Fabric Living Room Sets

2 x Armchair (sz20) 1 x sofa (bz20) model Sandwich. Design by Claire Bataille and Paul Ibens for 't Spectrum collection from 1973-1974. 2 x Fauteuil (sz20) 1 x sofa (bz20) model Sandwich. Ontwerp van Claire...

Living Room Sets Gae Aulenti for Knoll 1970s Black Grey

Upgrade your living space with the stunning Maison Regain sofa set. This large set surely is an eye-catcher and will beautifully merge comfort and style. Whether you're entertaining ...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Mario Bellini "Le Bambole" three-seater sofa for B&B Italia, faux-fur, foam and metal, Italy, 1972. The search for a new shape for upholstered furniture: all parts are shaped like a...

This vintage living room set is a typical example of European furniture design of the 1970/1980´s. The furniture is very comfortable. It consists of one sofa and two armchairs on wh...

Silk 3-seater sofa and armchair, Tommaso Barbi, 1970s Elegant, very sturdy. Only a few slight tears on the base, burns, and slight stains on the fabric. DESIGN PERIOD 1970...

Italian modern red living room Marenco by Mario Marenco for Arflex, 1970s Living room composed of two two-seater sofas and an armchair mod. Ma...

This extremely rare sofa set created by the Polish company Paged in the 1972. The furniture was produced in cooperation with the Arab Republic of Egypt. This set consists of a sofa a...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a three-seater sofa and three armchairs. It features brown alpaca...

Mid-Century Modern French three-seat sofa with original velvet fabric designed by Gérard Guermonprez. The sofa presents some wear consistent with age and use. It can become a set ...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofa with pair of lounge chairs and coffee table, model 'Blop', original ve...

Rare dining set, Galaxy Table and chairs, with exclusive upholstering, designed by Umberto Asnago - Giorgetti. 1980s

Fler for Furniture Makers of Australia, living room set consisting of four individual lounge chairs and one ottoman, model 'The Idler', fabric, Australia, design 1969 This superb en...

A Vintage 20th Century seating suite, famously dubbed the "Tulip seating group" and envisioned by KM Wilkins, retailed by G Plan. This set, comprising a pair of chairs and a sofa, dr...

Living room set composed of a Nuvolone modular sofa (with six modules) and a large coffee table (with storage units) which can be arran...

This vintage living room set is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. The furniture is very comfortable. It consists of four armchai...

This set was a part of a living room set made by JITONA company in the 1970´s. It´s consist of two armchairs and one pouffe. You can also simply turn it into a bed. It represent a ty...

The Sesann lounge chair was designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. This set is composed of two lounge chairs upholstered in tobacco and chocolate brown alpaca velvet. Sesann is characterized by an organic and informal shape and is defined by the tubular metal detail that wraps around the soft, upholstered seat. In the 1970s, the Cassina catalogue...

A rare walnut sofa and armchair by Sapporo for Mobil Girgi, made in the 1970's, Italy. Beautifully designed with angled front legs which extend to the sides and back, the back suppo...

This vintage living room set is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. The furniture is very c...

Vintage sofa set consisting of two armchairs and an three seater sofa. The design is very much like the Asko 'Bonanza' sofas with interlocking wooden frames. The sofas have their o...

Mid-Century Modern Italien Wooden Rattan Set of 2 Sofas and Chair, Italy 1970s. This lovely Italian set of 2 two-seat sofas, 1 chair and 1 coffee table in birch and rattan - also kn...

Mid century sofa set in brown faux leather designed in italy in the 1970s. Very thick and comfortable cushions with an elegant design. The set ...

A French Empire Revival Style Five Piece Mahogany and Gilt-Bronze Mounted Figural Salon Suite, in the style and after a model by François-Honoré-Georges Jacob-Desmalter (French, 1770...

Discover the ultimate in seating comfort with our Ivory Bouclé Modular Lounge Chairs "Velasquez", straight from the 1970s. This set of two lounge chairs, produced by Mimo Padova in Italy, offers a unique combination of vintage charm and contemporary comfort. The chairs have been carefully reupholstered in a stylish ivory-colored bouclé fabric, which provides a soft and luxurious seating experience. The polished chrome outer frame adds an elegant, modern touch to the whole. Whether you place them separately or together as a compact sofa, these modular chairs are an enrichment for any interior. Advantages: Unique modular design from the 70s Reupholstered with high-quality ivory-colored bouclé fabric Flexible in arrangement: as separate chairs or together as a sofa Elegant chrome-plated outer frame for a modern look Good to know These lounge chairs have been reupholstered by hand and may show slight variations, making each pair unique. The chrome frame is polished for a mirror shine that will stand the test of time. Resume Vintage design meets modern comfort in these Ivory Bouclé lounge...

Living room set, 3-seater sofa and 2 beige chenille armchairs, 1970s Wooden frame, chenille fabric, aluminum and chrome iron feet CONDITIONS Good, signs of wear in fabric and lack of...

