Arne Vodder Armchairs in Rosewood and Leather
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Arne Vodder Armchairs in Rosewood and Leather
About the Item
- Creator:Sibast (Maker),Arne Vodder (Designer)
- Dimensions:Height: 34.45 in (87.5 cm)Width: 26.78 in (68 cm)Depth: 25.2 in (64 cm)Seat Height: 17.72 in (45 cm)
- Sold As:Set of 6
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 57611stDibs: LU93317021083
Arne Vodder
Along with Vernor Panton, cabinetmaker and architect Arne Vodder was a leading light of what might be called the “second generation” of forward-thinking 20th-century Danish furniture designers — those who, following in the footsteps of Hans Wegner, Arne Jacobsen, Finn Juhl and others, first applied the skills, traditions and philosophical tenets of Scandinavian craftsmanship to a modern furniture idiom.
As a graduate student in architecture trained by pioneering furniture designer Finn Juhl, Vodder made his mark in the 1960s, when modern design had gained wide acceptance, particularly in the business world. Accordingly, many of Vodder's chairs are quiet in form — projecting an air of sturdiness and strength, rather than avant-garde styling.
Vodder’s aesthetic flair was very pronounced in his vintage cabinets and storage pieces — sideboards, bookcases, credenzas and buffets. In such pieces, Vodder liked to play with asymmetry. His bookcases often have a seemingly random array of variously sized shelves and nooks. A typical Vodder sideboard might have four sections, each different in purpose and look: an open stack of vertical shelves, and other cupboards covered with sliding panels in contrasting colored laminates and wood veneers.
As you will see from the works on 1stDibs, Arne Vodder had a sense of what kind of design was appropriate for which space: sobriety in the boardroom; playfulness at home.
Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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