Kriess Klismo Chairs

Offering a nice pair of chairs designed by Raymond Loewy for Hill Rom. These 1950's waiting room chairs are made with walnut and steel painted white. A great ...

Nice pair of Italian chairs by Potocco. These chairs are made of wood, metal and fabric. The chairs are in nice vintage condition. These will work great around a small table or as ac...

Pleased to offer this great set of 6 rosewood dining chairs by SVA Mobler. This set consist of 2 arm chairs and 4 armless chairs. Arm chairs are 22 x 18 x 37.5, side chairs are 18.5 ...

Here is a set of four beautiful acrylic chairs. They are physically very heavy while remaining visually very light. They are in very nice condition.

Great set of 6 chairs from Tulip Inc. These well made chairs were designed by Stephen D. Sherman in the early 1970s. These chairs were from the Elle Line from Tulip. These can be used as dining chairs, conference room chairs...

Pair of Cantilever lounge chairs. Retains the original fabric that can be used as is. Some darkening of the fabric in a few places and a couple...

Two chairs and two armchairs. Original cognac-coloured leather seats with fine gold embossed frieze. Dimensions provided below are for the armchairs. The chairs measure (in centim...

Boston, Massachusetts, circa 1820. Mahogany (secondary woods: Birch and maple; slip seats: Birch and pine) Measures: 33 1/4 in. high, 18 5/8 in. wide, 19 ¼ in. deep (overall). Ex Coll: Private collection, until 2004; to [Hirschl & Adler Galleries, 2004]; to private collection, 2004 until the present. Exhibited: Hirschl & Adler Galleries, New York, 1999–2000, Boston in the Age of Neoclassicism, 1810–1840, p. 57 no. 21D illus. in color // Hirschl & Adler Galleries, New York, 2001–2002, of the Newest Fashion: Masterpieces of American neoclassical Decorative Arts, pp. 93 cat. 26, 95 illus. in color two chairs from the set / Hirschl & Adler Galleries, New York, 2014-2015, very rich and handsome, p. 30 no. 5 illus. in color two chairs from the set. One of the signature forms of furniture of the neoclassical period in the United States is the klismos chair as interpreted by a group of Boston cabinetmakers in the period circa 1820 (see Page Talbott, “Seating Furniture in Boston, 1810–1835,” The Magazine Antiques CXXXIX [May 1991], pp. 966ff.). These chairs are usually characterized by sabre legs at the front and the back and curved crest rails typically enriched with flaming mahogany veneers, their ends often punctuated by stylized leaves, anthemia, or scrolls, and center splats decorated with leaves, drapery, lyres, etc. Just as it is easy to identify a New York or Philadelphia side, or dining, chair of the period, so Boston chairs have a certain “look” that sets them apart from chairs from all other American cabinetmaking centers in this period. The sumptuous nature of the lotus bud and tulip-carved swags which form the back splats of these chairs is offset by the simplicity of the crest rail, in which oval veneered panels are encircled by a raised molding, and by the reeded stiles which seamlessly sweep down to become first the side-rails and then the front legs of the chairs. Although the form of these chairs relates them to many comparable Boston examples of the period, none of these other chairs feature the paw feet that terminate the front legs of the present set of chairs, a feature that appears to be otherwise unknown on Boston side chairs...

1930s Hickory Chair Company Empire Klismos style Mahogany and Upholstered Seat Side Chairs. Measure 18" in width, 21" in depth 34.5" tall. Seat height is 18".

