Egyptian Furniture

About the rug: This is a hand-knotted rug with 160,000 knots per square meter in a double knot construction. It is made of face yarn that is Egyptian wool with bamboo silk inlays, an...

About the rug: This is a hand-knotted rug with 160,000 knots per square meter in a double knot construction. It is made of face yarn that is Egyptian wool with bamboo silk inlays, an...

Abou the rug: This hand-knotted rug has 160,000 knots per square meter, a double knot construction, and is made of 100% New Zealand wool for the face yarn and 100% Egyptian cotton fo...

Beautiful Hand-Carved Alabaster Lamp imported from France and does require rewiring for the US. The stone, Alabaster comes in several colors, although they then to be mostly white, y...

An incredible vintage Egyptian Tabriz patterned woven in100% silk with a beautiful central multi-lobed floral medallion woven in pink gold, indigo, crimson, and natural colored silk....

Set of 2 Art Glass Egyptian Perfume Bottles 1980s. Handcrafted Egyptian art glass gilt glass perfume bottle. Egyptian perfume bottles set of two hand blown colorful decorative multic...

A mummiform ushabti in blue faience. Four registers of hieroglyphic characters are painted around the lower half of the ushabti, with a vertical column of hieroglyphs in the centre o...

Bronze statue of the goddess Neith, striding, her left foot extended forward. Her left hand is extended forward and formally held a papyrus sceptre, a fragmentary ankh is visible in ...

A bronze Horus in the form of a falcon, wearing the double crown of Upper and Lower Egypt, with a frontal uraeus. The wings are folded down the back of the falcon. The feet end with ...

An ancient Egyptian stone vessel/jar, Old Kingdom, 2600-2800 BCE. This is an original lime stone jar from the time of the pyramid builders, these vessels where hand carved with the u...

Walnut Wood Chest of Drawers with Hand-Laid Mother-of-Pearl in Delicate Floral Design. If you are looking for an iconic piece to beautify a space in your bedroom or guest room, and ...

Charcoal Black Hand-Carved Massive Oak Wood Sofa with Velvet Green Upholstery. Inspired by the legendary Hassan Fathy, this sofa pays homage to his architectural philosophies and pri...

Luxurious Hand-Made Serving Set with Hand-Blown Food-Safe Glass Bowls. This is how feasts are made! Hosting is not just about the food, but the joy, warmth, scents, colors and overal...

A stunning antique Arabic calligraphy round glazed terracotta wall plate having a lovely dark espresso background with warm white calligraphy and touches of mint green and peach. A...

White-Washed Hand-Carved Massive Oak Wood Console with Multiple Arches. Inspired by the legendary Egyptian architect Hassan Fathy, this console pays homage to his architectural philo...

Luxury organic-shaped coffee table with hand-laid red straw. Our Divine table design in a striking new Crimson color. With its organic lines and gorgeous vibrant color, this table is...

Luxury organic-shaped coffee table with hand-laid bronze straw adorned with hand-crafted colorful lotus flowers. Adding color, flowers and even more love to our Divine table yields t...

This wondrous table brings rolling dunes and beautiful sunsets right into your dining room to share with your loved ones. Delicate lines and masterfully chosen veneer colors make this piece a natural beauty. Despite the time and effort spent in designing and making this table, it truly feels as effortless and light. The elegant curvy legs...

Hand Crafted Acrylic Coffee Table with Black and White Nile Pattern Inspired from Ancient Egypt, adorned with Colorful Lotus Flowers. Not just our Nile table with the Hieroglyphic de...

Red Lacquered Buffet with Modern Lotus Pattern and Brass Lotus Handle. A contemporary twist to the beautiful lotus motif inspired by our Pharaonic h...

PRESENTING a very RARE Early 19C (or possibly even earlier) Ornate Middle Eastern Bronze Bin. We are of the opinion that this large bin/bucket/planter or water pail is from the very...

Rug Number 30158 Size 4' 6" X 6' 10" Design Zigler Collection Traditional Re-Creations Material Wool Texture Pile Weave Origin Egypt Age New

Alabaster cylindrical vase Egyptian style, 20th century. A planar base and lightly flared accentuated with a segmented, cord-patterned ring in relief, all ...

Rug Number 57610 Size 6' 2" X 8' 3" Design Agra Collection Traditional Re-Creations Material Wool Texture Pile Weave Origin Egypt Age New

This Egyptian rug features a reds floral design allowing you to switch up your decor. Add a touch of style to any room while also having the option to change things up to suit your ...

ITEM: Scarab with Uraeus, Ankh and neb basket (Amun trigram) MATERIAL: Steatite CULTURE: Egyptian PERIOD: New Kingdom, 1550 – 1070 B.C DIMENSIONS: 12 mm x 8 mm CONDITION: Good condit...

“Three Girls in Studio, Cairo” is a print of a Black and White photgraph by Youssef Nabil from 1993, hand-colored by the artist. Exhibition label at the verso states, that this print...

This breathtakingly decorative Voysey design rug from Egypt features the early 1900s Arts & Crafts design and a beautiful coloration. 100% natural wool pile. Brand new.

Charcoal Black Hand-Carved Massive Oak Wood Console with Multiple Arches. Inspired by the legendary Egyptian architect Hassan Fathy, this console pays homage to his architectural phi...

