Pair of Armchairs “The Chair” Designed by Hans J. Wegner, Denmark, 1949
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Pair of Armchairs “The Chair” Designed by Hans J. Wegner, Denmark, 1949
About the Item
- Creator:Hans J. Wegner (Designer)
- Dimensions:Height: 29.93 in (76 cm)Width: 24.81 in (63 cm)Depth: 20.48 in (52 cm)Seat Height: 17.33 in (44 cm)
- Sold As:Set of 2
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1949
- Condition:
- Seller Location:Stockholm, SE
- Reference Number:1stDibs: LU100668573503
Hans J. Wegner
Best known for his chairs and seating pieces — though a master of many furniture types like sofas and tables — Hans Wegner was a prolific designer whose elegant, often ebullient, forms and devotion to the finest methods in joinery made "Danish Modern" a popular byword for stylish, well-made furniture in the mid-20th century.
Wegner considered himself a carpenter first and a furniture designer second. Like his peers Arne Jacobsen and Finn Juhl, Wegner believed that striking aesthetics in furniture were based on a foundation of practicality: a chair must be comfortable and sturdy before it is chic.
In keeping with that tenet, several of Wegner’s best chair designs, seen in dealer listings below, have their roots in traditional seating forms. The Peacock chair (designed in 1947) is a throne-like adaptation of the Windsor chair; pieces from the China chair series (begun in 1944) as well as the 1949 Wishbone chair, with its distinctive Y-shaped back splat, are derived from 17th-century Ming seating pieces, as is the upholstered Ox chair (1960). Wegner’s comfy Papa Bear chair (1951) is an almost surreally re-scaled English wingback chair.
Wegner’s most representative piece, the Round chair (1949), gained a footnote in political history when it was used on the TV stage of the first Kennedy-Nixon debate of 1960. That chair, along with Wegner’s more bravura designs, for example the 1963 Shell chair, with its curved surfboard-shaped seat, bring a quietly sculptural presence to a room. Wegner was a designer who revered his primary material — wood — and it shows. His wood gathers patina and character with age; every Hans Wegner piece testifies to the life it has led.
- Pair of armchairs ‘The Chair’ model JH 501 designed by Hans J. Wegner 1949By Johannes Hansen, Hans J. WegnerLocated in Stockholm, SEPair of armchairs ‘The Chair’ model JH 501 designed by Hans J. Wegner for Johannes Hansen, Denmark, 1949. Teak and cane. Early model with the caned backrest. Stamped. H: 76 cm W: 63 cm D: 50 cm Arm height: 68.5 cm Seat height: 44 cm Hans J. Wegner is the father of Danish design and is well known for creating some of the most iconic chairs of the past 100 years. The son of a cobbler, Wegner brought Danish design to the international stage through his deep understanding and enjoyment of wood as well as an eye for beautiful and ergonomic design that had hitherto existed. Wegner is seen as the most influential designer within the Danish movement and his early innate ability with wood matured into the gift of an unprecedented amount of over 500 beautiful and functional gifts to the pantheon of design. Hans J Wegner brought Danish furniture to a world stage through his simple, elegant and ergonomic chairs. His CH24 models still litter the offices of design and architectural practices globally and his earliest pieces have become rare design milestones in museums and galleries. Hans J Wegner is certainly one of the most important designers of the 20th Century. Wegner’s first renowned chair came though his work with the Chairmen of the Danish Cabinetmaker’s Guild; Johannes Hansen. Through their intellectual relationship Wegner was able to design a chair he christened “the round one” in 1949 and would go on to be called the defining name; “the chair”. This elegant, restrained, yet organic chair was a pivotal design for Wegner and signalled the beginning of his own unique reign over seat furniture worldwide. This chair also illustrated the point at which the wider world took proper notice of Scandinavian design with it triggering the first American editorial spotlight on Danish Design. The influence and fame of this design can again be recognised in the fact that it was chosen as the seating for the 1960 American Presidential Election debates and shipped from Denmark especially for the occasion. Thus giving the “no.501” its occasional name: “the Kennedy...Category
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