Two vintage Karges French Empire dining arm or accent chairs. Painted white with gold carved accents, scrolled arms, brass plates, saber legs and red upholstery. Karges carefully crafts exquisite masterpieces in their Grand Rapids, Michigan facility. They do not do mass production and make each product upon order. Karges artisans are committed to let every chair, desk, table, bed, chest, sofa, and side piece emerge with integrity and handcraftsmanship and be its own unique piece. n 1886, Albert F. Karges, a first-generation German immigrant, invested $600 and began making moderately priced bedroom furniture of solid oak and walnut. At that time, the river port town of Evansville, Indiana was one of the largest hardwood furniture manufacturing centers in the world. The Company prospered through the turn of the century, and Albert's son Edwin F. Karges, Sr. joined the family business after World War I. He had a keen interest in European designs and traveled extensively in an effort to learn more about the old-world styles. Soon the Karges line took on a more classic look and began separating itself from its competitors as he began to develop his own ideas. Mr. ""K"", active in the company for over 60 years, left elegant, timeless designs, that are still best sellers after 30 years. After World War II Edwin's son, Edwin F. Karges, Jr., joined the business. He was graduated from the University of Michigan with a degree in Wood Technology, and his knowledge and skill in wood finishing provided the groundwork for developing the Karges finishing process. ""Eddie"", as he was known in the plant, was involved in all aspects of the business and will be ever regarded as the expert in matters relating to the unique Karges finish. In April of 2006, Ed Jr. passed away, leaving Karges personnel greatly saddened by the passing of this wonderfully kind and beloved man. Fortunately, however, he was a great teacher and saw to it that all were well-trained and equipped to carry on his dream for the Company. During the past 30 years, all four of Eddie's children have been involved in the business. Joan Karges Rogier, now President, worked alongside her father for nearly 30 years, representing the fourth generation of leadership. Joan brings to the Company a true understanding and appreciation of the strengths and experiences bequeathed by her predecessors as well as a sincere concern for the workers. She understands why Karges survived and why it remains strong today. Joan would tell you, ""The only way to make the very best furniture in the world is the slow, careful, hands-on way."" This quality philosophy trickles down to the work bench or desk of each employee. Joan's daughter Gretchen is the 5th generation of this amazing story, the child willing and able to work hard and take up the challenge of making furniture in the tried and true method of her progenitors. One might even say the American way. Gretchen has worked along side Ed, Joan, and an army of talented people who know and understand the goal: to make the best furniture possible. Gretchen and her husband Martin, Karges' safety director, maintenance guru and overall ""facilities engineer,"" have done everything required in a small family business. Everything from spearheading a media campaign to repairing damaged windows from a spring storm. Karges' story is not unique in American history, but it is indeed remarkable. As long as this group of dedicated artisans, family and beloved friends is able to continue practicing their craft, doing what will surely be missed should we not be on the scene, so we shall. In 2011 Karges Furniture will achieve the extremely rare distinction of being a 125-year-old, still-family-owned, American furniture manufacturing company. Bravo!! Stenella says: Karges is one of the most expensive and high end furniture manufacturers in the new furniture market. The used Karges furniture...

Two antique Duncan Phyfe Klismos style side accent dining chairs. Made of mahogany featuring open back with carved and fluted accents. Measure: 33".

Single T.H. Robsjohn-Gibbings Klismos chair for Saridis of Athens, Greece in Greek walnut and leather woven seats. This chair was part of the collection he designed for Saridis of Athens in 1961, inspired by the drawings he saw on ancient Greek vases. The Klismos chairs features a graceful curving back and sable curved legs. The woven seat is made of leather straps / thongs which are tight around the walnut frame. The design beholds Robsjohn-Gibbings’ philosophy of furniture design that is independent of time. Manufacturer's metal label DESIGNED BY T.H.ROBSJOHN-GIBBINGS / Manufactured by saridis of athens. Serial # 9544 &. Please note that the item has been lightly restored by restoration atelier. Some signs of age and use are still visible. This chair model is notably documented on the cover of "Furniture of Classical Greece," written by Robsjohn-Gibbings and Carlton W. Pullin in 1963. We love what Pilar Viladas said about this iconic design in the New York Times in 2010: "T. H. Robsjohn-Gibbings’s Klismos chair looks ancient and modern at the same time — because it is. Based on ancient Greek models, which had been widely copied in the 18th and 19th century, Robsjohn-Gibbings’s version made the klismos shape famous again in the 20th century. Obsessed with its elegant lines, he designed versions of the chair throughout his career, but the most recent examples have been made by Saridis in Athens since the early 1960s, when the designer met the company’s owners and settled in the Greek capital. Its simple but opulent curves hint at sleek penthouses with butlers who serve cocktails on the terrace at sunset. (Indeed, Robsjohn-Gibbings’s Saridis...