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Pair of Eames EA 222 Herman Miller Leather Recliner Lounge Armchairs & Ottomans

$11,289.62per set


We are delighted to offer for sale this lovely suite of vintage 1996/1997 Charles and Ray Eames for Herman Miller Ea222 reclining lounge armchairs with matching black leather ottomans. Current RRP £10,544 A highly collectable, exceptionally comfortable and iconic suite. These are pretty much the most comfortable chairs around, they are soft pad, they have an easy to adjust reclining action. The chairs are both date stamped for 1996 and 1997, they have the original fire reg labels and serial number sticker, the base has the same labels and the frames are stamped for Herman Miller The set is good vintage condition throughout, they seem to have a red base coat which can be seen around the edges of the chair and on one back rest, I can have the chairs fully restored leather wise and they will come out like new however I like the ware as it shows the age The current retail price per chair is £3769 and £1503 per ottoman making a total RRP of £10,544 Armchair dimensions Height 96cm Width 66cm Depth 84cm Seat height 42cm Ottoman dimensions Height 46.5cm Width 57.5cm Depth 54.5cm Please note all measurements are taken at the widest point This item is available for collection from our Wimbledon warehouses Condition Please view the very detailed pictures as they form part of the description around condition Please note vintage period and original items such as leather seating will always have natural patina in the form of cracking creasing and wear, we recommend regular waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.


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    Ships From: London, United Kingdom
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About Charles and Ray Eames (Designer)

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.

As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.

The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.

The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

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4.7 / 5
Located in London, United Kingdom
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