Organic High Back Chair by Charles Eames & Eero Saarinen
- Date of Manufacture2012
- Condition DetailsNeeds new fabric because of discoloration, otherwise in great condition.
- WearWear consistent with age and use. Minor fading.
- DimensionsH 42.13 in. x W 33.47 in. x D 31.11 in.H 107 cm x W 85 cm x D 79 cm
- Seat Height14.97 in. (38 cm)
- Seller LocationDronten, NL
- Reference NumberLU931416710431
Shipping, Returns & Payment
- Shipping$800Front Doorto anywhere in the world, arrives in 1 to 2 weeks.Delivered to the first available dry area outside of your house or building (front door, porch, landing area, garage, etc.).Shipping methods are determined by item size, type, fragility and specific characteristics.Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
- Return Policy
This item can be returned within 7 days of delivery.View details
- Online Payment Methods1stdibs accepts the following payment methods
- Item InvoiceGenerate an invoice that you can customize and print.
About Eero Saarinen (Designer)
Through his work as an architect and designer, Eero Saarinen was a prime mover in the introduction of modernism into the American mainstream. Particularly affecting were the organic, curvilinear forms seen in Saarinen’s furniture and his best-known structures: the gull-winged TWA Flight Center at John F. Kennedy airport in New York (opened 1962), Dulles International Airport in Virginia (1962) and the Gateway Arch in St. Louis, Missouri (1965).
Saarinen had a peerless modernist pedigree. His father, Eliel Saarinen, was an eminent Finnish architect who in 1932 became the first head of the Cranbrook Academy of Art in suburban Detroit. The school became synonymous with progressive design and decorative arts in the United States, and while studying there the younger Saarinen met and befriended several luminaries of mid-century modernism, among them Harry Bertoia, and Charles and Ray Eames.
At Cranbrook, Saarinen also met Florence Schust Knoll, who, as director of her husband Hans Knoll's eponymous furniture company, would put Saarinen’s best designs into production. These include the “Grasshopper” chair, designed in 1946 and so named because its angled bentwood frame resembles the insect; the “Tulip” chair (1958), a flower-shaped fiberglass shell mounted on a cast-aluminum pedestal; and the lushly contoured “Womb” lounge chair and ottoman (1948). In his furniture as in his architecture, the keynotes of Eero Saarinen’s designs are simplicity, strength and grace.