Mid-19th Century Gothic Revival English Walnut Reclining Arm Chair

This Early 19th Century English Regency Greek Revival Calamander and Jasperware Cabinet with Ivory Stringing is a testament to the era's dedication to craftsmanship and historical re...

This whimsical 19th-century Venetian grotto chair is carved from gorgeous dark brown walnut. The piece features a large-scale open scallop shell motif on the back and seat, with sinu...

From the 1700s through the early 1800s, European aristocrats developed a fascination with ancient Egyptian culture and design that culminated in a full Egyptian Revival. Prominent figures such as Marie Antoinette and Napoleon Bonaparte commissioned rooms decorated with Egyptian motifs. This cultural moment reflects a fascination with a sophisticated civilization of great artists and pharaohs. The Regency era possessed very little knowledge of the Great Pyramids or hieroglyphics, a quality that lent Egyptian art interpretation a compelling air of mystique. This English Regency period gilt carving depicts a popular figure of borrowed Egyptian motif: the Sphinx. Recognized among educated circles as a symbol of brilliance in the ancient past, the Sphinx was well-known as a mythological creature who destroys those who failed to answer her riddle. Such a piece as this, excellent in detail and craftsmanship, may have once graced the mantle of a gentleman’s study or been exchanged as a gift between British scholars. The beautiful gold surface has been achieved by an artful combination of gilt and gesso; the art enthusiast will appreciate the intricate texture realized in the carving’s hair and tail as well as the delicate detailing of the saddle. Borrowing from the Egyptians, the Greeks had their own interpretation of the Sphinx. Greek mythology chronicled the Sphinx as being the daughter of Orthous and Chimera or Laius and attributed the riddles, which she proposed, as having been taught to her by the Muses. Crowned with a Grecian diadem and having a refined expression, she evokes an ancient yet reserved intellect. For the modern-day enthusiast of classical Greek art...

This late 19th-century carved wooden sculpture is a lifesize depiction of a young nobleman of the Italian Renaissance. The piece is made entirely from wood and carved gesso under an ebonized finish, giving it the illusion of an oxidized bronze sculpture. The young man is posed in a classic Contrapposto stance, which is an Italian term that means "counterpoise". This term usually refers to a standing human figure carrying its weight on one leg so that the opposite hip rises to produce a relaxed curve in the body, a dynamic pose that is most associated with Renaissance art. He establishes his stance with a hand on his large belt and one hand in the air holding a torch. This Renaissance revival piece is highly detailed through intricate workmanship, down to the Lion of Saint Mark...

1870s English recliner. This is a delightful example of a pre-modern reclining lounge chair with full functionality intact. A testament to late 19th-century English craftsmanship and...

19th century Gothic Revival painted ivory white and gold armchair.

19th Century French Gothic Revival chair is a wonderful testament to the craftsmen of a bygone era! Hand-sculpted from old growth oak, it feature...

Charles Bevan under licence to Marsh Jones & Cribb. A 'New Registered Reclining Chair'. A Gothic Revival reclining upholstered arm chair, with pegged oak frame and original casters. The brass mechanism is in great shape still works effortlessly. Measures: Height 40 inches, width 26 inches, depth fully retracted 30", fully extended depth is 45". Marsh and Jones began making furniture around 1850, originally known as “Marsh and Jones: Medieval Cabinet Makers” of Leeds", becoming Marsh Jones and Cribb in 1867 and exhibited at the Paris Exposition in 1878. They employed Charles Bevan who in 1865 gave them licence to manufacture his successful ‘New Registered Reclining Chair'. Bevan designed the furniture and interiors for the son of Sir Titus Salt an enormous commission for his marital home Saltaire. Another leading architect and interior designer Bruce J Talbert...