Living Room Sets

New Stock ✅ De Sede DS-P Leather Reclining Armchair and Matching Footstool Ottoman by Robert Haussmann Switzerland 1971 The DS-P was designed by Robert Haussmann for De Sede in 197...

2 x Armchair (sz20) 1 x sofa (bz20) model Sandwich. Design by Claire Bataille and Paul Ibens for 't Spectrum collection from 1973-1974. 2 x Fauteuil (sz20) 1 x sofa (bz20) model Sandwich. Ontwerp van Claire...

An extremely rare set designed by Dutch designer Rob Parry, with a very elegant shape with a combination of rosewood, chrome metal and a seat, as if suspended in this structure. This...

Mid Century German teak and rattan chairs by Georg Leowald for Wilkhahn, 1960s, Set of 4 The chair frames are made from solid teak and rattan sits, in good vintage condtion, however...

Living Room Sets Gae Aulenti for Knoll 1970s Black Grey

Egg chair and its ottoman by the Scandinavian designer Arne Jacobsen, Fritz Hansen edition. Molded fiberglass shell covered in camel leather. The base is in brushed metal. The chair ...

Complete living room with a pair of armchairs and a three-seater sofa, Scandinavian production of the 1960s. Structure in maple wood with seat, backrest and armrests in fabric, detai...

Adorned in a luxurious petrol green upholstery, this unique set by georges van rijk for beaufort exudes a cool, confident vibe that’s both retro and refreshingly contemporary. The vi...

Objekt: Stahlrohr Sitzgruppe Entwurf: Willem Hendrik Gispen, Niederlande um 1935 Modell-Nummer: Tisch: 501 / Sessel: 107 Ausführung: Willem Hendrik Gispen, Niederlande um 1935 Maße i...

Extremely rare, complete & matching set from its first owner. 6 pieces. Designed by Percival Lafer & produced by LAFER S.A. - São Paulo Brazil. The complete set was labeled. Only c...

Set of 3 Italian Mid-century Modern Wooden and Green Velour Chairs, 1948 Coveted set of 3 chairs in perfect shape, beautiful details on the wooden structure and precious cushioning in great conditions. BBPR was a studio of architects, urban planners and designers, composed by Gian Luigi Banfi, Lodovico Barbiano di Belgiojoso, Enrico Peressutti and Ernesto Nathan Rogers. Founded in Milan in 1932, the studio was a vivid part of the debate of the modern movement, becoming one of the leading exponents and masters of the Italian design. The first important intervention project was designed in 1946, after the war and the loss of Banfi: the planning of the reconstruction of Milan. At the IX Triennale in Milan, when the birth of Italian design (1951) began, they organised the exhibition “The shape of usefulness” (with Francesco Buzzi Ceriani and Max Huber...

Grands fauteuils by Olivier de Schrijver (born in 1958) in teak. Model Zen with teak wavy headband, comfortable armrests and base, curved seats, Belgium, 2020.

Stunning vintage TOGO set in its original, soft black leather with the perfect patina. From its first owner (1989) Still 100% original! Matching set! Designed by Michel Ducaroy for ...

Gorgeous rattan sofa and loveseat settee pair handcrafted in Italy by wicker works. Made in the organic modern California coastal style and manner of Michael Taylor. Known as the cla...

Four amanta model 24 chairs designed by Mario Bellini for C&B Italia. They were manufactured in the early 1970s, these differ from the standard Amanta c...

Exceptional matching Camaleonda set in its original coral corduroy. Designed by Mario Bellini for B & B Italia. The “Camaleonda” sofa is Mario Bellini’s contemporary classic. The pl...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modular ...

Upgrade your living space with the stunning Maison Regain sofa set. This large set surely is an eye-catcher and will beautifully merge comfort and style. Whether you're entertaining ...

An art deco set of a sofa with two armchairs by the world renowned former Czechoslovakian designer - Jindrich Halabala. Incredible restoration work. A strikingly beautiful set of v...

Coast Mudular Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The modern Coast modular sofa was designed to bring a sense of calm and peace to anyone ...

Galapinhos Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Galapinhos modern sofa was designed to add the essence of nature into the interior spac...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Extremely rare & stunning! This fully original ''Minerva seating group'' by Peter Hvidt & Orla Mølgaard-Nielsen for France & Daverkosen 1950. The design & luxurious feeling of this set are just superb. The combination of teak, rattan, wool & chrome are breathtaking. It looks stunning from any angle with the minimalist teak & chrome backrests so you can place it in the center of your room. The set has its original finish & original padded wool upholstery in grey/green. which remains in amazing condition! The FD516 coffee table...

Yngve Ekström was one of the most important figures in the evolution of the Scandinavian Modernism movement and co-founder of the furniture design company Swedese. This living room ...

Amazing pair of German Art Deco style armchairs, manufactured in the 70s. Characterized by the pursuit of both functionality and aesthetics, Art Deco furniture aspired to elegance a...

The epitome of Mid-Century Organic Modern refinement. This iconic teak living room sofa set represents some of the best design and craftsmanship of the era. Invitingly relaxed and magnificently elegant. The sculpted teak wood, elegantly darkened with age, is complemented by chic tweed upholstery à la Coco Chanel...

Hollywood Regency Royal Style Handmade Fine Leather Chairs and Table Allow yourself to sit in the lap of luxury with our absolutely stunning chairs and table set The Royal Experience. This is indeed a regal chair...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping ...

