Kerstin Horlin-Holmquist, Swedish, 1950s Eva Chair

High-backed vintage armchair in the manner of Flemming Lassen, produced in Denmark sometime between 1940-1950. The legs are stained beechwood and the chair has been completely recond...

Hans J. Wegner Pair of GE-240 Cigar chairs, 1955 Produced by GETAMA in Gedsted, Denmark in the 1950s. These examples of Wegner's iconic lounge chair are made from European oak ...

Hans Wegner Cigar Chair Model GE-240 Produced by Getama in Denmark, c1950s. The Cigar chair remains one of Wegner's most effective, contemporary and popular designs. This exam...

Hans J. Wegner Pair of GE-240 Cigar chairs, 1955 Produced by Getama in Gedsted, Denmark in the 1950s. These examples of Wegner's iconic lounge chair are made from European oak ...

Ole Wanscher PJ-149 Colonial chair, 1949 A Fine example of Ole Wanscher's most iconic design: The Colonial Chair. Produced by Poul Jeppesen in Denmark c1950s in exquisite Brazi...

Carl Malmsten Samsas lounge chair, 1950s Produced in the 1950s by O H Sjögren in Sweden, the 'Samsas' lounge chair is one of Swedish master Carl Malmsten's finest works. This e...

These “Lilla Eva” models are from the timeless and iconic Paradise Collection, which was created by Kerstin Hörlin-Holmquist during her time as a designer at...

This “Lilla Eva” model is from the timeless and iconic Paradise Collection, which was created by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The nam...

A pair of Kerstin Horlin Holmquist Stora Eva chairs, newly upholstered in premium pure mohair fabric, designed in 1958 and produced by Nordiska Kompaniet (NK) as part of the Triva s...

The “Little Adam” chair model is from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-...

The “Little Adam” chair model is from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-...

These “Adam” models are from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The name is inspired by “Paradiset” – the Swedish name for Eden. This pair holds a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created the peculiar shape of these chairs that is only increasing in popularity. Thanks to her unique vision, these chairs have an unmistakeable backrest that flows down to form the armrests. While the armrests sit low, therefore opening the seats, the chairs still give the impression of hugging the sitter. The upholstered bodies elevate the visual comfort, with stitch tufted backrests that are festooned with orange, symmetrically arranged cross stitches. The upholstery is a premium, light Italian fabric with a soft touch that complements the aesthetic of Hörlin-Holmquist’s design. Similarly, the stained and tapered beech legs pair perfectly with the sculptural and organic form of the bodies. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, these “Adam” easy chairs have become iconic. Condition: In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium Italian fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 30.71 in W x 33.46 in D x 36.61 in H; Seat Height 16.14 in 78 cm W x 85 cm D x 93 cm H; Seat Height 41 cm About the Designer: Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England. She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project. "I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..." Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture...