Antique Suzani Rug

Finely woven cotton-ground Vintage Suzani with hand-embroidery. Fine floral design. This Suzani embroidery has the most noticeable, soporific color pallet. Very fine, 20th century Su...

Finely woven cotton-ground Vintage Suzani with hand-embroidery. Fine floral design. This Suzani embroidery has the most noticeable, soporific color pallet. Very fine, 20th century Su...

Antique Khotan rugs and carpets were produced in small villages of Eastern Turkestan, which today is a part of the Xinjiang region in Western China. This area has had a steady produc...

Antique Khotan rugs and carpets were produced in small villages of Eastern Turkestan, which today is a part of the Xinjiang region in Western China. This area has had a steady produc...

Antique Chinese carpets were woven in classical Chinese patterns, with their fret borders, shou medallions and other far-eastern motifs. These carpets, however, are bolder and simple...

Antique Khotan rugs and carpets were produced in small villages of Eastern Turkestan, which today is a part of the Xinjiang region in Western China. This area has had a steady produc...

Antique Uzbekistan Suzani Textile Rug 6'2'' x 9'9''.

Nice antique Suzani from Uzbekistan early 20th century entirely hand embroidered with beautiful design and colors, silk embroidered on cotton foundation.

This is a lovely antique Suzani textile from Uzbekistan, circa 1850s, with silk embroidery on linen fabric.

Suzani as a word is from the Perisan Word Suzan that means needle. So these rich embroideries are named as suzan-i, the work with a needle. Suzanis are the most famous representativ...

A group of 5 pillow cases fashioned from an antique Tashkent Suzani Measures: 27 x 62 cm /10.6 x 24.4 in 27 x 64 cm/10.6 x 25.1 in 29 x 63 cm/11.4 x 24.8 in 28x 58 cm/11.0 x 22.8...

Antique Uzbek Suzani Embroidery, c. 1800 Blending naturalism with ethereal fantasy, this spectacular embroidery or ‘suzani‘ from Central Asia conveys an aesthetic consistent with older examples of the genre. Certain features, most notably the vine-scroll, are reminiscent of the Samarkand school, while the drawing of the blossoms seems more prevalent in the repertoire of neighboring Shahrisabz. Indeed, this piece may in fact be a common ancestor to both. Splendid palmettes with flame-like tracery and bold swirling star-centered blossoms alternate within the border. Vegetal scroll meanders throughout—drawn with several shades of green conveying, if not a sense of shadowing, definite and deliberate tonalities of light and dark. The central hourglass form, idiosyncrasies of drawing, and arrangement of blossoms in the field imbue a sense of classicism rivaling and surpassing older Ottoman and Persian models. Embroidery Rug...