Chinese More Carpets

Rare Vintage Art Deco Rug Silk Chinese Rug Art Nouveau Handmade Rug Pink 8x11 244cm x 336cm "Magnificent silk vintage Chinese Art Deco-magnificent jewel tones paired with an in...

74957 Antique Chinese Art Deco Rug, 08'09 x 11'07. Sophisticated elegance meets beguiling charm in this hand knotted wool antique Chinese Art Deco rug. The hand-carved floral design ...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century with a pictorial design of a dragon in black, blue, red, goldenrod, and light blue-grey over a cream-white borderless field. Measures: 1' 3" x 1' 6" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

An authentic early-20th century Chinese rug with a spacious open field floral design on a navy ground. Measures: 9'4'' x 11'7''.

An authentic mid-20th century Medium even Pile Chinese Art Deco wool rug Measures: 4'1'' x 6'10''.

A vintage Chinese Art Deco room size carpet handmade during the Mid-20th Century. Measures: 8' 11" x 11' 7".

A vintage Chinese Art Deco room size carpet handmade during the Mid-20th Century. Measures: 8' 11" x 11' 7".

A vintage Chinese Art Deco accent rug handmade during the mid-20th century. Measures:

This vintage carpet is a Khotan, made between 1950 and 1970 in Sinkiang (Xinjiang), in northeastern China, the territory known as East Turkestan. It measures 240 × 132 cm (7' 10" × 4...

This fabulous hand-knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

A vintage Chinese Art Deco long room size carpet handmade during the mid-20th century. Measures: 9' 10" x 15' 8".

Stunning large Chinese Art Deco rug with a beautiful floral design on a grey field and plum border. Most found in Room size formats in th...

Elegant tone-on-tone blush color for this antique Chinese runner measuring 180 × 90 cm (5' 10" × 2' 11"), silk fleece knotted on cotton warp and weft in the mid-twentieth century. Af...

Rare Vintage Art Deco Rug Silk Chinese Rug Art Nouveau Handmade Rug Pink 8x11 244cm x 336cm "Magnificent silk vintage Chinese Art Deco-Soft t...

Rare Vintage Silk Chinese Rug Temple of Heaven Tapestry 6'2" x 8'9" (6' x 9') 188cm X 267cm Circa 1965 "This is a magnificent vintage pure silk tapestry. It can be ...

Fine Rare Vintage Art Nouveau Rug Fine Silk Chinese Art Deco Rug 183cm x 280cm Circa 1960 "Outstanding silk vintage Chinese Art Dec...

Beautiful large Chinese Art Deco rug with a floral design on a sna field and plum border. Room size formats are usually found in the 8 x 10...

Beautiful Chinese Art Deco rug with nice design and white field color, entirely hand knotted with wool velvet on cotton foundation.

Vintage Art Deco Rug Dragons Chinese Ivory Rug 8'2" x 11'5" (9' x 12') 249cm x 348cm Circa 1960 "This is a very beautiful vintage Art Deco dragon rug...

Vintage Art Nouveau Rug Silk Chinese Rug Art Deco Red 5' X 8' 155cm x 239cm Circa 1965 " High quality vintage piece that can be use...

Rare Vintage Chinese Art Deco Art Nouveau Khotan Rug Geometric Pink 8'7" x 11'10" (9 x 12) 262cm x 361cm Circa 1965 "This an exquisite Rare vintage Hand made Chines...

An authentic mid-20th century full Pile Chinese Art Deco wool rug with a spacious open field floral design on a pea green ground. Measures: 3' x 6'.

A vintage Chinese Art Deco accent carpet handmade during the mid-20th century. Measures: 6' 1" x 8' 8".

An authentic mid-20th century Chinese Art Deco with an spacious open field floral design in goldenrod Measures: 2'7'' x 4'5''.

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century in shades of green and cream. Measures: 9' 0" x 11' 10".

78123 Vintage Chinese Peking Rug with Chinoiserie Style 04'00 x 06'08. With its effortless beauty and timeless Chinoiserie style, this hand-knotted wool vintage Chinese Peking rug wi...

Circa 1930's Warm ochre hues in luxurious wool contrasted against royal blues and an asymmetrical floral theme. Excellent overall pile condition with minor age and use spots as sh...

A vintage Chinese Art Deco large room size carpet handmade during the mid-20th century. Measures: 9' 10" x 13' 4".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 7".

