Collectible Limited Design Black Paper Dolly Chair by Vadim Kibardin

For many years, Vadim’s design practice has been recognised for experimenting with materials and developing unparalleled construction techniques. His work encourages positive social ...

For many years, Vadim’s design practice has been recognized for experimenting with materials and developing unparalleled construction techniques. His work encourages positive social impact by awakening our collective human responsibility to the environment. Vadim placed equal emphasis on both innovation and functionality. He takes the minimalist philosophy of stripping an object to its essential features to a completely new level. With his iconic Black Paper and Totem collections, Vadim offers his contribution towards achieving a circular economy, creating sculptural, highly aesthetic and fully functional furniture from cardboard waste. Vadim's Dolly cardboard chair is the embodiment of contemporary collectible artistic design being a sculptural piece of appreciation and a fully functional piece of furniture. The Dolly chair...

For many years, Vadim’s design practice has been recognized for experimenting with materials and developing unparalleled construction techniques. His work encourages positive social impact by awakening our collective human responsibility to the environment. Vadim placed equal emphasis on both innovation and functionality. He takes the minimalist philosophy of stripping an object to its essential features to a completely new level. With his iconic Black Paper and Totem collections, Vadim offers his contribution towards achieving a circular economy, creating sculptural, highly aesthetic and fully functional furniture from cardboard waste. A pioneer of circular design, Prague based Vadim Kibardin has developed a construction method which utilises the underexploited properties of mundane packaging. Working predominantly with paper and cardboard waste as a sculptural medium, Kibardin delves into a conscious and responsible approach to consumption. With his Black Paper collection, Vadim offers his contribution towards achieving a circular economy, creating sculptural, highly aesthetic and fully functional furniture out of cardboard boxes. His research started in 2018 with Dolly chair...

For many years, Vadim’s design practice has been recognised for experimenting with materials and developing unparalleled construction techniques. His work encourages positive social ...

For many years, Vadim’s design practice has been recognised for experimenting with materials and developing unparalleled construction techniques. His work encourages positive social ...

For many years, Vadim Kibardin's design practice has been recognized for experimenting with materials and developing unparalleled construction techniques. His work encourages positiv...

Rare pair of 'Paper Knife' model 121 lounge chairs in teak and black leather (faux) design by Kai Kristiansen for Magnus Olesen in 1955. Gorgeous organic design style sculpted in s...

Rare "polo" model collection chair, design paolo parigi for Heron Parigi, 1975 Metal structure with four-star base, swivel and height-adjustable seat, ...

Dolly easy armchair by Kenneth Cobonpue Materials: Polyethylene, aluminum. Dimensions: 88cm x 82cm x 138cm Dolly is a dainty easy armchair that’s made for comfort. Inspired by...

Splendid original collector's chair from the 1960s, designed by umberto mascagni and made, as per tradition, with a wood and metal structure and sand beige skay upholstery, with an e...

Danish collectible chair, model "197", France & Søn production based on a design by Finn Juhl, mid-1960s made on a teak structure, it measures 76 cm in height, 50 cm in width, 45 ...

French mid-century light mahogany armchair with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed by Vadim Androusov for Jean Pascaud (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers. His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...