Hans Wegner Peacock Chair
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Hans Wegner Peacock Chair
About the Item
- Creator:Knoll (Manufacturer),Hans J. Wegner (Designer)
- Dimensions:Height: 42 in (106.68 cm)Width: 330 in (838.2 cm)Depth: 30 in (76.2 cm)Seat Height: 16 in (40.64 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Westport, CT
- Reference Number:1stDibs: LU910811705891
Hans J. Wegner
Best known for his chairs and seating pieces — though a master of many furniture types like sofas and tables — Hans Wegner was a prolific designer whose elegant, often ebullient, forms and devotion to the finest methods in joinery made "Danish Modern" a popular byword for stylish, well-made furniture in the mid-20th century.
Wegner considered himself a carpenter first and a furniture designer second. Like his peers Arne Jacobsen and Finn Juhl, Wegner believed that striking aesthetics in furniture were based on a foundation of practicality: a chair must be comfortable and sturdy before it is chic.
In keeping with that tenet, several of Wegner’s best chair designs, seen in dealer listings below, have their roots in traditional seating forms. The Peacock chair (designed in 1947) is a throne-like adaptation of the Windsor chair; pieces from the China chair series (begun in 1944) as well as the 1949 Wishbone chair, with its distinctive Y-shaped back splat, are derived from 17th-century Ming seating pieces, as is the upholstered Ox chair (1960). Wegner’s comfy Papa Bear chair (1951) is an almost surreally re-scaled English wingback chair.
Wegner’s most representative piece, the Round chair (1949), gained a footnote in political history when it was used on the TV stage of the first Kennedy-Nixon debate of 1960. That chair, along with Wegner’s more bravura designs, for example the 1963 Shell chair, with its curved surfboard-shaped seat, bring a quietly sculptural presence to a room. Wegner was a designer who revered his primary material — wood — and it shows. His wood gathers patina and character with age; every Hans Wegner piece testifies to the life it has led.
Knoll
As a company that produced many of the most famous and iconic furniture designs of the 20th century, Knoll was a chief influence in the rise of modern design in the United States. Led by Florence Knoll, the firm would draw stellar talents such as Ludwig Mies van der Rohe and Eero Saarinen into its compass. Their work would help change the face of the American home and office.
The company was formed in 1938 by the German immigrant Hans Knoll. He first worked with his fellow ex-pat, the Danish designer Jens Risom, who created furniture with flowing lines made of wood. While Risom served in World War II, in 1943 Knoll met his future wife, Florence Schust. She had studied and worked with eminent emigré leaders of the Bauhaus, including Mies, Walter Gropius and Marcel Breuer. She won Knoll over with Bauhaus notions of industrial arts, and an aesthetic that featured flat and tubular metal frames and angular forms. When Hans died in a car crash in 1955, Florence Knoll was appointed head of the company. It was as much through her holistic approach to design — a core division of the firm was dedicated to planning office systems — as Knoll's mid-century modern furnishings themselves that she brought about the sleek and efficient transformation of the American workplace.
Today, classic Knoll furnishings remain staples of modern design collections and decor. A history of modern design is written in pieces such as the elegant Barcelona chair — created by Mies and Lilly Reich — Saarinen’s pedestal Tulip chair, Breuer’s tubular steel Wassily lounge chair and the grid-patterned Diamond chair by Harry Bertoia.
As you can see from the collection of these designs and other vintage Knoll dining chairs, sofas and tables on 1stDibs, this manufacturer's offerings have become timeless emblems of the progressive spirit and sleek sophistication of the best of modernism.
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- Hans Wegner Peacock ChairBy Hans J. Wegner, Johannes HansenLocated in Fort Lauderdale, FLA mid-century modern PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Gap between arm and chair back measuring approximately 1/4 inch. Some light water staining on both arms. Wood split to one seat joint measuring 3/8 and 5/8 inches on either side. Four deeper scratches on back. Area of staining on bottom chair rung measuring 2 3/4 inches long. Chair back’s fifth spindle from right with wood chip measuring 1 inch long. Chair back’s sixth spindle from left loose. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen...Category
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$7,500 / item - 1960s Mid-Century Modern Hans Wegner Peacock ChairBy Hans J. Wegner, Johannes HansenLocated in Fort Lauderdale, FLA Mid-Century Modern PP550 ‘Peacock’ chair designed by Hans Wegner in 1947 for Johannes Hansen. Modeled after a traditional American Windsor chair, Hans Wegner’s Peacock chair strips the form to reveal its construction while retaining aesthetic, decorative impact. The chair reveals a modernist approach to designing around the human body and using natural materials, with one exception. The “rush” seat is actually made of paper cord: when the chair was first designed in 1947, shortages caused by World War II prevented Wegner from using jute. Fellow designer Finn Juhl gave the nickname of ‘Peacock,’ seeing the chair’s flattened spindles and magnificent arc resembling the bird’s plumage. Dimensions: 41 3/4 in. H × 27 1/2 in. W × 20 1/2 in. D Seat: 22 1/2 in. x 19 3/4 in. x 12 in. at back Floor to top of seat: 14 in. Top of seat to arm rest: 10 1/8 in. Seat to top head rest: 31 3/4 in. Condition: Excellent, with some minor wear throughout. Shallow chip on top of chair back measuring 1/2 inch long. Chair back’s sixth and seventh spindle from right slightly loose. Lamination along top of chair back slightly worn. Literature: 40 years of Danish furniture design: 1947-1956, ed. Grete Jalk, vol. 3 (Copenhagen: Lindhardt og Ringhof, 1987), pp. 15-17. Arne Karlsen...Category
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