Skip to main content
  • Want more images or videos?
    Request additional images or videos from the seller
1 of 16

1946, Ray & Charles Eames for Herman Miller, DCM in Painted Black Version

$970.14

About

DCM in black by Herman Miller. The chair shows traces of wear like some loss of paint/lacquer and has some tiny stains of paint (light yellow) on the sea and backrest. Also two chips of wood are missing on the backrest and one on the seat. Black floor caps. More DCM by Herman Miller are available in black and in wood. Also DCM nay Vitra are available. Weight 7.5 kg.

Details

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Ships From: IJmuiden, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

1stDibs Buyer Protection Guaranteed
If your item arrives not as described, we’ll work with you and the seller to make it right. Learn more

About Charles and Ray Eames (Designer)

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.


As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.


Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.


His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.


The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.


The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.


Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

About the Seller
4.7 / 5
Located in IJmuiden, Netherlands
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
1stDibs seller since 2016
105 sales on 1stDibs
Typical response time: 4 hours
More From This Seller

You May Also Like

Charles and Ray Eames Red Beech DCM Chair, Herman Miller, Dining, Side Chair
By Charles and Ray Eames, Herman Miller
Located in Brooklyn, NY
Charles and Ray Eames red beech DCM chair, Herman Miller, dining, side chair. Labeled. Designed in 1946. Produced in 2017. 8 available. Listing is for one. Authentic Eames chair f...
Category

Mid-20th Century American Mid-Century Modern Dining Room Chairs

Materials

Stainless Steel

DCM Chairs by Charles and Ray Eames for Herman Miller
By Charles and Ray Eames, Herman Miller
Located in Denver, CO
A set of 4 of beautifully grained early DCM chairs by Charles and Ray Eames for Herman Miller. The latest patent number on the labels is from 1952. The foil label is also an early...
Category

Mid-20th Century American Mid-Century Modern Dining Room Chairs

Materials

Plywood

Early Charles & Ray Eames for Herman Miller DCM Chair in Oak, 1953
By Charles and Ray Eames, Herman Miller
Located in Los Angeles, CA
Early Charles Eames for Herman Miller Company molded plywood dining chair in oak with wonderful patina. The oak version is very rare, only one year in production.      
Category

Vintage 1950s American Mid-Century Modern Dining Room Chairs

Materials

Steel

Charles and Ray Eames for Herman Miller Ash DCM Chair 'B', 1999
By Charles and Ray Eames, Herman Miller
Located in San Francisco, CA
A DCM (Dining Chair Metal) in white ash by Charles and Ray Eames for Herman Miller. Introduced in 1946, it quickly became a timeless and essential American design Classic. Molded fi...
Category

1990s American Mid-Century Modern Dining Room Chairs

Materials

Steel, Chrome

Charles and Ray Eames for Herman Miller Ash DCM Chair 'A', 1999
By Charles and Ray Eames, Herman Miller
Located in San Francisco, CA
A DCM (Dining Chair Metal) in white ash by Charles and Ray Eames for Herman Miller. Introduced in 1946, it quickly became a timeless and essential American design Classic. Molded fi...
Category

1990s American Mid-Century Modern Dining Room Chairs

Materials

Steel, Chrome

18 DSS Stacking Chairs, Charles & Ray Eames, Herman Miller, Orange Fiberglass
By Charles and Ray Eames, Herman Miller
Located in Vienna, AT
One of 18 stackable dining room chairs by Charles & Ray Eames for Herman Miller, manufactured in midcentury, circa 1970 (late 1960s or early 1970s). The chairs are marked on the und...
Category

Vintage 1970s American Mid-Century Modern Dining Room Chairs

Materials

Metal, Chrome

22 DSS Stacking Chairs, Charles & Ray Eames, Herman Miller, Red Fiberglass, 1974
By Charles and Ray Eames, Herman Miller
Located in Vienna, AT
One of 22 stackable dining room chairs by Charles & Ray Eames for Herman Miller, manufactured in midcentury, 1974. The chairs are labeled on the underside of the seats with 'herman m...
Category

Vintage 1970s American Mid-Century Modern Dining Room Chairs

Materials

Chrome, Metal

Early Eames DCM Chair by Herman Miller
By Charles and Ray Eames
Located in Cincinnati, OH
An early production oak bent plywood side chair with plated frame, domed feet and underside clamp styled base construction. Retains factory ink stamp date to the bottom 12- 1951 manu...
Category

Mid-20th Century American Mid-Century Modern Side Chairs

Materials

Wood

The 1stDibs Promise

Learn More

Expertly Vetted Sellers

Confidence at Checkout

Price-Match Guarantee

Exceptional Support

Buyer Protection

Insured Global Delivery