Pierre Jeanneret PJ-SI-53-A Box Chair / Authentic Mid-Century Modern Chandigarh
About the Item
- Creator:Pierre Jeanneret (Designer)
- Dimensions:Height: 30.71 in (78 cm)Width: 20.28 in (51.5 cm)Depth: 19.89 in (50.5 cm)Seat Height: 16.93 in (43 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Rewoven. Refinished. Wear consistent with age and use. Refinished. Wear consistent with age and use. Has been softly restored and caning redone in 2020. Chair is ready to use. We add a cushion.
- Seller Location:Zürich, CH
- Reference Number:
Pierre Jeanneret
If his famed cousin and longtime colleague Charles-Édouard Jeanneret — better known as Le Corbusier — was the visionary, then Pierre Jeanneret was the member of the architecture and design team who got things done. In recent years, Jeanneret has emerged from Le Corbusier’s shadow, as collectors have discovered his simple and striking furniture creations.
Jeanneret studied at the École des Beaux-Arts in Geneva and after he graduated in 1921 he became a partner in Le Corbusier’s office in Paris. The pair collaborated on numerous residential projects, most notably the Villa Savoye, the iconic modernist house in suburban Paris completed in 1931. Jeanneret also worked with the great Charlotte Perriand on the Grand Modele line of tubular metal furnishings that was a sensation at the annual Salon d’Automne design expo in 1929. A rift developed between Jeanneret and his cousin during World War II, as the former joined the French resistance, while Le Corbusier cooperated with the occupying authorities in Vichy. The two did not work together again until 1950, when Le Corbusier persuaded Jeanneret to help execute the master plan for the new city of Chandigarh in Punjab, India. Jeanneret lived and worked there until the final years of his life.
A hallmark of Jeanneret’s furniture designs is his great sensitivity to materials. In contrast to the tubular-steel chairs produced by Marcel Breuer and other members of the Bauhaus, the chromed metal pieces designed by Jeanneret and Perriand — including such as the now-classic LC4 chaise longue and the Grand Confort lounge chair — have a sensuous, relaxed and welcoming look. Conversely, while Jeanneret uses essentially geometric forms for his wooden seating pieces, they exude warmth by nature of the material.
One of Jeanneret’s first manufactured designs in wood is the Model 92 Scissors chair, licensed by Hans and Florence Knoll when they were touring postwar France. But Jeanneret’s finest work in furniture was done in Chandigarh, and these are the pieces that have earned him recent renown. Crafted of teak, the designs range from low-slung lounge chairs and armchairs with cane seats to desks and tables, most with Jeanneret’s signature drafting compass-shaped legs. Many such pieces on the market today are refurbished, having been found by dealers languishing in scrapyards in India in the late 1990s. Chandigarh is now taking better care of its modernist heritage, making available Jeanneret works all the rarer.
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- ShippingRetrieving quote...Ships From: Zürich, Switzerland
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Pierre Jeanneret PJ-SI-54-A Box Chair / Authentic Mid-Century ModernBy Pierre JeanneretLocated in Zürich, CHThis chair is an iconic design piece. It is raw in its simplicity and it shows a slightly patinated material. In solid teak with seat in braided cane work, circa 1960. Fantastic pati...Category
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- Office Cane Chairs by Pierre Jeanneret, PJ-SI-28-A, Chandigarh, 1955By Pierre JeanneretLocated in Antwerp, BEIconic "Office Cane Chairs" created by Pierre Jeanneret in the 1950s for the city of Chandigarh in India, the utopian city designed by his cousin Le Corbusier. Made of solid wood with seat and backrest in braided canework. Tilted backrest and asymmetric flat profiled "compass"-type double side leg assembly, with the legs connected by a crosspiece and supporting the armrests. Slanted, slightly curved backrest, separate from the seat. The seemingly floating back as well as the "compass"-type legs are very typical for this office chair. These specific features make the design even more powerful and interesting. The office chair was part of the furniture from the administrative buildings of Chandigarh. It's a true icon, one of the most famous pieces of all Chandigarh items. Jeanneret’s designs stand out for their essential forms and simple materials, a balance between modern European ideals and traditional Indian spirit. Another interesting and nowadays relevant fact about these and other Chandigarh chairs is that all pieces were made from the trees which were logged because the city was built, so an early adaptation of ecological thinking. We have four office chairs...Category
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