Three One Four Studio, "Hope" Chair, Klismos, Carbon Fibre, Bronze, Upholstered

1930s Hickory Chair Company Empire Klismos style Mahogany and Upholstered Seat Side Chairs. Measure 18" in width, 21" in depth 34.5" tall. Seat height is 18".

Pleased to offer this great set of 4 Klismos chairs. This classic dining chairs are in great shape and retain their original signed suede seat cushion...

Set of four dining armchairs by Contemporary Shells Inc., Hempstead NY featuring chrome frames with a deep grey wool felt upholstery. Very...

Two chairs and two armchairs. Original cognac-coloured leather seats with fine gold embossed frieze. Dimensions provided below are for the armchairs. The chairs measure (in centim...

Set of four vintage caned Cesca style chairs with mauve upholstered seats. The Nineteen-Laties chairs date from around 1980s. The chairs feature a sleek cantilever design. This sprin...

Boston, Massachusetts, circa 1820. Mahogany (secondary woods: Birch and maple; slip seats: Birch and pine) Measures: 33 1/4 in. high, 18 5/8 in. wide, 19 ¼ in. deep (overall). Ex Coll: Private collection, until 2004; to [Hirschl & Adler Galleries, 2004]; to private collection, 2004 until the present. Exhibited: Hirschl & Adler Galleries, New York, 1999–2000, Boston in the Age of Neoclassicism, 1810–1840, p. 57 no. 21D illus. in color // Hirschl & Adler Galleries, New York, 2001–2002, of the Newest Fashion: Masterpieces of American neoclassical Decorative Arts, pp. 93 cat. 26, 95 illus. in color two chairs from the set / Hirschl & Adler Galleries, New York, 2014-2015, very rich and handsome, p. 30 no. 5 illus. in color two chairs from the set. One of the signature forms of furniture of the neoclassical period in the United States is the klismos chair as interpreted by a group of Boston cabinetmakers in the period circa 1820 (see Page Talbott, “Seating Furniture in Boston, 1810–1835,” The Magazine Antiques CXXXIX [May 1991], pp. 966ff.). These chairs are usually characterized by sabre legs at the front and the back and curved crest rails typically enriched with flaming mahogany veneers, their ends often punctuated by stylized leaves, anthemia, or scrolls, and center splats decorated with leaves, drapery, lyres, etc. Just as it is easy to identify a New York or Philadelphia side, or dining, chair of the period, so Boston chairs have a certain “look” that sets them apart from chairs from all other American cabinetmaking centers in this period. The sumptuous nature of the lotus bud and tulip-carved swags which form the back splats of these chairs is offset by the simplicity of the crest rail, in which oval veneered panels are encircled by a raised molding, and by the reeded stiles which seamlessly sweep down to become first the side-rails and then the front legs of the chairs. Although the form of these chairs relates them to many comparable Boston examples of the period, none of these other chairs feature the paw feet that terminate the front legs of the present set of chairs, a feature that appears to be otherwise unknown on Boston side chairs...