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Barcelona Lounge Chair, Knoll, Mies Van Der Rohe, Parchment Leather, Stainless

$7,995per item

About

Barcelona lounge chair, Knoll, Mies van der Rohe, parchment gray leather. Stainless steel frame. (250LS) labeled and dated. One of the most recognized objects of the last century and an icon of the modern movement, the Barcelona chair exudes a simple elegance that epitomizes Mies van der Rohe's most famous maxim–“less is more.” Each Barcelona piece is a tribute to the marriage of modern design and exceptional craftsmanship. Knoll Barcelona lounge chair, Mies van der Rohe. Lovely custom 'parchment' leather option, straps in-tact, listing and price listed is per single chair. Re: Barcelona chair As a rising figure of the modernist movement, Ludwig Mies van der Rohe was selected to design the German Pavilion for the 1929 International Exposition in Barcelona. Through masterful proportioning and planning, Mies created a rhythmic and entirely unprecedented space, which elevated Industrial-age materials to a level of grace never before achieved. Inside, Mies included chairs and stools conceived as a resting place for the King and Queen of Spain. Determined to create a chair worthy of royalty, Mies is thought to have based the designs, with their signature crisscross frames, on the Campaign chairs of Ancient Rome. Mies: “I feel that it must be possible to harmonize the old and new in our civilization.” Although the Barcelona Pavilion only stood for seven months (see last image), it is recognized as a defining achievement of modern architecture, as are the accompanying Barcelona chairs (although the King and Queen reportedly never sat in them). Mies, a close friend and mentor to Florence Knoll during her time at the Illinois Institute of Technology, formally granted Knoll the production rights to the Barcelona chair and stool in 1953. The designs immediately became a signature of the Knoll brand and have been built to Mies van der Rohe’s exacting standards ever since.

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    Ships From: Brooklyn, NY
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About the Designer

Ludwig Mies van der Rohe

Architect, furniture designer and educator, Ludwig Mies van der Rohe was a central figure in the advancement and promotion of modernist design and architectural theory and practice. Like Frank Lloyd Wright and Le Corbusier, he was a hugely influential presence in the field, who shaped the course of 20th-century architecture both through his buildings and his teaching of rationalist design principles. Born in the medieval German city of Aachen, Mies found an interest in architecture as a boy while working for his father, a master stonemason. He had no formal education as an architect, but learned his skills as an apprentice to the designer Bruno Paul, and as a staffer in the office the proto-modernist architect and designer Peter Behrens. Following World War I, Mies rose to prominence in his field amid the liberal atmosphere of the Weimar Republic. His reputation was secured by his work on the German Pavilion at the 1929 International Exposition in Barcelona (commonly referred to as the Barcelona Pavilion) — which Mies codesigned with Lilly Reich, his creative and romantic partner — a radically simple, poetic, open-plan building pared down to its architectural essentials. Mies would go on to direct the Bauhaus from 1930 until 1933, when Nazi-government interference forced the closure of the progressive art and design school. Later that decade, he made his way to Chicago, where he remained for the rest of his career as a practicing architect and a dean of the Illinois Institute of Technology. Mies’s famed dictum “less is more” grew from his belief that architecture both guides and expresses the spirit of the times, and he envisioned the 20th century as open-minded, logical, transparent and liberated by technology. His best-known buildings — residences such as the Villa Tugendhat in Czechoslovakia and the Farnsworth House in rural Illinois; skyscrapers like the 860–880 Lake Shore Drive apartment towers in Chicago and the Seagram Building in New York — reflect that philosophy. As do the most famous furniture designs authored by him or codesigned with Reich. Pieces designed by Mies and Reich such as the Barcelona chair, stools and daybed, or the cantilevered Brno chairs, deliver a maximum of comfort and support from a minimum of materials: their “lavishness” derives from the precision with which they are engineered and constructed. For the collector, the allure of Mies’s furniture is at once practical and idealistic. Useful and functional, his works embody the highest aspirations of modernism.
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Located in Brooklyn, NY
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