Late 19th Century Armchairs

Beautiful baroque seating set consisting of a sofa and two armchairs. Extraordinary workmanship of the woods made according to the canons of the ti...

This is a rare elegant model of a late 19th-century pair of armchairs in the Baroque style. These armchairs are very comfortable and generous in size. The walnut legs are of two diff...

With its highly decorative motifs, this majestic Italian armchair with raw silk upholstery is in the Baroque style. The walnut frame, which was hand-carved in Italy, circa 1890, has ...

Beautiful armchair taken over by an elite Venetian bourgeois family, whose design is also an inspiration. The armchair is made of gilded wood in the mighty frame, with 4 supporting f...

19th Century venetian baroque armchairs in hand carved walnut, wax polished with straw seat. Canopy of the seat recently made in perfect condition Excellent as head of the table, ...

Pair of Spanish colonial style armchairs, having leather both seats and backs, and brass nailheads. Measure: Height to the arm: 28.74in.

Two Magnificent French Armchairs with respective Stools early 19th Century armchair measurements: H: 96cm x 76cm c 75cm stool measures: 45cm x 45cm x 50cm Hight wood and italian silk...

English armchair / bench, 18th Century Height 93 cm Width 119 cm Depth 60 cm Weight 80 kg Armrest height from seat 17 cm Seat height 37 cm Seat width 114 x 33 cm Manufactur...

Louis XVI style pair of carved armchairs, Spain, 1900s Good antique condition with some minor marks from used and age. Beautiful Solomonic c...

Louis XVI style pair of carved armchairs, Italy, 1900s Good antique condition with some minor marks from used and age. A set of two antique baroque side chairs hand-crafted out of walnut wood in a good condition. This set of dining chairs features a walnut color with a beautiful patina finish, hand-carved details through the entire frame, and intricated engraving leather...

A set of four 19th century large hand-carved wood high back armchairs. Wonderful quality carvings, standing on curved legs which are attached by a stretcher.

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

Customized antique armchair. Finely carved wood frame, typical of the Rococo style. Reupholstered in a modern fabric. Wood refinished in silver leaf. Very sophisticated carved wood. ...