Pair of Svante Skogh 1957 “Bodo” armchairs in Swedish oak PRODUCT DETAILS Dimensions: 75w x 72h x 62dcm Materials: oak wood, fabric Production: Saffle Mobler 1957 The coordinate...

An extremely rare and extraordinary set of 4 dining chairs in solid ash, highlighted details such as the butterfly shaped back rest. Seats and the curved back reupholstered in a grea...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Silhouette is a surreal reminiscence of a woman’s sensual curves that arise designed in an eye-catching dining chair. The joint dimension of people and objects represented by severa...

"Kiushu" armchair with wooden frame and fabric covering. The backrest is removable. Signs of wear on the legs. The Brick Red fabric and the fillings remain ...

Pebble sofa by Fred Rigby Studio Dimensions: L 200 x W 90 x H 80 cm Materials: solid oak, dedar boucle weave wool, natural ebonised and oil Fred...

This sofa was produced by the Brazilian company Celina Decorações in the 1960s. The sofa is made of solid Rosewood, with seats and backs upholstered with a gorgeous fabric 100% Organic Silk, from our collection Bossa Fabrics. The armrests have a rectangular design that favors the visualization of the beautiful veins of the wood, with upholstered sides. The base consists of four rectangular legs, providing lightness to this three-seat sofa. Celina Decorações signed one of the most modern lines of Brazilian furniture in the 1960s. Based in Rio de Janeiro, the Celina Decorações factory imposed high-quality standards, maintaining handcrafted characteristics. With a color pallet rooted in natural shades, our Fabric collection tells a bit about Brazilian biodiversity, through raw and natural materials and artisanal processes. For dyeing this textured fabric was used yerba mate...

Set of 5 French Empire-style (19th century) mahogany salon or living room set with bronze trim and red damask upholstery. Measurements: 2 arms 27½" W 28" D 40½" H 2 sides 22½...

Ez egy klasszicista stílus ülő szalon garnitúra, finom es elegáns kecses jelenéséével. Maga a szövetben áll a különlegesé, amiben egy hímzett szövetről, kárpitról van szó, régi góbén...

A garnitúra attól egy nagyon különleges , egyedi darab mert az kívül hogy egy híres magyar tervező, Lajos Kozma áll mögötte, ez a garnitura " reintrepeltava es reformálva " volt az ...

Ole Gjerløv-Knudsen & Torben Lind for France & Søn, modular lounge set, Denmark, design 1962 Modern and beautiful colored modular lounge set designed by Ole Gjerløv-Knudsen & Torbe...

MAISON JANSEN …From a villa decorated by Jansen around 1940 in the south of France… Suite of: - 1 settee; - H 108cm(42“) H assise 43cm(17") / L 140cm(55“) / D 53cm(21“) - 2 armch...

Set of 6 American Art Deco wicker salon / living room set painted green & yellow with an arch form back & open weave trim (sofa, 2 armchairs, rocker, recamier, coffee table)

Fantastic Italian Mid-Century organic sofa and matching coffee table, fully made in bamboo, leather, and maple wood. The coffee table is completed by its original smokey bronzed glas...

Spectacular patio or garden set in wrought white enameled iron which includes a round dining table and 4 chairs. This charming set was hand-made in Italy during the 1950s and is in a...

Gorgeous lounge set from Strässle, made in Switzerland in the 1980s. Composed of a sofa, a reclining armchair and his ottoman, in its original graphic and colorful fabric, perfect to...

French modular sofa from the 70s, set of 9 seats, New velvet fabric from jab brand and made by an upholsterer, Honey color Many shapes are possible You can set it up in different ...

This vintage living room set is a typical example of European furniture design of the 1970/1980´s. The furniture is very comfortable. It consists of one sofa and two armchairs on wh...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modular ...

Wonderful living room set designed by Illum Wikkelsø for C.F. Christensen, Silkeborg, in Denmark, 1960, consisting of two armchairs, a three-seater sofa (with additional possible con...

Mario Bellini "Le Bambole" three-seater sofa for B&B Italia, faux-fur, foam and metal, Italy, 1972. The search for a new shape for upholstered furniture: all parts are shaped like a...

Product Description Full: Daybed/ 3-seater ‘Model Z’ designed by Poul Jensen and produced by Selig in Denmark in 1957 newly upholstered in faux fur. This lovely 3 seater couch also d...

Product Description Full: In the style of Vivai del sud club chair (TBC - we suspect it is an an original however to be safe we are listing it as style). Upholstered professionally b...

Silk 3-seater sofa and armchair, Tommaso Barbi, 1970s Elegant, very sturdy. Only a few slight tears on the base, burns, and slight stains on the fabric. DESIGN PERIOD 1970...

A fabulous vintage Boho cast brass bell. A charming floral design in a heavy weight bell. Acquired from a Palm Beach estate.

Modular sofa by Karstudio Dimensions: W 210 x D 105 x H 70 cm Materials: Fabric, MDF Frame Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause and...

Embrace the charm of the 19th century with this elegant French Rocaille Salon Set. Crafted from high-quality walnut with Cane Seat and Backrests, this Louis XV style set includes a s...

Italian modern red living room Marenco by Mario Marenco for Arflex, 1970s Living room composed of two two-seater sofas and an armchair mod. Ma...

France, 1970's A pair of rattan armchairs. H 106 x W 72 x D 52 cm