Chinoiserie Chinese and East Asian Rugs

China has a long tradition of carpets and the original ones, probably used as merchandise, are dated at over 2000 years ago. The art of knotting carpets was however, introduced somewhere around the 15th century in China. The patterns on some of the older Chinese carpets...

An exotic color room size Chinese Art Deco Rug from the 1930s. Measures: 8'10" x 11'6''

Rare oval-shaped Green Chinese Art Deco rug. Measures: 2' x 3'10'' Chinese Art Deco rugs are known for their striking mix of asymmetri...

Measures: 5' x 7'7. This enchanting east Chinese rug incorporates five symbols of longevity: the deer, the crane, a tree, rocks and water. Originally of Chinese origin, the symbols took on a secular presence within Tibetan art. The four corners contain objects that are artistic and scholarly in nature. The rug was probably intended to bring the owner the good fortune of a long life matched with great intelligence and artistic ability. Antique Chinese pictorial rug with deer...

Only a very limited group of the carpets woven during the thirties at the Tianjin city looms are decorated by geometric patterns typical of the Art Deco period. Some of these rare pi...

Rare antique Art Deco rug Chinese rug antique Chinese rug 3'10" x 6'6" 4' x 7' 110cm x 199cm Circa 1920 "Beautiful antique Art Deco rug...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century with a pictorial design of a dragon in black, blue, red, goldenrod, and light blue-grey over a cream-white borderless field. Measures: 1' 3" x 1' 6" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

Enjoyable embroidered tissues, suitable as large cushions with cheerful bouquets of flowers - nr. 361 - 362.

77548, antique Chinese pictorial tapestry with traditional crane design. This hand knotted wool antique Chinese pictorial tapestry features a large red-crowned crane design set against an abrashed neutral field. The crane is depicted standing on one leg with its wings outstretched while perched atop a cliff alongside several bamboo plants. The crane is one of the most widely used symbols throughout Chinese art and literature and figures heavily in Chinese mythology. The creature is thought to represent longevity, immortality, nobility, and fidelity. It is often represented alongside bamboo, as it is in this piece, another symbol of longevity. The warm sepia backdrop recalls ancient Chinese scrolls...

Antique Chinese Baotou indigo rug, circa 1900. The central field with an intricate lattice work of Traditional Gau (Amulet) design in two shades of blue...

Chinese Nichols art deco scatter size rug from the 2nd quarter of the 20th century Measures: 2'5" x 4'10".

71052, antique Chinese silk embroidered tapestry. This handwoven silk antique Chinese embroidered tapestry features a soothing nau...