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Rare Chair by Vilhelm Lauritzen for Radiohuset, Denmark, 1940s

$4,598.24

About

Vilhelm Lauritzen - Fritz Hansen - Radiohuset - Scandinavian Modern A chair in bent beech designed by Vilhelm Lauritzen for Radiohuset, National Broadcasting House, in Copenhagen. The Danish architect designed the building as well as the interiors, for which he collaborated with Finn Juhl. The furniture for Radiohuset never went into production, thus this chair was part of the original interior. A variant of the chair was used in the cafeteria, however, with a soft seat it has probably been used for a seated function in the orchestra. A collector's item, very god vintage condition. Vilhelm Lauritzen: After graduating from the Copenhagen Royal Academy of Architecture in 1921 Vilhelm Lauritzen founded his own studio, Vilhelm Lauritzen Arkitekter. Having experienced the influence of Modernism during his travels in Europe, Lauritzen began promoting its principles through his own work. Amongst the architect’s most prestigious and iconic commissions are the National Broadcasting Building, or Radiohuset (1936-1941), and the Copenhagen Airport terminal in Kastrup (1939). Lauritzen’s work on the Radiohuset was not limited to the structure of the building; together with Finn Juhl, an employee of Vilhelm Lauritzen Arkitekter, he meticulously designed the interiors of the building. Literature: Lisbet Balslev Jørgensen, Vilhelm Lauritzen: En Moderne Arkitekt, Copenhagen, 1994. About us: We specialise in fine works of original twentieth-century design with specific focus on Scandinavian design from the period 1930 to 1960. We procure items that have a history and/or have a particular aesthetic from the period. Our collection represents some of the finest examples of craftsmanship, architecture, and high-grade design by the most renowned Scandinavian 20th Century designers including Hans J. Wegner, Arne Vodder, Arne Jacobsen, Finn Juhl, Poul Henningsen, Alvar Aalto, Paavo Tynell, Estrid Ericson, Poul Kjærholm, Mogens Lassen and Josef Frank. We are extraordinarily passionate about Kaare Klint and have over the years gained a significant knowledge of his craftmanship and have included many beautiful Kaare Klint pieces in our inventory. We have a long history of working with international galleries, interior architects and private collectors. Please feel free to contact us for specific requests or if you should wish to arrange a personal viewing.

Details

  • Creator
    Vilhelm Lauritzen (Designer),Fritz Hansen (Manufacturer)
  • Dimensions
    Height: 32.29 in. (82 cm)Width: 15.95 in. (40.5 cm)Depth: 20.48 in. (52 cm)Seat Height: 16.93 in. (43 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1940s
  • Condition
    Refinished. Reupholstered. Wear consistent with age and use.
  • Seller Location
    Copenhagen, DK
  • Reference Number
    1stDibs: LU1541219258922

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Copenhagen, Denmark
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About the Manufacturer

Fritz Hansen

When the Copenhagen-based furniture maker Fritz Hansen opened for business more than 140 years ago, the company — which today styles itself The Republic of Fritz Hansen — adhered to the traditional, time-honored Danish values of craftsmanship in woodworking and joinery. Yet thanks to the postwar innovations of Arne Jacobsen and others, Fritz Hansen would become the country’s leader in modernist design using new, forward-looking materials and methods. Fritz Hansen started his company in 1872, specializing in the manufacture of small furniture parts. In 1915, the firm became the first in Denmark to make chairs using steam-bent wood (a technique most familiar from birch used in the ubiquitous café chairs by Austrian maker Thonet). At the time, Fritz Hansen was best known for seating that featured curved legs and curlicue splats and referenced 18th-century Chippendale designs. In the next few decades, the company promoted simple, plain chairs with slatted backs and cane or rush seats designed by such proto-modernist masters as Kaare Klint and Søren Hansen. Still, the most aesthetically striking piece Fritz Hansen produced in the first half of the 20th century was arguably the China chair of 1944 by Hans Wegner — and that piece, with its yoke-shaped bentwood back- and armrest, was based on seating manufactured in China during the Ming dynasty. (Wegner was moved by portraits he’d seen of Danish merchants in the Chinese chairs.) Everything changed in 1952 with Arne Jacobsen’s Ant chair. The collaboration between the architect and Fritz Hansen officially originated in 1934 — that year, Jacobsen created his inaugural piece for the manufacturer, the solid beechwood Bellevue chair for a restaurant commission. The Ant chair, however, was the breakthrough. Designed by Jacobsen for the cafeteria of a Danish healthcare company called Novo Nordisk, the Ant was composed of a seat and backrest formed from a single piece of molded plywood attached, in its original iteration, to three tubular metal legs. Its silhouette suggests the shape of the insect’s body, and the lightweight, stackable chair and its biomorphic form became an international hit. Jacobsen followed with more plywood successes, such as the Grand Prix chair of 1957. The following year he designed the SAS Royal Hotel in Copenhagen and its furnishings, including the Egg chair and the Swan chair. Those two upholstered pieces, with their lush, organic frames made of fiberglass-reinforced polyurethane, have become the two chairs most emblematic of mid-20th-century cool. Moreover, the Egg and Swan led Fritz Hansen to fully embrace new man-made materials, like foam, plastic and steel wire used to realize the avant-garde creations of later generations of designers with whom the firm collaborated, such as Piet Hein, Jørn Utzon (the architect of the Sydney Opera House) and Verner Panton. If the Fritz Hansen of 1872 would not now recognize his company, today’s connoisseurs certainly do.
About the Seller
5 / 5
Located in Copenhagen, Denmark
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Established in 2015
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