This wondrous table brings rolling dunes and beautiful sunsets right into your dining room to share with your loved ones. Delicate lines and masterfully chosen veneer colors make this piece a natural beauty. Despite the time and effort spent in designing and making this table, it truly feels as effortless and light. The elegant curvy legs...

This vintage, large, oval beautifully engraved copper chaffing dish has solid brass handles on the sides and the top. There is a large cup for the sterno to sit in and the cabriole l...

ITEM: Scarab MATERIAL: Glazed steatite CULTURE: Egyptian PERIOD: Second Intermediate Period, 1700 – 1550 B.C DIMENSIONS: 14 mm x 8 mm CONDITION: Good condition PROVENANCE: Ex America...

About the rug: This is a hand-knotted rug with 160,000 knots per square meter in a double knot construction. It is made of face yarn that is Egyptian wool with bamboo silk inlays, an...

ITEM: Scarab with pseudo-hieroglyphic, Anra-type MATERIAL: Steatite CULTURE: Egyptian PERIOD: Second Intermediate Period, 1700 – 1550 B.C DIMENSIONS: 10 mm x 15 mm CONDITION: Good co...

ITEM: Scarab with spiral design MATERIAL: Steatite CULTURE: Egyptian PERIOD: Second Intermediate Period, 1700 – 1550 B.C DIMENSIONS: 12 mm x 9 mm CONDITION: Good condition PROVENANCE...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

ITEM: Scarab with prenomen for Amenhotep II MATERIAL: Steatite CULTURE: Egyptian PERIOD: New Kingdom, XVIIIth Dynasty, 1143 – 1417 B.C DIMENSIONS: 15 mm x 11 mm CONDITION: Good condi...

A sophisticated revival of Zeigler Rug that features a large scale design on an attractive beige field with the main border in ash gray symmetrical medallions. The carpet has an over...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

ITEM: Scarab as a commemorative of Ramesses II or prenomen of Shoshenq III MATERIAL: Black steatite CULTURE: Egyptian PERIOD: New Kingdom to Third Intermediate Period, 1279 – 664 B.C...

A magnificent revival of Egyptian Sultanabad was made from hand-spun wool and woven meticulously. All the prettiest foliage and sophisticated Qum bote-inspired borders are matched an...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

Abou the rug: This hand-knotted rug has 160,000 knots per square meter, a double knot construction, and is made of 100% New Zealand wool for the face yarn and 100% Egyptian cotton for the warp and weft. The pile height is about 8mm and it weighs approximately 5000 grams per square meter. About the design: History is brought to life with this hand-knotted rug designed by Louis Barthélemy...

ITEM: Romano-Egyptian cartonnage mummy mask depicting a female head MATERIAL: Linen and Gesso CULTURE: Egyptian, Roman period PERIOD: 1st Century B.C – 1st Century A.D DIMENSIONS: 20...

Abou the rug: This hand-knotted rug has 160,000 knots per square meter, a double knot construction, and is made of 100% New Zealand wool for the face yarn and 100% Egyptian cotton for the warp and weft. The pile height is about 8mm and it weighs approximately 5000 grams per square meter. About the design: History is brought to life with this hand-knotted rug designed by Louis Barthélemy...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

A pair of monumental limestone sphinxes of Pharaoh Nectanebo I, from the processional avenue of the Serapeum of Memphis, 30th Dynasty, circa 379 - 360 BC. The sphinxes of the Serapeum have captivated travellers since Roman times. However, despite their significance, they are conspicuously absent from the collections of most major museums. Indeed, their existence in private hands is so improbable, and their imitations so numerous, that the present sphinxes were assumed to be modern copies throughout their recent ownership history. Finally recognised and conserved after an extraordinary chance discovery at a garden furniture sale...

About the rug: This is a hand-knotted rug with 160,000 knots per square meter in a double knot construction. It is made of face yarn that is Egyptian wool with bamboo silk inlays, an...

Original vintage travel poster - Visit the Arab States - featuring illustrations of iconic architecture and ancient and historical monuments including the Pillars of the Temple of Ju...

Hand-engraved Egyptian serving tray in brass. Imported as a souvenir to Denmark circa 1950-60. It features ornamented handles, hieroglyphs and pharaoh depictions. Measurements: L: 47...

This is a new OVERSIZE Egyptian rug in Persian Sultanabad design handwoven in Alexandria, Egypt in 1990s. We manufactured these high quality rugs and the design and colors were hand ...

The cup hand-carved from white alabaster with caramel and white veining throughout the composition. The cup stands upon a tapering base, and widens to form the ribbed, cylindrical cup. Alabaster was a material prized by ancient sculptors...

Vintage Egyptian Silk runner. Size: 2'7" × 8'2" (78 × 248 cm) A small vintage Egyptian handmade silk rug features a finely-woven dense overall pattern of...

Standing female wearing a tight fitting white dress and black tripartite wig, serene facial features with large painted eyes. Separately made arms attached with dowel to the shoulder...

The Bullet lamp is additional design by Hassan Abouseda for HAF. As shown here the shade is hand carved Egyptian Alabaster. It is also available in Turki...

When a chair represents a hug about to happen. The safety and security of an arm around you. The care chair drives you to envision attachment and protection through its carefully cra...

Abstract yet solid like a nest constructed to hold and protect. Interconnected despite any flaws depicting the compromises that bring partners together like a puzzle that starts chao...

The “Twin” sideboard embodies the moment we become one with our partner, leaving our individuality aside we merge into the love we give each other, we start to speak alike, act alike...