his first real painting on canvas, which was a still life of a fruit basket at the age of fourteen. On his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel and some lessons on painting. Career. In 1946, his first solo show was held in Groningen, Netherlands. He also participated in the Jonge Schilders exhibition at the Stedelijk Museum of Amsterdam nd created a buzz in the art world, as it generated a huge scandal and many objections in the press and public. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by the French brute-art artist Jean Dubuffet. In 1947, he started sculpting with various used materials and painted them in bright colors such as white, red, yellow, blue and black. Karel Appel became the member of Nederlandse Experimentele Group in Holland along with the young Dutch painters Anton Rooskens...

An exquisite hand-loomed textile of good scale incorporating an expressive and colorful array of tufted wool and variegated fabric elements.