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Set of Four Dining Walnut Chairs by Dillingham, New Knoll Textile Upholstery

About

Dillingham, USA, 1970's Walnut. Fully restored, new upholstery and cushioning. 37 tall x 19 wide and 22 inches deep. Seat height is 18 inches. Price is for the set of four. Four sleek, elegant, modern walnut frame chairs by Dillingham furniture, circa 1970. These chairs have been refinished and reupholstered using a soft, vintage, off-white Knoll textile fabric. During the refinishing process the chair were re-enforced making for a stronger frame and finished with lacquer ensuring they maintain the finished look for decades - no oiling of the walnut required. New cushioning was added to the backs to ensure comfort. Samples of swatches of the Knoll upholstery fabric used on the chairs are available upon request.

Details

  • Period
  • Materials and techniques
  • Condition
    Excellent. Refinished with lacquer. Only the most subtle signs of being near new exist. Fabric is new and never used..
  • Dimensions

    H 37 in. x W 19 in. x D 22 in.

    H 93.98 cm x W 48.26 cm x D 55.88 cm

  • Seat height
    18 in. (45.72 cm)
  • Seller location
    South Charleston, WV
  • Seller reference number
    MBDchairs
  • Sold As
    Set of 4
  • Reference number
    LU161623299712

Shipping, Returns & Payment

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About Milo Baughman (Designer)

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, having a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

     Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. Baughman was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on chair and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

     Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating. As you will see from the furniture presented on these pages, Milo Baughman’s designs are ably employed as either the heart of a décor or its focal point.

About the Seller

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