Afra & Tobia Scarpa “Soriana” Sofa for Cassina, Bouclé Wool, 1969 The lustrous original chromed metal structure embraces the soft and voluptuous alpaca boucle' volumes in this Mid-C...

This unique and gorgeous modular sectional sofa from the 70ties was manufactured in germany by Dreipunkt International. The Sling shape is made of cognac leather and canvas. The loose and thick cushions made it so comfortable. It is a aniline cognac whiskey leather. The colour of the oak wood is stained in brown like dark walnut. This Ensemble includes 4 chairs and 1 ottomane. Everyhting is in original and good condition. It fits well with Piere Chapo...

Sitting room composed of 3-seater sofa and 2 armchairs, 1970s Baroque style. Floral chenille fabric embellished with bangs. The cushions are removable and washable. Item never used, ...

Vintage living room, club style, consisting of 3-seater sofa and 2 armchairs, 1970s Very good conditions Manufactured from orange fabric, embellished with hexagonal patterns in ...

Pair of armchairs and two-seater sofa with rattan structure, wicker weaving entirely handmade. Italian design from the late 1970s, new upholstery, ...

Sergio Asti was trained as an architect at the Polytechnic University of Milan from 1947 to 1953 and opened his studio the same year of his graduation.
Among the first Italian indust...

This leatherette modular living room set is a typical example of furniture design of the 1970/1980´s It was made in Western Europe. It can used as a) 4-seater sofa, b) corner sofa ...

Salotto, 2 poltrone e divano 3 posti, Modello OKAY, Adriano Piazzesi, 1970 Divano e poltrone disegnato da Adriano Piazzesi per la ditta 3D. Struttura in acciaio cromato Stile Vintag...

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

Sensational glamorous 3 piece salon set by James Mont having two sculptural club chairs and a gorgeous loveseat, all in a high gloss black lacquer wi...

Pop Art multicolored vintage three ( 3 ) dining chairs with one ( 1 ) table model Dark Horse designed by Rud Thygesen & Johnny Sorensen for Botium, Denmark, circa 1989. A stunning set with multicolored chairs...

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

vintage seating group | armchairs | coffee table | 70's | Sweden period | 60's design | unknown | Sweden condition | good | light signs of use size | 72 x 77 x 85 (hxwxd) seat heigh...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Textile (canvas)

Rare modular sofa designed by of of the best mid century designers Hans J Wegner for Getama. Model GE 280. The modular sofa consists of a beautifully bentwood oak frame with beau...

The Pianura living room set by Mario Bellini for CASSINA is a beautifully designed and stylish collection of furniture pieces that can transform your living room into a luxurious and...

American sofa and armchair in original striped fabric1970s Wooden frame, with the feet made of wood and brass Style Vintage Periodo del design 1970 - 1979 Production Period 1970 - 19...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofas and coffee table, model 'Blop', original velvet, lacquered wood, Italy, 1972 A postmodern design by Italian master of ar...

This leatherette living room set is a typical example of furniture design of the 1970/1980´s It was made in Czechoslovakia. The furniture is in very good Vintage condition, showing s...

Set of 2 Cornaro two-seater sofas, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage conditi...

This sofa was designed by Michel Ducaroy for Ligne Roset in the 70’s. He devoted 26 years of his life to the head of Ligne Roset’s design department. It was in 1973 that he designed ...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a two-seater sofa and two armchairs. It features...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Textile (canvas)

Objekt: Stahlrohrsessel Entwurf: unbekannt, um 1970 Modell-Nummer: - Ausführung: unbekannter Kunstmöbelhersteller, um 1970 Maße in cm Sessel (H x B x SH): 74x55x43 Material: Stahlroh...

Vintage Comfort Designs Inc. Pencil Reed Love Seat & Lounge Chair Set Adrian Pearsall designed for Comfort Designs Inc. but could not determine if these were his. Loveseat 52” wide x 32" deep x 26" high Lounge Chair 28” wide...

Beautiful set of two armchairs with a coffee table. Sold as a set with all three pieces. The set was designed by Karin Mobring for Ikea in 1970s. The beautiful design is made of squa...

Vintage Lynch Chair & Ottoman by Taylor King, #5316-01, 5316-00. featuring rolled arms with beige / gold / whitish silver floral skirted upholstery. Taylor King began over forty yea...

This newly reupholstered pair of club chairs by Claudio Salocchi for Sormani, circa 1970s, features graceful chrome frames with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching sofa available in another listing. The graceful frames share a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However these Sormani lounge chairs feature some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair of easy chairs are an amazing opportunity. These Cassina LC2 / LC3 style chairs...

Peter Ghyczy's exceptional 2-seater sofa from the 1970s is an incredibly rare and truly unique piece. Also referred to as the "Fehlbaum sofa". Finding this particular sofa is a rar...

A stylish rocking chair and ottoman designed by Monte for you and your little bundle of joy. Comfy, with a smaller footprint, our Joya Rocking Chair gently rocks back and forth on solid wood frame. It will hug you in all the right places and keep you supported for hours with your little one. And, like all of our upholstered seating, its look will work in any room when baby makes the move to big kid bed...