Classic British Colonial Ebony Chaise Longue

A 19th century British Colonial trunk comprised of jakwood and ebony. The trunk features a central hardware piece and carved columns on the sides.

A 20th century British Colonial solid ebony two-door display cabinet, from Sri Lanka.

Early 19th century British Colonial cabinet of wide-paneled and figured solid satinwood with solid ebony trim. Sri Lanka, formerly known as Ceylon, is one of the few places in the wo...

An exquisite 19th century British Colonial four-door cabinet in solid satinwood ebony and features remarkably beautiful carved molding designs of foliage throughout the exterior. The...

A 19th century British Colonial Ebony chair with carved back and feet. Caned seat with scrolled arms.

Cabinet, Display X-Design w/2 Glass Doors Repro A handsome reproduction piece of a British Colonial rosewood X-design display cabinet. The cabinet features intricately carved deta...

Intriguing pair of early 20th century British Colonial plantation chairs handcrafted in indigenous mahogany with elegant form featuri...

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Rattan / Burnt wood or natural Each piece is made to order and hand crafted by the artist. Dimension...

Jurgen Bey "Kokon Furniture" Chaise Longue. Manufactured by Droog Furniture The Dry Tech Project consisted of wrapping desolate furniture with synthetic fibers, creating ...

A William IV rosewood chaise longue attributed to Gillows, with deeply carved scroll terminals and arms, and turned tapering legs on disguised castors.

Black ash chaise longue sculpted by Lupo Horiokami Dimensions: D 80 x W 250 x H 72 cm Materials: Black ashwood “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese), a preliminary presupposition for manifesting, producing, originating from “nothing”. Empty space to accentuate the innate temporary beauty of things: from the traditional japanese tattoo...

Chaise Longue Cherlon by Camilo Andres Rodriguez Marquez (aka CarmWorks) Fique and copper fabric / Burnt wood or natural Each piece is made to order and hand crafted by the art...