Rare Italian Renaissance Hand Carved Walnut Chair / Bench Seat Cherubs Dragons

We are delighted to this absolutely stunning solid Rosewood hand carved high back low seat Burmese chair A truly stunning piece, this type of furniture is just about as ornate as ...

We are delighted to this very rare pair of Thomas Chippendale era circa 1760 Library chairs with period embroidered upholstery These are a very rare and highly collectible pair of Library chairs, they were made in the Chippendale era and closely after his designs, the fret work carving, ornate legs, all very finely executed by a master craftsman The upholstery is all original embroidery, the colours are very much of the period and not seen on later reproduction pieces. These are an exceptional example and would be highly prized in any collection The chairs have been lightly restored to include some work to the carvings, the timber has been sympathetically French polished to ensure none of the original charm and patina has been lost A period pair of Chippendales by the great man himself (which these could be) would retail for the high hundreds of thousands, however alas Chippendales are only originals if they come with iron clad provenance, a difficult thing to keep hold of for nearly 250 years. One of the chairs has a plaque to the base for Charles Tozer of 25 Brook street London, Mr Tozer was a very well respected Antiques dealer in the early 20th to mid 20th century that specialised in 18th century furniture Dimensions: Height 97cm Width 64cm Depth 65cm Please note all measurements are taken at the widest point Thomas Chippendale (1718–1779) was born in Otley in the West Riding of Yorkshire, England in June 1718. He became a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker's Director, upon which success he became renowned. The designs are regarded as representing the current British fashion for furniture of that period and are now reproduced globally. He was buried 16 November 1779, according to the records of St Martin-in-the-Fields, in the cemetery since built upon by the National Gallery. Chippendale furniture is much valued; a padouk cabinet that was offered for auction during 2008 sold for £2,729,250. Life "A Design for a State Bed" from the Director, 1762. Chippendale was born the only child of John Chippendale (1690–1768), joiner, and his first wife Mary (née Drake) (1693–1729). He received an elementary education at Prince Henry's Grammar School. The Chippendale family had long been involved with the wood working trades and so he probably received his basic training from his father, though it is believed that he was also trained by Richard Wood in York, before he relocated to London. Wood later ordered eight copies of the Director. On 19 May 1748 he married Catherine Redshaw at St George's Chapel, Mayfair and they had five sons and four daughters. During 1749 Chippendale rented a modest house in Conduit Court, near Covent Garden. In 1752 he relocated to Somerset Court, off the Strand. In 1754 Chippendale relocated to 60–62 St Martin's Lane in London, where for the next 60 years the family business operated, until 1813 when his son, Thomas Chippendale (Junior), was evicted for bankruptcy. During 1754 he also began a partnership with James Rannie, a wealthy Scottish merchant, who put money into the business at the same time as Chippendale produced the first edition of the Director. Rannie and his bookkeeper, Thomas Haig, probably cared for the finances of the business. His wife, Catherine, died during 1772. After James Rannie died in 1766, Thomas Haig seems to have borrowed £2,000 from Rannie's widow, which he used to become Chippendale's partner. One of Rannie's executors, Henry Ferguson...

We are delighted to offer for sale this stunning original 17th century attributed to Andrea Brustolon hand carved Italian walnut armchair with Cherubs...

We are delighted to offer for sale this stunning pair of very important looking hand carved with giltwood accents occasional chairs These are very decorative side chairs, I’m sur...

We are delighted to offer for sale this original solid hardwood Anglo-Indian Burmese hand carved chair The condition is good, it has been restored to include having the frames che...

We are delighted to offer for sale this extremely rare pair of original circa 1900 Tibetan Ceremonial chairs with gold gilt decoration and large cast figures of the Buddhist god Nyin...

A sgabello is an Italian chair that originated in the Renaissance. Originally designed to be displayed in a hallway (like a French side chair), sgabello were typically highly carved with some sort of familial crest or coat of arms incorporated into the décor. They were purely decorative, as the backrests were elaborately carved with protuberances and bulging motifs; comfort was not a primary concern. Hand-carved from walnut in Italy, circa 1870, our Renaissance style sgabello has recently been bleached, allowing the carvings to gain further prominence. The shaped seat has quarter round molding adorned with a series of niches that have been filled with trefoil leaves. Additional foliage has been shallowly incised to the top of the seat, with sprawling rinceaux surrounding a potted plant. The uniquely shaped seatback has several canted edges, topped with various Renaissance motifs. A pair of fragmented...

Elegant Mid-19th century Chiavarine side chairs in turned walnut and with hand-carved seat, restored and finished to wax Measure cm: H 101\47 x W 45 x D 45.

Rare and remarkable workmanship chair from the 1800s. In this day and age it is very difficult to still find even one craftsman that is capable of hand carving a good quality sculpture. As you can see in our photos, in the 1800s there were still artisans that were so skilled that they could actually incorporate several unique sculptures into a chair. This particular Italian hallway chair was made to decorate and to impress. And if you look at the quality and the perfect way in which the various creatures are incorporated in this chair then you know that this certainly was and still is a statement AND a talking piece. Everything is so well balanced that this chair with its great patina truly is a joy to own and look at. In the Neoclassical Revival era creatures and elements of different styles were mixed together and this work of beauty is the perfect example. The squating Gothic chimeras...

Pair of Italian Renaissance style Venetian (20th Cent) pine carnival viewing sgabello style side chairs with a Pair carved heads on back.

Antique Italian Renaissance Revival Oak "Savonarola" or "Dante" Chair~~early 20th Century These chairs, often called scissor or "X" chairs, are typically supported by two crossed or curved supports at the sides or back and front~~these chairs were given the name Savonarola in the 19th century after Girolamo Savonarola, an Italian priest in Florence from 1494-1498~~the design comes from an ancient Roman "X" shaped chair that was popular in medieval Italy...

Pair antique Italian Renaissance side chairs are elaborate expressions of the style, celebrating the beauty and majesty of earthly wonders in sculpted wood. The high, arched seatbacks are contoured for comfort, and feature foliates, scrollwork, rosettes and more, all with a pierce-carved seatback splat. Fine tapestry upholstery with a complementary naturalistic design provides comfort, and is supported by a contoured apron all around with the sides and front sections artfully carved with detail. Double scrolled front legs and contoured rear legs are connected with a modified "H" stretcher with the center oriented to present another carved facade...