Djinn Chaise Lounge Attributed to Olivier Mourgue for Airborne, France, 1960s

With its undulating, futuristic and playful form, it’s easy to see why filmmaker Stanley Kubrick chose to use Olivier Mourgue’s iconic Djinn chair in his 1968 masterpiece 2001: A Space Odyssey. But the French artist and industrial designer is known for much more than the Space Age Djinn. From his whimsical Flower floor lamps to his anthropomorphic Bouloum chair, Mourgue is renowned as an important contributor to the 1960s Pop art era of modern furniture design.

Born in Paris in 1939, Mourgue grew up in an apartment filled with Empire-style antique furniture, which he derided as having “nothing to do with life.” He later studied art at Paris’s École Boulle, graduating in 1958. He then attended the École Nationale Supérieure des Arts Décoratifs.

In 1959, his former teacher at École Boulle, Marcel Merpillat, encouraged him to present a chair he designed at a competition hosted by furniture manufacturer Airborne. Airborne founder Charles Bernard was impressed by Mourgue’s design, which featured a leather-upholstered seat attached to a chrome steel frame; it was produced by the company under the name the Joker. Mourgue designed several other mid-century modern pieces for Airborne throughout the 1960s, including the Whist chaise longue, the rotund Montreal chair, the unique Cubique chair and the Djinn series, which first appeared in 1964.

In addition to Airborne, Mourgue has designed for furniture manufacturers such as Disderot and Prisunic, and collaborated with British architect and designer Sir Norman Foster and Finnish architect Juhani Pallasmaa.

Mourgue worked for Le Mobilier National to design the French Pavilion for Montreal’s Expo ‘67. In 1968, he received the International Design Award from the Institute of Interior Designers in New York for the Djinn lounge chair. He also exhibited several of his works at Expo ‘70 in Osaka, Japan.

Today, Mourgue’s pieces are part of the permanent collections at the Museum of Modern Art in New York and the Centre Pompidou in Paris.

On 1stDibs, discover a range of vintage Olivier Mourgue seating, lighting and more.

The sterling reputation that Artifort enjoys isn’t limited to the innovative upholstery and fluid, organic shapes for which its products are widely known — the legendary Dutch brand’s vintage seating and other furniture is also celebrated for its embodiment of functionality, comfort and quality. These are among the principles that underpin the philosophy toward modern furniture design at Artifort, which has been at the crossroads of furniture and art for over 125 years.

Prior to 1928, the year Artifort officially became a brand, Jules Wagemans had a small upholstery business in Maastricht, the Netherlands. After setting up in 1890, his son, Henricus Wagemans, broadened the scope of the company to include furniture production. By the end of the 1920s, their showroom in Amsterdam had made them a recognizable brand across the Netherlands.

Then named H. Wagemans & Van Tuien, the company changed its name to Artifort after the economic recession. Artifort came from two Latin words meaning “art” and “strong” — a perfect description for the style of each design and the manufacturer’s intention to create sturdy furnishings. Artifort’s reputation for durable armchairs and sofas endures, and vintage editions of this seating are now family heirlooms in many homes.

Artifort became a magnet for high-profile and up-and-coming designers alike. Many furniture designers’ careers began thanks to collaborations with Artifort, such as Dutch industrial and jewelry designer Gijs Bakker and Indonesian-born designer Kho Liang Ie. Also known for designing the interiors at Amsterdam’s Schiphol Airport, Kho Liang Ie was an aesthetic consultant at Artifort and used his expertise to turn the company into a world-class brand. Perhaps his largest contribution, however, was attracting the talents of French furniture and interior designer Pierre Paulin and English furniture designer Geoffrey D. Harcourt.

Paulin’s bright and colorful lounge chairs, such as his Orange Slice chair and Mushroom chair, are still central to the Artifort identity. The revered designer not only introduced new construction techniques to Artifort furniture, but contributed fresh materials, Pop art colors and dazzling shapes to the mid-century modern era as a whole, while Harcourt deserves credit for popularizing Artifort internationally and extending their reach into foreign markets.

Another talent boom in the 1990s at Artifort yielded collaborations with Jasper Morrison, Wolfgang Mezger and René Holten. Iranian designer Khodi Feiz was named art director in 2014 and has continued the tradition of recruiting top designers such as Claesson Koivisto Rune, Ilse Crawford and Luca Nichetto.

Find a collection of vintage Artifort lounge chairs, tables and more on 1stDibs.