Corner Chairs

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

This listing includes one three-legged Oxbend chair in American walnut hardwood. The original inspiration for the entire Oxbend collection, this modern dining chair was designed b...

21st century modern cream armchair bouclé lacquered in gloss Alice armchair Alice Armchair Cream is a luxury armchair composed of exquisite materials. This eclectic armchair...

Elegant caned Louis XV period walnut armchair, circa 1760. Leather armrests.

Modern armchair bouclé, leather upholstered & Nero Marquina marble Alice armchair Alice armchair is a luxury armchair composed by exquisite materials. This eclectic armchair...

Italian modern black scooby and metal rod Spaghetti chair by Giandomenico Belotti for Alias, 1980s Beautiful Spaghetti model chair in black metal rod with elastic seat and back made...

This listing includes one three-legged Oxbend chair in American white ash hardwood. The original inspiration for the entire Oxbend collection, this modern dining chair was designe...

Pair of Yoke high back Chinese chairs in Ming style. Could be used as side chairs or dining chairs. There is no structural damages on the chair...

Armchair in solid varnished oak. A company that has always attributed such great importance to the author of the designs could never forget the great figures in history. That is ...

This listing includes one three-legged Oxbend chair in American ash hardwood stained charcoal black. The original inspiration for the entire Oxbend collection, this modern dining ...

Gold Design Award Winner for Furniture Design Category at the A’Design Award Competition 2021-2022 The Niemeyer II fur armchair is named after the Brazili...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...