Eames for Herman Miller Yellow Dss Fiberglass Chair 1950s 'Signed'
View Similar Items
Eames for Herman Miller Yellow Dss Fiberglass Chair 1950s 'Signed'
About the Item
- Creator:Herman Miller (Manufacturer),Charles and Ray Eames (Designer)
- Dimensions:Height: 31.5 in (80.01 cm)Width: 22 in (55.88 cm)Depth: 21.5 in (54.61 cm)Seat Height: 18 in (45.72 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use. Light scratched on shell. Light pitting to metal legs.
- Seller Location:Brooklyn, NY
- Reference Number:Seller: diningchairs51stDibs: LU6788233584612
Charles and Ray Eames
Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.
As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.
Charles (1907–78) studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser, 1912–88) was an artist, who studied under the Abstract Expressionist painter Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (the legendary institution where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.
His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.
The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.
The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.
Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.
The collection of original Eames furniture on 1stDibs includes chairs, tables, case pieces and other items.
Herman Miller
No other business of its kind did more than the Herman Miller Furniture Company to introduce modern design into American homes. Working with legendary designers such as Charles and Ray Eames, George Nelson and Alexander Girard, the Zeeland, Michigan-based firm fostered some of the boldest expressions of what we now call mid-century modern style. In doing so, Herman Miller produced some of the most beautiful, iconic and, one can even say, noblest furniture ever.
Founded in 1923, Herman Miller was originally known for grand historicist bedroom suites: heavily ornamented wood furniture that appealed to a high-minded, wealthier clientele. The company — named for its chief financial backer — began to suffer in the early 1930s as the Great Depression hit, and D.J. De Pree, the company’s CEO, feared bankruptcy. In 1932, aid came in the form of Gilbert Rohde, a self-taught furniture designer who had traveled widely in Europe, absorbing details of the Art Deco movement and other modernist influences. After persuading De Pree that the growing middle-class required smaller, lighter household furnishings, Rohde set a new course for Herman Miller, creating sleek chairs, tables and cabinetry that were the essence of the Streamline Moderne style.
Rohde died suddenly in 1944. The following year, De Pree turned to George Nelson, an architect who had written widely about modern furniture design. Under Nelson’s leadership, Herman Miller would embrace new technologies and materials and audacious biomorphic forms. Some of the pieces the company produced are now emblems of 20th century American design, including the Eames lounge chair and ottoman and Nelson’s Marshmallow sofa and Coconut chair. As you can see on 1stDibs, such instantly recognizable furnishings have become timeless — staples of a modernist décor; striking, offbeat notes in traditional environments.
- Eames for Herman Miller Rare Fiberglass Upholstered Blue and Orange Dining ChairBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYThe color combination on this single DSW blue upholstered shell chair with neon orange stretchers is simple amazing! Designed by Charles and Ray Eames for Herman Miller in the 1950s ...Category
Early 2000s American Mid-Century Modern Chairs
MaterialsMetal
- John Widdicomb Cherry Wood and Brass Mirror 1950s 'Signed'By John WiddicombLocated in Brooklyn, NYOne beautiful and large cherry wood with brass border mirror by John Widdicomb 1950s (signed). This elegant mirror is perfect for a midcentury setting.Category
Vintage 1950s American Mid-Century Modern Wall Mirrors
MaterialsBrass
- Paul Frankl Set of 6 Oak X- Back Dining chairs 1950sBy Paul FranklLocated in Brooklyn, NYA beautiful set of 6 upholstered Paul Frankl X-Back dining chairs with oak frames 1950s. This set includes 2 captain’s chairs and 4 side chairs.Category
Vintage 1950s American Mid-Century Modern Dining Room Chairs
MaterialsUpholstery, Foam, Oak
- Paul Frankl Walnut Dresser with Brass Buckle Pulls and Feet 1950s 'Signed'By Paul Frankl, Johnson Furniture CompanyLocated in Brooklyn, NYBeautifully crafted walnut dresser with 8 drawers designed by Paul Frankl for Johnson Furniture (1950s). Accented by solid brass buckle style pulls and feet. Signed in drawer (“Johns...Category
Vintage 1950s American Mid-Century Modern Dressers
MaterialsBrass
- 1950s Green Enameled Pendant Lights - a PairLocated in Brooklyn, NYSome chipping to the white part of the enamel. The vendor has confirmed this piece is in working order.Category
Vintage 1950s American Mid-Century Modern Chandeliers and Pendants
MaterialsMetal, Enamel
$1,250 / set - Paul Frankl Walnut and Brass Mirror 1950s 'Numbered'By Paul FranklLocated in Brooklyn, NYOne beautiful and large walnut with brass accents mirror by Paul Frankl. Mirror surrounded by a walnut frame and brass corners. Mirror originally sold with “Buckle Pull...Category
Vintage 1950s American Mid-Century Modern Wall Mirrors
MaterialsBrass
- Eames for Herman Miller DSS Orange Fiberglass Shell ChairBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYOriginal 1960s DSS molded fiberglass shell chairs on stacking base, designed by Charles and Ray Eames for Herman Miller. Gleaming orange shells are in original condition, each with a...Category
Vintage 1960s Mid-Century Modern Chairs
MaterialsFiberglass
- 6 Eames for Herman Miller DSS Stackable Naugahyde Fiberglass Shell ChairsBy Herman Miller, Charles and Ray EamesLocated in Chattanooga, TNSold as a group of 6. We have 20 individual chairs available. Contact us if you need a custom quantity. Eames stackable fiberglass shell cha...Category
Vintage 1960s American Mid-Century Modern Chairs
MaterialsMetal, Aluminum
- Eames for Herman Miller Parchment DSS Shell ChairsBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYOriginal 1960s molded fiberglass parchment white shell chairs on stacking base, designed by Charles and Ray Eames for Herman Miller. Gleaming shells ...Category
Vintage 1960s Mid-Century Modern Chairs
MaterialsFiberglass
- Eames For Herman Miller Mid Century Yellow Fiberglass Shell ChairBy Charles and Ray Eames, Herman MillerLocated in Countryside, ILEames For Herman Miller Mid Century Yellow Fiberglass Shell Chair The chair measures: 24.75 wide x 22 deep x 31.25 high, with a s...Category
Vintage 1970s American Mid-Century Modern Armchairs
MaterialsChrome
- Eames for Herman Miller Terracotta Fiberglass Shell ChairBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYOriginal 1960s Eames terracotta fiberglass shell chairs with original H bases, designed by Charles and Ray Eames for Herman Miller. The scarce terracotta shell has its original finis...Category
Vintage 1960s Mid-Century Modern Chairs
MaterialsFiberglass
- Herman Miller Eames DAX Fiberglass ChairBy Charles and Ray Eames, Herman MillerLocated in Brooklyn, NYGorgeous and rare hue of red orange on this vintage fiberglass Herman Miller Eames armchair. Model DAX with H base. All shock mounts intact. Stamped Herman Miller under chair and gua...Category
Mid-20th Century American Mid-Century Modern Armchairs
MaterialsFiberglass
Recently Viewed
View AllRead More
The 21 Most Popular Mid-Century Modern Chairs
You know the designs, now get the stories about how they came to be.
A Guide to Herman Miller’s Most Iconic Furniture
The prolific manufacturer has partnered with many of the world’s top designers since opening its doors in 1923. Here are some of the company’s greatest hits, which helped transform the American home and office.