Flemish Baroque Walnut Armchair

Good early 18th Century Franco-Flemish walnut armchair with arched upholstered back over shaped arms and upholstered seat over"horsebone" (os de mouton) shaped legs joined by similar...

Good pair of 19th Century Baroque style armchairs upholstered in velvet, the square backs over upholstered arm and seats and standing on bold barley twist turned legs joined by simil...

Late 17th century Italian walnut square back armchair with bobbin turned arms, legs and stretchers, the whole possessing good rich color and cris...

Good 17th century Flemish oak oval hunt or tavern table having unusual hook ends over turned legs joined by shoe feet, the whole possessing mellow silvery brown patina. Width list...

Very fine 19th century Flemish ebony center or writing table having floral marquetry inlay inlaid bone insects on a walnut, ebony and faux tortoise background, bone and ebony pattern...

Very fine and overscale George III armchair in the manner of John Linnell, having shaped back with paterae and ribbon carved crest, over a removable upholstered panel, the frame with...

With an arched back and shaped carved arms , raised on turned legs and turned H form stretcher. Upholstered in period Flemish verdure tapestry as is.

A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...

Rare 19th century Franco Flemish baroque carved walnut armchair with fine verdure tapestry upholstery accented with brass tacking. Barley twist frame...

Each with upholstered back and seat, rope twist carved arms and legs with carved acanthus leaf stretcher and an H form rope carved stretcher.

With new leather seat and back, flat arms and carved stretchers. Provenance; Fogg Estate, Chestnut Hill Ma.

This open armchair is characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashionable uph...