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Iconic Mid-Century Modern Knoll Womb Chair and Ottoman

Unavailable
$8,000Asking Priceper set

About

Iconic Mid-Century Modern Knoll womb chair and ottoman. Fully refurbished and reupholstered in a feisty Bernard Velluti red velvet with back and seat cushions in a Carlucci black velvet. The ottoman is covered in red velvet with a black cushion sitting on top of the red ottoman. In 1946 Florence Knoll asked designer Eero Saarinen to create “a chair that was like a basket full of pillows-something she could curl up in.”

Details

  • Creator
    Eero Saarinen (Designer),Florence Knoll (Manufacturer)
  • Design
    Womb ChairWomb Series
  • Dimensions
    Height: 34 in. (86.36 cm)Width: 40 in. (101.6 cm)Depth: 36 in. (91.44 cm)Seat Height: 16 in. (40.64 cm)
  • Sold As
    Set of 2
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1950-1960
  • Condition
    Reupholstered. Wear consistent with age and use. Fully refurbished. Very good condition.
  • Seller Location
    San Antonio, TX
  • Reference Number
    Seller: SS0471stDibs: LU5404220256052

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: San Antonio, TX
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Design

Womb Chair

Designed by Eero Saarinen
Shortly after Eero Saarinen (1910–61) joined Florence Knoll at the manufacturer she had established with her husband, Hans, she presented the Finnish-born designer with a serious request: to create for her the world’s most comfortable chair, something, Saarinen recalls, that felt like “a basket full of pillows.” Presented with the challenge, Saarinen went primal. What, the designer figured, better signifies the very essence of comfort than the womb? "It was designed on the theory that a great number of people have never really felt comfortable and secure since they left the womb,” the designer said of his chair, which began production in 1948. “The chair is an attempt to rectify this maladjustment in our civilization.” The Womb chair, like many other masterpieces of modernist design, is genius in its simplicity. Comprised of few materials, the chair consists of a fabric-wrapped, molded fiberglass bucket set atop legs of tubular steel. The skeletal look of the frame keeps the chair from appearing bulky despite the seat’s oversized silhouette, which makes it inviting to people of all sizes. "There seemed to be a need for a large and really comfortable chair to take the place of the old overstuffed chair,” Saarinen once said of his concept. Indeed, despite being indisputably comfortable, the Womb doesn’t require an abundance of padding and tufting — instead, its comfort owes to a perfectly shaped shell of fiberglass. This new approach to ergonomics both reflected Saarinen’s love of streamlined forms and echoed the kind of experimental work being done by American designers Charles and Ray Eames, who, like Florence Knoll, were friends he'd made at Cranbrook Academy of Art while he taught there. It didn’t take long for the chair to become a cultural phenomenon; in the decade following its release, it appeared in a Coca-Cola commercial, a New Yorker cartoon and in a Norman Rockwell painting on the cover of The Saturday Evening Post. Today, Knoll offers the seat in some 15 upholstery options, and when Saarinen’s famous TWA terminal reopened as a hotel in 2019, Womb chairs featured prominently in the guest rooms, continuing the legacy of this classic design.
About the Seller
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Located in San Antonio, TX
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Established in 2018
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