2nd Quarter of 20th Century Chinese Horse Cover ( 2' 6" x 4' 6" - 76 x 137 cm)

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century with a pictorial design. Measures: 9' 6" x 12' 1".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 8' 10" x 11' 8".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 10' 0" x 13' 6".

A vintage Chinese Art Deco throw rug handmade during the mid-20th century in blue. Measures: 2' 11" x 4' 10".

This is a semi-antique Khotan rug woven in East Turkestan during the mid-20th century circa 1950 -1970s and measures 302 x 210 CM in size. This is an extra-large example which is ext...

A very attractive and large Chinese silk rug with central floral motif and stylised linked chain lattice in subtle colours depicting lotus flowers, symbols of wealth and foliage on a...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 2' 0" x 3' 10".

?78125 Distressed Vintage Chinese Peking rug with Art Deco Style 07'06 x 10'07. ?With Art Deco style, this hand knotted wool distressed vintage Chinese Peking rug features an elegant...

An Exciting Artistic and Funky Vintage Purple Pomegranate Design Silk Khotan Rug, Country of Origin / Rug Type: East Turkestan Rugs, Circa Date: Vintage / Mid 20th Century. Size: 5 f...

Mid-20th century Art Deco Chinese handwoven wool rug Size: 15'8" × 16'10" (477 × 513 cm) Chinese Deco rugs were born in the first half of the 20th ce...

A vintage Chinese Art Deco accent rug handmade during the mid-20th century. Measures: 4' 3" x 6' 11".

This wool rug is one the unusual rugs of the 1970 s which are Art Deco rugs in the excellent condition with Cream background colour contrasting the stylish border and the motives. This patterned rug is a combination of a floral rug and geometric rug. This vintage rug is patterned by Chinese wool rug style. Originating in China, the hyper-stylized floral patterns, symmetrical in the royal border. Handwoven in the thick but plush wool pile, while the field is a brighter array of the mustard colour, gold hues contained with an uncommonly dimensional Chinese frame. Quick and easy to clean as a washable rug and can be a great idea as an elegant living room as an important interior object. Oriental Vintage Rug Art Deco Style Chinese Rugs...

An authentic full pile condition mid-20th century Chinese Art Deco with a cramberry red field and green border Measures: 3'1'' x 4'9''.

A vintage Chinese Pictorial rug handmade during the mid-20th century with 2 dragons in ruby red over a green open field. Measures: 8' 11" x 11' 6".

77587, vintage Chinese Baotou Vase Pictorial rug with Chinese Chippendale style. This hand-knotted wool vintage Chinese Baotou pictorial rug features an abrashed tan field showcasing different types of cloisonné vases sprouting with stylized florals resting on pedestals. The main border, which features repeated motifs of diamonds containing stylized Ruyi clouds with rosette centers, echoes the balance of geometric forms and floral touches used throughout the piece. It would be perfect for a small space, kitchen, reading nook, master bathroom, grand foyer, designer entry, study, studio, den, walk-in closet, stair landing, alcove, mudroom, entryway, bedroom, private library, private chambers, living room, front room, wine cellar, conservatory, drawing room, trophy room, game room, music room, listening room, or hotel lobby. It would also make a lovely accent next to a buffet in a dining room or behind the sofa table in the living room. Iconic in its styling, this antique Chinese Baotou rug...

Vintage Chinese botanic handmade wool rug Size: 13'3" × 24'7" (405 × 749 cm). A magnificent example of Chinese weaving craft, this antique rug is everything a connoisseur would wish ...

A vintage Chinese Art Deco accent rug handmade during the mid-20th century. Measures: 4' 0" x 6' 8".

Rare Nichols rug with an unusual dragon and phoenix theme likely custom made. Blossoming honeysuckle plant flanked by smaller plants and perched above a dragon and phoenix (Yin & Yan...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 3' 11" x 6' 0".

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 3' 8" x 5' 11".

A vintage Chinese Art Deco accent carpet handmade during the mid-20th century. Measures: 6' 0" x 8' 10".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 9" Chinese Rugs & Carpet: The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 3' 1" x 4' 11".

A vintage Chinese Peking throw rug handmade during the mid-20th century with a cream border and light blue field. Measures: 2' 6" x 4' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 2' 8" x 3' 9" The Craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often Stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Embroidery Suzani with floral design and beautiful vivid colors. Rug/H-1306-1, Uzbekistan Suzani "Suzani" means needlework and these embroideries are some of the most characteris...

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 1" x 11' 9".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century with a pictorial design in a pale mauve tone over a seafoam green background. Measures: 12' 5" x 1...