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One Set Herman Miller Time Life Lounge Chair and Ottoman

On Hold
$5,300per set

About

Charles and Ray Eames Charles and Ray married in 1941 and moved to California where they continued their furniture design work with molding plywood. During the war they were commissioned by the Navy to produce molded plywood splints, stretchers and experimental glider shells. In 1946, Evans Products began producing the Eameses` molded plywood furniture. Their molded plywood chair was called "the chair of the century" by the influential architectural critic Esther McCoy. Soon production was taken over by Herman Miller, Inc ., who continues to produce the furniture in the United States to this day. Another company, Vitra International , manufactures the furniture in Europe. The Eameses continued to create new furniture designs into the 1970s. Examples include the molded plastic or fiberglass chairs from the early 1950s and the famous Lounge Chair and Ottoman from 1956. Sturdy, comfortable and elegant office furniture was created in the 1960s, as well as seating designed for Dulles and O`Hare Airports. This Tandem Sling Seating is still in use in airports around the world today. 1 Herman Miller Time Life lounge chair and ottoman set Originally designed in 1960 for the lobby of the Time-Life Building in New York, this padded leather swivel chair is also known as the "Bobby Fischer," because he used it in the World Chess Championship in Reykjavik in 1972. Chess master Bobby Fisher insisted on settling into one of these chairs while he competed in the World Chess Championship in Reykjavik. When his opponent, Boris Spassky, admired it Herman Miller had one flown in for the Russian chess master as well. Lounge chair features The time life executive chair is made of high-quality materials Aluminum base and frame Red leather upholstery Deep cushions and padded arms Swivel mechanism  Ottoman features custom made leather ottoman Original Herman Miller aluminum base New red leather upholstery.  This ad is for one chair and ottoman 2 pairs available.

Details

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    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Pasadena, TX
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About Charles and Ray Eames (Designer)

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.

As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.

The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.

The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

About the Seller
4.5 / 5
Located in Pasadena, TX

Operating from a 30,000-square-foot warehouse in Pasadena, Texas, Metro Retro Furniture specializes in mid-century and Art Deco furniture dating to the 1930s through the 1980s, including pieces by Jens Risom, Charles & Ray Eames, Nico Zographos, Milo Baughman, Edward Wormley, Alvar Aalto, Hans Wegner and many more celebrated designers....

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