Antique Baroque Carved Armchair with Leather Seat and Upholstered Back

This handsome pair of chairs is ready to grace your home or office with both style and function. The hand carved oak arms, feet, and high back are traditional features of the Danish ...

This grand pair of antique upholstered Italian oak armchairs are carved with remarkable details in relief. The backrest is covered with a number ...

Pair, gray painted gustavian arm chairs. Turned fluted legs and decorative carving throughout, crowned with rosettes. Restored, stable. Any scrat...

It is the new, contemporary upholstery of geometric circular patterns against the back and clean linen on the seat that creates a fresh, modern look while maintaining this chair's vi...

Wonderful pair of Kaare Klint safari chairs designed in 1933 and produced in 1960s by Rud Rasmussen. These chairs show off well-designed lines in combination with carefully crafted wood joints. The brown canvas with loose seats complements the ash frame while the backrest can be tilted to optimize the seating comfort. The patina of the leather arm strap...

This handsome pair of original mid-century modern safari chairs were designed by Kaare Klint (1888-1954) in 1933 and manufactured at Rud Rasmussen's Carpentry. The vintage black leat...

A spanish colonial massive wooden chair with broad, curved armrests and with new, thick leather seat and back. Good condition.  

A French pair of bent-wood double armchairs, with upholstered seat and back, from the mid-20th century. This midcentury pair of occasional chairs from France each feature a pair of beautifully bowed, bent-wood arms a each side, one atop the other, that extend to the floor, making a seamless transition between arm and legs. The chair back sits back ever so slightly, providing a comfortable seating position. The current black and grey (with threads of blue) upholstery is in descent condition with minor wear stains, suitable for use or ready for new upholstery to match your decor. These midcentury French accent...

Antique Biedermeier carved and inlaid silk upholstered armchair Exquisite antique Biedermeier armchair. Beautifully Crafted, hand carved, pierced panel back armchair with finely detailed inlay, gorgeous turned, fluted pierced arms and turned feet on casters. This unique and elegant antique piece has been beautifully upholstered in a yellow with blue embroidered silk blend patterned fabric with lumbar bolster. A stunning and Classic Austrian Biedermeier accent chair...

English Georgian mahogany Chippendale armchair with carved shaped central splat, H stretcher, slip seat (fabric is not new but is usable), square legs. The c...

Carved barley twist armchair, upholstered seat and back Offered for sale is an armchair with a carved turned barley twist frame. The carving is ...

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...